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10 comedians in dramatic roles

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There’s a general opinion floating around out there that comedy is harder to tackle than drama, and it’s easy to give credence to that notion. Just think about it in everyday life – is it easier to make a group of people genuinely laugh than it is to just throw a self-righteous hissy fit that draws everybody’s attention to your duh-ramaaaaa? All you have to do is raise your voice and talk over people for the latter, but being truly witty is much harder to master. Timing, sensibility, word choice, delivery – it’s all a bag of tricks that it sometimes feels like magic. Thus, it stands to reason that if you’re talented enough to be funny on screen, you can find a way to pull off serious roles as well. Here’s a list of ten comedians who have proved their chops in notable dramatic roles.



1. Mo’Nique in “Precious”

It’s hard not to start with the recent and darkly powerful dramatic turn from Mo’Nique that one her the Academy Award for Best Supporting Actress. She was famous for stand-up, sitcom work and hosting “Showtime at the Apollo,” but there was no humor in her performance as the broken, nasty, paranoid Mary Lee Johnston, the abusive mother of the title character. The soul-crushing darkness of her sickness made us squirm in our seats, and she deserved every accolade she got for that performance.



2. Jim Carrey in “The Truman Show”

Carrey was one of those guys whose comedy characters from “In Living Color” and movies like “Ace Ventura: Pet Detective” were such crazily exaggerated caricatures that you couldn’t imagine him keeping the famous “rubber face” in place long enough to legitimately emote. But he proved the adage that it’s easier to get wild and crazy people to tone it down than it is to get more reserved folks to let it all hang out – although that’s not to say his performance as Truman Burbank, a man unknowingly raised on a reality television show who comes to realize his entire life has been a sham, was easy. See also: “Eternal Sunshine of the Spotless Mind,” because you should.



3. Bill Murray in “The Razor’s Edge”

Comic actors do find it important to prove before long that they do have dramatic chops, and that’s one thing Bill Murray has proven over and over. However, it started with this 1984 adaptation of Somerset Maugham’s novel about “one man’s search for himself.” While this film didn’t really find an appreciative audience, it marked a turning point in Murray’s career – and a final dramatic scene that weirdly echoes his famous “It just doesn’t matter” speech in “Meatballs.” Plus, this is the movie he got to make in exchange for starring in “Ghostbusters,” so without this, we wouldn’t have that.



4. Patton Oswalt in “Big Fan”

Oswalt actually got some Oscar buzz for his supporting turn in the Jason Reitman/Diablo Cody film “Young Adult,” but his performance as the obsessive New York Giants fan who gets assaulted by his favorite player and has to suppress his own dignity for the sake of the team was a real testament to his talent. He transferred his real life dork passion into on-screen sports passion, showing just how similar devoted nerds in both arenas really are – complete with the single-mindedness and social ineptitude.



5. Mike Myers in “54”

Another comedian known for over-the-top characters like Austin Powers or… *shudder*… The Love Guru, Myers turned his talent for impersonation towards drama as well when playing Steve Rubell of the legendary Studio 54. The lead story in the mixed bag of a film is a love triangle between Ryan Phillippe, Salma Hayek and Breckin Meyer, but it was Myers proving he doesn’t have to be a silly gag machine which got the only positive attention when it was released, although a director’s cut of the film has gotten a much more favorable response – enough that it might qualify as a cult following.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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