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Lorne Michaels wins rare Peabody Award

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The legendary Lorne Michaels won a rare individual Peabody Award on Wednesday morning. The awards, announced this time via Twitter and webcast, usually recognizes the group effort of a cast, writers and crew of a show during the course of a single season. Michaels, however, is being singularly rewarded for his entire body of work. His most recent productions include “Portlandia,” “30 Rock,” “Late Night with Jimmy Fallon” and, of course, “Saturday Night Live,” the most influential comedy show of all time, which he created in 1975. For more than 30 years, the dapper, dour Canadian-American has launched some of the best comedians in the world, looking over their careers from his office at 30 Rockefeller Center. He has always been fiercely pro-NBC, walking the fine line between creative and executive. “… (H)e is both corporate and uncorporate; a man who can feel comfortable in a Prada suit or khakis; a man who has counseled the highest echelons of NBC power, yet who feels beholden to nothing except the rigor of creating comedy — and the occasional glance at ratings,” wrote Stacey Wilson in a profile for The Hollywood Reporter.

Though born in Toronto, it is hard to think of anyone more American-to-the-core than Michaels. Lorne is a self-made man, creating, in his own self-becoming process, a cutting edge American institution that expanded the parameters of what could be done in American sketch comedy. “SNL,” under Lorne’s soft Canadian-American paternalism, lampooned our cultural obsessions as well as our leaders; “30 Rock,” under his guidance, has parodied the dysfunctions of a comedy show (and who would know that terrain better than Lorne?). His own comedic sensibility — intelligent, brash, martini-dry but with an acute awareness of the PR angle (particularly in his youth) — is the North Star which has led several generations of performers who hope to one day appear on one of the shows that he produces. Michaels, it should also be added, comes across as hyper-fair ( a rare trait in the world of comedy), especially when he gently led Sarah Palin into the treacherous waters of an “SNL” cold open in the thick of a Presidential contest. Except for a brief period in the 1980s, Michaels has been at the helm of his creation, the all-seeing Daddy, even doing memorable cameos over the years, enhancing his reputation among the creatives.

Everyone seems to have a Lorne Michael story. The theme of almost all of these stories is the outsize power and influence of the man. Tracy Morgan first met Michaels when he was hawking overpriced Yankees merchandise. Artie Lange has a funny story about meeting Lorne Michaels, in which he comes off as a gigantic asshole. But it is Alec Baldwin, whose Jack Donaghy on “30 Rock” lovingly parodies his comedic mentor, that grasps the sweet Candian-American essence that is Michaels. “In Baldwin’s mind, ‘Jack Donaghy is Lorne, first and foremost,” he told The New Yorker. “‘What am I, a farmer?’ That is Lorne. I think he said that. Lorne’s got a tuxedo in the glove compartment of his car. Lorne is a big-ticket A-list New York water buffalo. He’s big on the Serengeti. Lorne is a person who seduces you into thinking that if you take his advice and play your cards right you’re going to end up with his life.”

The most interesting recent Lorne Michaels story involves the memorable “SNL” cold open in the wake of the Sandy Hook Elementary School shootings. “Between dress and air (Lorne) came up with the idea of after the kids sing ‘Silent Night’ they dip to black and then they come up and say ‘Live from New York,” Martin Short, on Studio Q, told the host. This insight into such a culturally significant moment not only gives us a glimpse as to what it is exactly that Lorne Michaels does at “SNL,” but also provides us with the reason why as to why he is so culturally invaluable. The Lorne Michaels touch.

No portrait, no matter how brief, of Lorne Michaels would be accurate without referring to the man’s position in the world of comedy. Michaels, in the winter of his life, gives off an air as patrician now as he exuded was smart-alecky in the 1970s. He was more of a creative when he was younger, and now he can only be properly construed under the category of “suit.” As something of a fixer — with none of the negative connotations, I must add — Michaels has been a major reason for the success of NBC late night (with Conan and Jimmy) and Saturday night. However, at no other time has Lorne Michaels wielded as much power as he does now. The rise of Jimmy Fallon (and in his wake, Seth Meyers), the fresh nostalgia over the end of “30 Rock”, the ungodly power of the Weekend Update chair all argue that Lorne Michaels has an almost unnatural pop-cultural influence. “For decades, the host of The Tonight Show has been crowned NBC’s late-night king,” wrote Nellie Andreeva for Deadline. “But through the years, one figure has been looming larger than any host or executive in NBC’s late night, producer Lorne Michaels, and the current turmoil over the Tonight Show transition is poised to further cement his enormous clout. ” His power grows stronger and stronger.

After 36 years, after being nominated for 80 Emmys (and winning 18), Lorne Michael will be honored by the Peabody’s at the Waldorf-Astoria on May 20th. Well played, Lorne Michaels.

What do you think of Lorne Michaels’ achievement? Tell us in the comments section below or on Facebook and Twitter.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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