DID YOU READ

Lorne Michaels wins rare Peabody Award

lorne-michales

Posted by on

The legendary Lorne Michaels won a rare individual Peabody Award on Wednesday morning. The awards, announced this time via Twitter and webcast, usually recognizes the group effort of a cast, writers and crew of a show during the course of a single season. Michaels, however, is being singularly rewarded for his entire body of work. His most recent productions include “Portlandia,” “30 Rock,” “Late Night with Jimmy Fallon” and, of course, “Saturday Night Live,” the most influential comedy show of all time, which he created in 1975. For more than 30 years, the dapper, dour Canadian-American has launched some of the best comedians in the world, looking over their careers from his office at 30 Rockefeller Center. He has always been fiercely pro-NBC, walking the fine line between creative and executive. “… (H)e is both corporate and uncorporate; a man who can feel comfortable in a Prada suit or khakis; a man who has counseled the highest echelons of NBC power, yet who feels beholden to nothing except the rigor of creating comedy — and the occasional glance at ratings,” wrote Stacey Wilson in a profile for The Hollywood Reporter.

Though born in Toronto, it is hard to think of anyone more American-to-the-core than Michaels. Lorne is a self-made man, creating, in his own self-becoming process, a cutting edge American institution that expanded the parameters of what could be done in American sketch comedy. “SNL,” under Lorne’s soft Canadian-American paternalism, lampooned our cultural obsessions as well as our leaders; “30 Rock,” under his guidance, has parodied the dysfunctions of a comedy show (and who would know that terrain better than Lorne?). His own comedic sensibility — intelligent, brash, martini-dry but with an acute awareness of the PR angle (particularly in his youth) — is the North Star which has led several generations of performers who hope to one day appear on one of the shows that he produces. Michaels, it should also be added, comes across as hyper-fair ( a rare trait in the world of comedy), especially when he gently led Sarah Palin into the treacherous waters of an “SNL” cold open in the thick of a Presidential contest. Except for a brief period in the 1980s, Michaels has been at the helm of his creation, the all-seeing Daddy, even doing memorable cameos over the years, enhancing his reputation among the creatives.

Everyone seems to have a Lorne Michael story. The theme of almost all of these stories is the outsize power and influence of the man. Tracy Morgan first met Michaels when he was hawking overpriced Yankees merchandise. Artie Lange has a funny story about meeting Lorne Michaels, in which he comes off as a gigantic asshole. But it is Alec Baldwin, whose Jack Donaghy on “30 Rock” lovingly parodies his comedic mentor, that grasps the sweet Candian-American essence that is Michaels. “In Baldwin’s mind, ‘Jack Donaghy is Lorne, first and foremost,” he told The New Yorker. “‘What am I, a farmer?’ That is Lorne. I think he said that. Lorne’s got a tuxedo in the glove compartment of his car. Lorne is a big-ticket A-list New York water buffalo. He’s big on the Serengeti. Lorne is a person who seduces you into thinking that if you take his advice and play your cards right you’re going to end up with his life.”

The most interesting recent Lorne Michaels story involves the memorable “SNL” cold open in the wake of the Sandy Hook Elementary School shootings. “Between dress and air (Lorne) came up with the idea of after the kids sing ‘Silent Night’ they dip to black and then they come up and say ‘Live from New York,” Martin Short, on Studio Q, told the host. This insight into such a culturally significant moment not only gives us a glimpse as to what it is exactly that Lorne Michaels does at “SNL,” but also provides us with the reason why as to why he is so culturally invaluable. The Lorne Michaels touch.

No portrait, no matter how brief, of Lorne Michaels would be accurate without referring to the man’s position in the world of comedy. Michaels, in the winter of his life, gives off an air as patrician now as he exuded was smart-alecky in the 1970s. He was more of a creative when he was younger, and now he can only be properly construed under the category of “suit.” As something of a fixer — with none of the negative connotations, I must add — Michaels has been a major reason for the success of NBC late night (with Conan and Jimmy) and Saturday night. However, at no other time has Lorne Michaels wielded as much power as he does now. The rise of Jimmy Fallon (and in his wake, Seth Meyers), the fresh nostalgia over the end of “30 Rock”, the ungodly power of the Weekend Update chair all argue that Lorne Michaels has an almost unnatural pop-cultural influence. “For decades, the host of The Tonight Show has been crowned NBC’s late-night king,” wrote Nellie Andreeva for Deadline. “But through the years, one figure has been looming larger than any host or executive in NBC’s late night, producer Lorne Michaels, and the current turmoil over the Tonight Show transition is poised to further cement his enormous clout. ” His power grows stronger and stronger.

After 36 years, after being nominated for 80 Emmys (and winning 18), Lorne Michael will be honored by the Peabody’s at the Waldorf-Astoria on May 20th. Well played, Lorne Michaels.

What do you think of Lorne Michaels’ achievement? Tell us in the comments section below or on Facebook and Twitter.

Neurotica_105_MPX-1920×1080

New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

Posted by on

Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

IFC_CC_Neurotica_Series_Image4

IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

Neurotica_series_image_1

IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

Posted by on
Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

via GIPHY

Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

via GIPHY

via GIPHY

Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

via GIPHY

And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

PL_409_MPX-1920×1080

Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

Posted by on
GIFs via Giffy

In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

via GIPHY

Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

via GIPHY

Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

via GIPHY

Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

via GIPHY

Self Defense

You can’t throw a download like a ninja star. Think about it.

via GIPHY

If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.