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10 comedians in dramatic roles

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There’s a general opinion floating around out there that comedy is harder to tackle than drama, and it’s easy to give credence to that notion. Just think about it in everyday life – is it easier to make a group of people genuinely laugh than it is to just throw a self-righteous hissy fit that draws everybody’s attention to your duh-ramaaaaa? All you have to do is raise your voice and talk over people for the latter, but being truly witty is much harder to master. Timing, sensibility, word choice, delivery – it’s all a bag of tricks that it sometimes feels like magic. Thus, it stands to reason that if you’re talented enough to be funny on screen, you can find a way to pull off serious roles as well. Here’s a list of ten comedians who have proved their chops in notable dramatic roles.



1. Mo’Nique in “Precious”

It’s hard not to start with the recent and darkly powerful dramatic turn from Mo’Nique that one her the Academy Award for Best Supporting Actress. She was famous for stand-up, sitcom work and hosting “Showtime at the Apollo,” but there was no humor in her performance as the broken, nasty, paranoid Mary Lee Johnston, the abusive mother of the title character. The soul-crushing darkness of her sickness made us squirm in our seats, and she deserved every accolade she got for that performance.



2. Jim Carrey in “The Truman Show”

Carrey was one of those guys whose comedy characters from “In Living Color” and movies like “Ace Ventura: Pet Detective” were such crazily exaggerated caricatures that you couldn’t imagine him keeping the famous “rubber face” in place long enough to legitimately emote. But he proved the adage that it’s easier to get wild and crazy people to tone it down than it is to get more reserved folks to let it all hang out – although that’s not to say his performance as Truman Burbank, a man unknowingly raised on a reality television show who comes to realize his entire life has been a sham, was easy. See also: “Eternal Sunshine of the Spotless Mind,” because you should.



3. Bill Murray in “The Razor’s Edge”

Comic actors do find it important to prove before long that they do have dramatic chops, and that’s one thing Bill Murray has proven over and over. However, it started with this 1984 adaptation of Somerset Maugham’s novel about “one man’s search for himself.” While this film didn’t really find an appreciative audience, it marked a turning point in Murray’s career – and a final dramatic scene that weirdly echoes his famous “It just doesn’t matter” speech in “Meatballs.” Plus, this is the movie he got to make in exchange for starring in “Ghostbusters,” so without this, we wouldn’t have that.



4. Patton Oswalt in “Big Fan”

Oswalt actually got some Oscar buzz for his supporting turn in the Jason Reitman/Diablo Cody film “Young Adult,” but his performance as the obsessive New York Giants fan who gets assaulted by his favorite player and has to suppress his own dignity for the sake of the team was a real testament to his talent. He transferred his real life dork passion into on-screen sports passion, showing just how similar devoted nerds in both arenas really are – complete with the single-mindedness and social ineptitude.



5. Mike Myers in “54”

Another comedian known for over-the-top characters like Austin Powers or… *shudder*… The Love Guru, Myers turned his talent for impersonation towards drama as well when playing Steve Rubell of the legendary Studio 54. The lead story in the mixed bag of a film is a love triangle between Ryan Phillippe, Salma Hayek and Breckin Meyer, but it was Myers proving he doesn’t have to be a silly gag machine which got the only positive attention when it was released, although a director’s cut of the film has gotten a much more favorable response – enough that it might qualify as a cult following.

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.