DID YOU READ

10 actors turned directors

bobcat

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“What I really want to do is direct.” Once upon a time, that was a line used to mock the unbridled chutzpah of actors who wanted to helm films of their own, but now, no one’s really laughing at the notion that the pretty people in front of the camera might also possess the talent to handle the responsibilities behind the camera as well. Too many Academy Awards have been won by these thespi-auteurs. Need proof? Here’s a quick rundown of ten actors, in no particular order, who turned director and made good with the switch.



1. Clint Eastwood

Sure, let’s start with the big dog. That oddball performance at the Republican National Convention notwithstanding, and contrary to “The Fall Guy” Colt Seevers’ assertion that he’s responsible for the finery of Clint’s looks, Eastwood blazed a trail to stardom in the classic spaghetti westerns of Sergio Leone, the mean streets of Dirty Harry’s San Francisco and in army pictures like “Kelly’s Heroes.” He started directing in 1971 with “Play Misty For Me,” he directed himself in classics like “The Outlaw Josey Wales” and “High Plains Drifter,” and in 1992, he was the Best Director of the Best Picture of the Year with “Unforgiven,” the dark revisiting of the western genre that made him famous. Since then, he’s directed gems like “A Perfect World” and returned to the Oscar stage with “Mystic River,” and returned to the winner’s circle with “Million Dollar Baby.” The kicker is that, for both of his Best Picture and Best Director wins, he was also nominated for Best Actor, but didn’t pull off the trifecta. That doesn’t matter, though. This is Clint Eastwood.



2. Mel Gibson

After that glowing tribute, the time comes to jump to this beleaguered fellow. Once, there was a time when Mel Gibson was just awesome. He was articulate and hilarious, Mad Max and a Lethal Weapon, a quipmaster who could match wits with Robert Downey Jr. in “Air America” and a guy you believed could charm the knickers off of Jodie Foster in “Maverick.” His directorial debut was 1993’s “Man Without a Face,” but he leapt into the stratosphere with 1995’s “Braveheart,” which became the Best Picture of the Year. It may have played fast and loose with the facts about the life of William Wallace, but it was quite the engrossing movie, landing him the Best Director award as well, although he wasn’t nominated in the acting category. He then transitioned from his successful on-camera work to following his passion – in this case, the “hey, let’s all beat up Jesus in slow motion” film called “The Passion of the Christ.” Things… well, they started to go downhill from there – maybe even a little “Apocalypto,” so to speak. Do you really need a recap of that, sugar tits?



3. Jodie Foster

Speaking of Gibson, one of his few defenders after it became clear that he was kind of nuts was his “Maverick” co-star Foster. As we saw at the Golden Globes, it turns out she might be a smidge damaged as well, as you might expect from someone who began acting at age three, and who was nominated for Best Supporting Actress as a 13-year-old prostitute in “Taxi Driver,” AND who was cited as the motivation for why a guy tried to assassinate the president when she was 19. Things like that gotta mess a woman up a bit. Add to that winning Best Actor awards for a profoundly disturbing graphic rape drama like “The Accused” and the enduringly creepy “The Silence of the Lambs,” and it seemed that the ugly underbelly of humanity is what she thrived on exploring. Perhaps that’s why her feature film directorial debut was with 1991’s “Little Man Tate,” a quiet story about a mother trying to raise her smart but socially-disabled son. Then, a few years later, she followed it up with the ensemble family dysfunction dramedy “Home For The Holidays.” That was it for her in the director’s chair, though, until 2011’s “The Beaver,” starring Gibson as a man having a mental breakdown centered around a hand puppet. For some reason. Perhaps it’s best not to speculate.



4. Robert Redford

Here we go. The erstwhile founder of the Sundance Film Festival made his bones early in his career as a blond, handsome leading man opposite notables such as Natalie Wood and Jane Fonda in “Inside Daisy Clover” and “The Chase,” respectively. He broke out of that mold with the legendary film “Butch Cassidy and The Sundance Kid” with Paul Newman. He’d re-team with Newman and get an Oscar nomination out of 1973’s “The Sting,” becoming one of the biggest stars in the world. His first time in the director’s chair came with 1980’s dark family drama “Ordinary People,” and he knocked it out of the park, winning Best Director and Best Picture. He’s continued to produce stellar work behind the camera, with “The Milagro Beanfield War,” “A River Runs Through It” and “Quiz Show.” We’ll just quietly ignore The Fresh Prince Magic Golf Movie.



5. Bobcat Goldthwait

Wait, what? Yes, that “Police Academy” guy who screamed a lot in “One Crazy Summer” dropped that yelling stand-up schtick completely and started making black comedies that explore weird areas that no one else touches. Starting in 1991 with the alcoholic clown cult classic “Shakes The Clown,” and continuing with a pair of Sundance Film Festival entries – 2006’s “Sleeping Dogs Lie” (about a woman hiding the disturbing secret that she once fellated her dog on a whim) and 2009’s “World’s Greatest Dad” (starring Robin Williams as a father who covers up his son’s autoerotic asphyxiation death and writes a best-selling suicide note), he’s managed to tackle these strange subjects that could be broad comedies with a deft dramatic touch and realism. The 2011 Toronto Film Festival entrant “God Bless America” tells the story of a doomed, depressed man who starts a “Bonnie and Clyde” style killing spree against everything that sucks about America with an awful reality-show star. It’s a unique road Bobcat is paving, not for the easily-offended, but it’s a road worth traveling.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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