The college-admission process can be the stuff of nightmares. You can have the greatest grades in the world, but let’s face it: what really decides whether a potential student will be accepted generally remains a mystery. In “Admission,” director Paul Weitz (“About A Boy”) ventures beyond the admissions-office doors for a comedy that might not teach you how to get your child into an Ivy League school, but does offer one key element that makes it infinitely more interesting than any other college prep course: Tina Fey.
The talented “SNL” alum is one of Hollywood’s fastest-rising stars these days, and “Admission” casts her opposite Paul Rudd in this romantic comedy about a Princeton admissions officer who has a crisis of faith when she’s introduced to a quirky teenage prodigy who might be the son she gave up for adoption years ago. The film is based on the book of the same name by Jean Hanff Korelitz, a former reader for Princeton’s admissions program tasked with evaluating prospective students.
From start to finish, “Admission” is a film that feels tailor-made for Fey – and it’s no surprise that the screenplay was written with her in mind. Princeton admissions officer Portia Nathan is essentially Liz Lemon (“30 Rock”) filtered through the tweed and sweater vests of Ivy League culture, equal parts smart and quirky, brilliant and awkward. Without the sort of personality Fey gives the character, Portia’s crisis of faith would never be believable, and both Fey and screenwriter Karen Croner do a nice job of first giving her a reason to believe in what she’s doing – and then giving her a reason to change.
“Admission” also benefits from an outstanding supporting cast headlined by Paul Rudd (“This Is 40”), whose chemistry with Fey makes it seem perfectly reasonable to want this duo to pair up for at least one movie together every year. They really are that good whenever they share a scene.
Also among the standouts in “Admission” is Lily Tomlin as Susannah, Portia’s razor-tongued, feminist mother who serves up some of the film’s best lines, as well as Nat Wolff, who finds the right balance of quirky brilliance as the teenage prodigy who may or may not be Portia’s child. Wallace Shawn and Michael Sheen do a fine job with the brief roles they’re given in the film, and fill out the performances nicely.
Even though “Admission” is saddled with the “romantic comedy” label, it’s worth noting that the film is more of the latter than the former, and lets the romantic element naturally spin out of the comedy rather than simply forcing two funny people together. Rudd and Fey’s relationship is a byproduct of events and not the main narrative of the film, and “Admission” is better for it.
To its credit, “Admission” manages to be a film that speaks to more than just the typical “date night” audience of parents and couples, and with any luck, will find that wide-reaching appeal validated at the box office. It’s not often a film comes along that’s just as much fun to watch with your parents as it is to watch with your partner or friends, but “Admission” is just that sort of film.
“Admission” hits theaters March 22. The film is directed by Paul Weitz and stars Tina Fey, Paul Rudd, Lily Tomlin, Wallace Shawn, Michael Sheen, and Nat Wolff.
The deathtraps featured in the Sawmovies are basically what would happen if Rube Goldberg and Hellraiser had a demon hell child. Jigsaw (and his assistants) build devices of such staggering complexity that it’s a wonder what they could actually accomplish if they used their skills for good instead of for ironic punishment.
Before you catch the Saw movie marathon on IFC, check out the most creepiest traps from each movie which, of course, are very NSFW unless you work for Jigsaw.
1. The Reverse Bear Trap, Saw
The Reverse Bear Trap was the most visually distinctive contraption of the original movie and set the macabre template for the rest of the series. A large metal machine is connected to the victim’s face. If they fail the test, powerful motors will open their jaw to a truly fatal degree. It basically takes all of our dental surgery fears to a horrifying new level.
2. The Razor Box, Saw II
The Razor Box presents a serious dilemma: A poisoned victim sees a clear box containing an antidote. But if they reach in to grab it, razors cut into their arms. Just a few seconds of examination would have revealed the trap’s key on top of the box. It turns out that when you’re locked in a filthy pit of death traps by a lunatic, the most obvious solution completely goes out the window.
3. Amanda’s Test, Saw III
Amanda survives the Reverse Bear Trap from the first movie and goes on to work with Jigsaw. (And you thought your job interview was bad.) Unfortunately it turns out that most people building death traps don’t actually want their victims to survive. When Amanda shoots someone rather than releasing them from a shotgun collar, Jigsaw explains that that was Amanda’s test. Just after manipulating his other apprentice into shooting her in the neck.
4. See No Evil, Speak No Evil, Saw IV
Two men wake up wearing collars chained to a winding cylinder. One has his eyes sewn shut, the other his mouth, so they’re not really in a condition to take a calm look at the situation. The result is a perfectly brutal tragedy of miscommunication and mutilation.
5. The Fatal Five Teamwork Traps, Saw V
Five victims face a series of traps which can be non-lethally solved with the power of teamwork. (Jigsaw could’ve had a great side career as a corporate trainer.) Unfortunately for the five (then four, then three…) they compete with and kill each other until the final test, where they have to sacrifice a total of ten pints of blood to escape. With only two people left, it doesn’t go well.
6. Breathing Room, Saw VI
A health insurance executive and his company’s heavy-smoker janitor are locked into crushing vices connected to breathing masks. The more they breathe, the tighter the vices close, until only one survives. We’ll be honest; we love this because someone specifically built it so that the “breathing room” pun isn’t the most painful aspect.
7. The Love Triangle, Saw 3D: The Final Chapter
The many Saw sequels meant that Jigsaw and his cohorts had to get even more creative to keep their deathtraps fresh. The Love Triangle took things into the outside world by sticking three actual bodies in a mall display full of actual saws. How did Jigsaw install a murder machine and three actual living humans in a public display booth without being caught? And where is Batman when you need him? Jigsaw is really approaching Joker territory here.
Many fans don’t realize that That ’70s Showis set in an actual historical era. The ’70s really happened, although not in the way that people who lived through them remember it. The show occasionally refers to real 1970s events, social trends, and cultural icons, all through the lens of the Forman family and the gang of basement-dwelling misfits. Here are a few occasions on That ’70s Show when the real world showed through the smoky haze.
1. The Gas Crisis
During the early 1970s, an oil embargo made gasoline prices skyrocket to over 50 cents per gallon. Americans realized they were at the mercy of foreign oil producers, a situation referred to today as “That’s How It’s Always Been, Right?” In the pilot episode of That ’70s Show, Eric ends up getting the iconic 1969 Oldsmobile Vista Cruiser as a result of what Kitty calls “The Gas Crisis.” Red has been forced to buy a Toyota to save fuel, but Eric is glad to get the old gas-guzzling Cruiser, even if it is a “pump- sucker.” Happily, that phrase did not survive the ’70s.
Running around naked—the norm for 90 percent of human prehistory—experienced a sudden resurgence as a fad in the 1970s. In 1974 there was even a streaker at the Academy Awards, where host David Niven joked about the man showing his “shortcomings.” On That ’70s Show, a visit from President Gerald Ford prompts the gang to give streaking a try. The show used a digitized Smiley Face to hide Topher Grace’s, uh, shortcomings, although for the record, it was a rather large Smiley Face.
Carsey Werner Productions
The 1970s were a time of often shocking transformations and radically changing gender roles—and that’s just David Bowie. In 1973, 55 year-old male tennis star Bobby Riggs lost a “Battle of the Sexes” match to Billie Jean King. That ’70s Show tackled the growing feminist movement in the “Battle of the Sexists” episode. Donna consistently beat Eric in sports and games, leading Eric and his friends to question his masculinity. This was long before society realized that it’s not who wins the game, it’s who gets paid 30 percent more to play it.
Disco fever swept the country in the 1970s, creating a huge boom for suppliers of mirror balls, polyester suits, and tiny glass vials. By 1976, when the first season of That ’70s Show is set, the craze had even infiltrated heartland towns like Kenosha, Wisconsin, where the gang ventured to shake their groove things. By Season Eight — and by 1979 in real life — an anti-disco backlash had led to public burnings of disco records, lending the phrase “Disco Inferno” a literal meaning.
5. Gay Rights
In 1970s Wisconsin, leisure suits weren’t the only things that were kept in the closet. The modern Gay Pride movement took off during the ’70s, when the first Pride Day was celebrated in 1970 in the wake of the Stonewall Riots of the previous year. That first year, marches were held in New York, LA, Chicago, and San Francisco. It took a while longer for Gay Pride to reach Point Place, Wisconsin. When Eric’s new lab partner, Buddy (played by a young Joseph Gordon-Levitt) turns out to have a crush on him, Eric has to deal with something the actor’s fans would be totally fine with now.
6. The Pill
In the ’60s and ’70s, oral contraceptives — or simply “The Pill” — revolutionized sex. Amazingly, contraceptive pills were not available to unmarried women in all states until a 1972 Supreme Court decision. But after that and before the AIDS crisis hit in the ’80s, there existed a golden age of easy and worry-free sex. Of course, on sitcoms, nothing is ever easy or worry-free, especially sex. The episode “The Pill” is an exciting “whodunit,” at least in one sense of the term. The show spoofed parental fears of their daughters’ newfound sexual liberation with an old-timey instructional film with the double entendre title “Open for Business.”
In the world of video games, before anyone hit on the blatantly obvious idea of having two Italian plumbers as the protagonists, there was only Pong, where two upright lines did battle with a moving dot. Oh, it also went “boop.” This concept was too simpleminded even for Kelso, who takes it upon himself to improve Red’s Pong game and turns out to be something of a Pong savant. On the upside, nobody ever accused Pong video games of making kids violent, unless they lashed out from sheer boredom.
8. The Recession
The 1970s were a time of economic stagnation, hardship, and high unemployment… just like now, except in those days you sent a typed resume to the HR department (who were known as Personnel department) and two weeks later you received a typed rejection letter. In Season Two of That ’70s Show, Red loses the job at the plant where he had worked for years. Set adrift, Red joined a whole generation of guys who thought they would work a factory job all their lives, only to end up living in a Bruce Springsteen song.
9. CB Radio
In Season Two, Kelso put a CB radio in his van to meet hot chicks. In the ’70s, CB radio amazed people by allowing them to talk to each other in their vehicles. The technology was so impressive it hardly mattered that most of your conversations were with truckers on a 4-day amphetamine binge. Thanks to the hit 1975 song “Convoy,” the ’70s echoed with trucker CB slang like “Breaker, breaker,” “Bear in the air,” “10-4 Good buddy,” and other things that made modern texting abbreviations like LOL and OMG seem like Marcel Proust.
10. Cable TV
In the 1970s, deregulation of the cable TV industry lead to the rapid expansion of cable to ever-increasing numbers of subscribers. By the end of the decade cable reached over 16 million households. One of them was the household of Red Forman, who finally broke down in Season Six and got cable TV, which was promptly hijacked to the basement by Hyde. Once confined to a handful of broadcast stations, thanks to cable our nation now finally has an adequate supply of WWII documentaries, cooking shows, and airings of That ’70s Show on IFC.
11. Space Invaders
Most of the 1970s was the era of pinball with its silver ball, flippers, buzzers, bells, and lights a-flashing. But as the decade waned, change was in the air, and the age of video arcade games dawned with powerhouse shooting games like Space Invaders. During Season Four of That ’70s Show, Kelso was behind the curve, buying a stake in the pinball machine at The Hub. Fez turned the Bally tables on him by having the pinball machine replaced by a brand new Space Invaders game, which had just launched in 1978. And Space Invaders would continue to delight gamers for decades, at least until the release of the Adam Sandler vehicle Pixels in 2015.
In the era before television shows were streamed, downloaded, or DVR’d, they were watched on a device called a television. Then in the mid-70s, manufacturers introduced the first home video cassette recorders. This enabled viewers to watch the Tony Orlando & Dawn Rainbow Hour while recording Baa Baa Black Sheep (and yes, some sadist actually scheduled those two shows against each other on Tuesdays at 8 in 1976). That ’70s Show paid homage to this era in an episode where Red buys a Betamax videotape recorder. Beta was a doomed technology, beaten out by the technically inferior but better-marketed VHS. Red’s Betamax is undoubtedly in a landfill somewhere alongside his 8-track tape and Laser Disc players.
No, not like today’s marijuana, where you take a doctor’s note to a dispensary and vaporize a pinch of connoisseur cannabis that could incapacitate a herd of wildebeests. In the ’70s, pot was illegal, cheap, and you needed to smoke up a Dust Bowl-sized cloud to get a buzz. And back then, pot was treated just like it was treated in many states today —everybody was obviously smoking it, but it was technically taboo, so it was never mentioned. The gang sat in the famous “Circle” in a cloud of smoke every episode for eight seasons without explicitly saying what they were explicitly doing. Not until the finale of Season Seven did Red catch the kids, and even then it was never flat out stated what he caught them doing. Marijuana goes down as the biggest — and uncredited — star of That ’70s Show.
Spend Thanksgiving in sweatpants with IFC's Sweatsgiving Weekend.
Posted by IFC on Photo Credit: United Artists/courtesy Everett Collection
Ah, sweatpants. They give us so much and ask for so little. Before you pull out your sweats for IFC’s Sweatsgiving weekend, take a moment to remember some iconic moments in sweatpants history.
5. Regina George wears sweatpants in public, Mean Girls
Head “mean girl” Regina George discovers the wonderfully elastic qualities of sweatpants after gaining weight from the Kalteen bars Cady gave her.
4. Meg Ryan watches TV in sweatpants, Sleepless in Seattle
In the ultimate meta movie moment, Meg Ryan watches TV on the couch in sweatpants while scarfing on popcorn. This process would be repeated a million times over in the real world with every Meg Ryan movie ever made.
3. Johnny Depp hangs out in sweats, A Nightmare on Elm Street
Johnny Depp burst onto the movie scene in the original Nightmare on Elm Street, forever immortalizing the sweatpants and a half-shirt look. And then he was never heard from again. Whatever happened to that guy? Be sure to catch his one and only film when A Nightmare on Elm Street airs Friday, November 27th during IFC’s Sweatsgiving weekend.
2. Rocky jogs through Philly, Rocky franchise
Robert “Rocky” Balboa brought sweatpants into movie history thanks to his triumphant training montage in Rocky. The sweatpants returned in Rocky II and Rocky Balboa, hopefully thoroughly washed.
1. That time you hung out in sweatpants and watched awesome shows and movies, IFC’s Sweatsgiving Weekend
What better way to spend Thanksgiving weekend than in your sweatpants while watching your favorite IFC shows and hit movies? All weekend long starting Thanksgiving day, IFC is airing marathons of That ’70s Show and Todd Margaret. Plus, you can scare off the calories with Nightmare on Elm Street, The Exorcist and Resident Evilmovie marathons. And since you’re spending the weekend on the couch, be sure to tweet or Instagram a selfie while watching IFC with the hashtag #IFCSweatsgiving and you’ll be entered to win a sweet pair of IFC pants. Because if history has taught us anything, it’s that you can never have too many pairs of comfy pants.