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DID YOU READ

Lorne Michaels wins rare Peabody Award

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The legendary Lorne Michaels won a rare individual Peabody Award on Wednesday morning. The awards, announced this time via Twitter and webcast, usually recognizes the group effort of a cast, writers and crew of a show during the course of a single season. Michaels, however, is being singularly rewarded for his entire body of work. His most recent productions include “Portlandia,” “30 Rock,” “Late Night with Jimmy Fallon” and, of course, “Saturday Night Live,” the most influential comedy show of all time, which he created in 1975. For more than 30 years, the dapper, dour Canadian-American has launched some of the best comedians in the world, looking over their careers from his office at 30 Rockefeller Center. He has always been fiercely pro-NBC, walking the fine line between creative and executive. “… (H)e is both corporate and uncorporate; a man who can feel comfortable in a Prada suit or khakis; a man who has counseled the highest echelons of NBC power, yet who feels beholden to nothing except the rigor of creating comedy — and the occasional glance at ratings,” wrote Stacey Wilson in a profile for The Hollywood Reporter.

Though born in Toronto, it is hard to think of anyone more American-to-the-core than Michaels. Lorne is a self-made man, creating, in his own self-becoming process, a cutting edge American institution that expanded the parameters of what could be done in American sketch comedy. “SNL,” under Lorne’s soft Canadian-American paternalism, lampooned our cultural obsessions as well as our leaders; “30 Rock,” under his guidance, has parodied the dysfunctions of a comedy show (and who would know that terrain better than Lorne?). His own comedic sensibility — intelligent, brash, martini-dry but with an acute awareness of the PR angle (particularly in his youth) — is the North Star which has led several generations of performers who hope to one day appear on one of the shows that he produces. Michaels, it should also be added, comes across as hyper-fair ( a rare trait in the world of comedy), especially when he gently led Sarah Palin into the treacherous waters of an “SNL” cold open in the thick of a Presidential contest. Except for a brief period in the 1980s, Michaels has been at the helm of his creation, the all-seeing Daddy, even doing memorable cameos over the years, enhancing his reputation among the creatives.

Everyone seems to have a Lorne Michael story. The theme of almost all of these stories is the outsize power and influence of the man. Tracy Morgan first met Michaels when he was hawking overpriced Yankees merchandise. Artie Lange has a funny story about meeting Lorne Michaels, in which he comes off as a gigantic asshole. But it is Alec Baldwin, whose Jack Donaghy on “30 Rock” lovingly parodies his comedic mentor, that grasps the sweet Candian-American essence that is Michaels. “In Baldwin’s mind, ‘Jack Donaghy is Lorne, first and foremost,” he told The New Yorker. “‘What am I, a farmer?’ That is Lorne. I think he said that. Lorne’s got a tuxedo in the glove compartment of his car. Lorne is a big-ticket A-list New York water buffalo. He’s big on the Serengeti. Lorne is a person who seduces you into thinking that if you take his advice and play your cards right you’re going to end up with his life.”

The most interesting recent Lorne Michaels story involves the memorable “SNL” cold open in the wake of the Sandy Hook Elementary School shootings. “Between dress and air (Lorne) came up with the idea of after the kids sing ‘Silent Night’ they dip to black and then they come up and say ‘Live from New York,” Martin Short, on Studio Q, told the host. This insight into such a culturally significant moment not only gives us a glimpse as to what it is exactly that Lorne Michaels does at “SNL,” but also provides us with the reason why as to why he is so culturally invaluable. The Lorne Michaels touch.

No portrait, no matter how brief, of Lorne Michaels would be accurate without referring to the man’s position in the world of comedy. Michaels, in the winter of his life, gives off an air as patrician now as he exuded was smart-alecky in the 1970s. He was more of a creative when he was younger, and now he can only be properly construed under the category of “suit.” As something of a fixer — with none of the negative connotations, I must add — Michaels has been a major reason for the success of NBC late night (with Conan and Jimmy) and Saturday night. However, at no other time has Lorne Michaels wielded as much power as he does now. The rise of Jimmy Fallon (and in his wake, Seth Meyers), the fresh nostalgia over the end of “30 Rock”, the ungodly power of the Weekend Update chair all argue that Lorne Michaels has an almost unnatural pop-cultural influence. “For decades, the host of The Tonight Show has been crowned NBC’s late-night king,” wrote Nellie Andreeva for Deadline. “But through the years, one figure has been looming larger than any host or executive in NBC’s late night, producer Lorne Michaels, and the current turmoil over the Tonight Show transition is poised to further cement his enormous clout. ” His power grows stronger and stronger.

After 36 years, after being nominated for 80 Emmys (and winning 18), Lorne Michael will be honored by the Peabody’s at the Waldorf-Astoria on May 20th. Well played, Lorne Michaels.

What do you think of Lorne Michaels’ achievement? Tell us in the comments section below or on Facebook and Twitter.

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.