DID YOU READ

SXSW 2013: Five minutes with Eugene Mirman

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Eugene Mirman is a busy man, especially when he’s at SXSW. So we jumped in the car and chatted with him for the five minutes it took to drive from the Driskill Hotel to his next gig.

Hi Eugene, thanks for letting us hitch a ride with you.

Oh sure, so are car interviews your thing?

No, no you just didn’t have time for a sit-down interview.

Ah! I have been doing a lot of interviews, but I thought this was your thing. “Oh we do car interviews!” and I was like, ‘Okay that sounds fine,’ but it isn’t. It’s not that you do car interviews. This is great, this is good, I’m glad we’re doing it anyway.

You’re a veteran of the Austin scene down here. How many SXSWs have you been to?

I’ve done the last 13.

Wow, 13? You’re an expert then.

I don’t know if I’m an expert at going to a music festival. But I think in 2000 my website was nominated for Best Humor Site or something like that and I came down with my friend who had designed it and we were like, ‘Oh this is very fun. We should come back.’ So I did. I may have even done a show somewhere that first year, but since then I have been coming back and doing shows every year. Before they ever added comedy, I would just put on a show before the music festival started and use that show’s money to finance staying here.

Do you have certain things you really like to do while you’re here each year?

Walking around South Congress is always lovely. There’s a handful of restaurants – although sometimes they change – that I try to go to each year. Like Franklin Barbecue and this Japanese place called Uchiko, which is really awesome, so I might try and do those things, but mostly it’s just coming to see friends who are in LA or live somewhere else. It’s a great chance to catch up with friends, basically.

What are you doing here this year?

Just a bunch of car interviews.

Car interviews are where it’s at! I’m going to make this my thing.

Just seven back-to-back car interviews.

No one else gets to do car interviews! It’s my shtick now.

This is how it’s going to start for you. You’re going to become the greatest car interviewer ever. I’m interviewing They Might Be Giants today.

Oh they are great! Are you a They Might Be Giants fan?

I am.

Which album?

I’m a fan of several albums, actually. It would be funny if I was like, “Only Lincoln, after that, what happened to them.” But I am a fan of them. They are a band I liked a lot in college, so this is fun. Flood was a great record, Lincoln, classics! John Henry, I think that came out while I was in college. So I’m interviewing them tonight and I did two shows yesterday and I’m going to go see stuff and eat at some places. Like Franklin Barbecue, which is right there [pointing as we drive past]. You have to go at 9 or 10 in the morning, but it’s the best. Literally the best.

Here’s the question we’ve been asking everyone: What is one memorably awkward high school experience?

What’s an awkward high school experience? High school is all awkward, so I don’t know. I have sad stories from elementary school, so maybe this will suffice. When I was in sixth grade I had a collie and it was a very pretty collie that I had for about six months, because it got hit by a car.

I don’t like this story at all, Eugene.

We had to go to the vet while my parents were away, with this collie dying next to me, and it died. Then the next day at school this little girl came up to me and was like, “You’re dog committed suicide because it didn’t love you.”

This is the worst story I have ever heard.

Yeah, well you asked if I could think of an awkward story and I thought that the amount that story is sad covers it. Like, it’s the wrong gear, it’s not awkward, but it’s pretty horrifying, so in that sense, it’s fine. It was sixth grade, but it was pretty traumatic, so it works.

It does sound very traumatic. How long did it take you to get over that?

I don’t know, I’m 38 and I’m in the back of a car telling it to you now, so I don’t think I ever have. That was when I decided I should become a comedian and use that to work through these issues.

Do you do that with your comedy? Do you work through issues on stage?

No, not really. Not specifically. Meaning what I do on stage is not particularly personal. It’s personal as to how I see the world, but it’s not personal like, “It’s so weird fucking people and it makes me feel weird.” It’s not that. That’s a bad example of personal stand up comedy, but you get what I mean.

You came to the U.S. from Russian when you were a kid, right?

I did. I came here when I was four.

Where did you go to high school?

I went to high school in Lexington, Massachusetts, which in hindsight was very nice. It was a great school, but at that the time it was like, “School is a terrible experience.”

Have they invited you back to speak?

I have spoken at both my high school and college. There were several people from my high school like Ethan Zahn who won the first “Survivor,” Amanda Palmer, I think a lot of us have spoken at the high school. I mean there’s only so many people who went to the school. They also have professors or radio personalities or whatever, but yes. That’s a long roundabout way of saying that yes, I spoke at my high school. And at the college, which was nice too.

What was that experience like? My high school has definitely not invited me back to speak.

Yeah, but in like two years they will. Maybe four. It’s really likely. How many people are voice actors from your high school? Once they are invited back, you’re next. That’s how it works. The experience well the class picks you. In both high school and college you are invited because the class wants you to come. What’s funny is that when I was introduced for the high school one, you can find both speech on the internet, but for the high school one they just introduced me as “From the Class of 1992, Eugene Mirman” and most of the people in the hockey stadium where they did this graduation clearly had no idea who I was or what I did. They knew that I had gone to the school and that they had asked me to speak. It was a really funny experience where my friends who had come and were in the audience kept hearing the kids ask “Who is this? What does he do?” But it was a really great experience and it went really great.

Well, we reached your destination, so get out of the car.

Okay, I will.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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