DID YOU READ

10 comedians in dramatic roles

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There’s a general opinion floating around out there that comedy is harder to tackle than drama, and it’s easy to give credence to that notion. Just think about it in everyday life – is it easier to make a group of people genuinely laugh than it is to just throw a self-righteous hissy fit that draws everybody’s attention to your duh-ramaaaaa? All you have to do is raise your voice and talk over people for the latter, but being truly witty is much harder to master. Timing, sensibility, word choice, delivery – it’s all a bag of tricks that it sometimes feels like magic. Thus, it stands to reason that if you’re talented enough to be funny on screen, you can find a way to pull off serious roles as well. Here’s a list of ten comedians who have proved their chops in notable dramatic roles.



1. Mo’Nique in “Precious”

It’s hard not to start with the recent and darkly powerful dramatic turn from Mo’Nique that one her the Academy Award for Best Supporting Actress. She was famous for stand-up, sitcom work and hosting “Showtime at the Apollo,” but there was no humor in her performance as the broken, nasty, paranoid Mary Lee Johnston, the abusive mother of the title character. The soul-crushing darkness of her sickness made us squirm in our seats, and she deserved every accolade she got for that performance.



2. Jim Carrey in “The Truman Show”

Carrey was one of those guys whose comedy characters from “In Living Color” and movies like “Ace Ventura: Pet Detective” were such crazily exaggerated caricatures that you couldn’t imagine him keeping the famous “rubber face” in place long enough to legitimately emote. But he proved the adage that it’s easier to get wild and crazy people to tone it down than it is to get more reserved folks to let it all hang out – although that’s not to say his performance as Truman Burbank, a man unknowingly raised on a reality television show who comes to realize his entire life has been a sham, was easy. See also: “Eternal Sunshine of the Spotless Mind,” because you should.



3. Bill Murray in “The Razor’s Edge”

Comic actors do find it important to prove before long that they do have dramatic chops, and that’s one thing Bill Murray has proven over and over. However, it started with this 1984 adaptation of Somerset Maugham’s novel about “one man’s search for himself.” While this film didn’t really find an appreciative audience, it marked a turning point in Murray’s career – and a final dramatic scene that weirdly echoes his famous “It just doesn’t matter” speech in “Meatballs.” Plus, this is the movie he got to make in exchange for starring in “Ghostbusters,” so without this, we wouldn’t have that.



4. Patton Oswalt in “Big Fan”

Oswalt actually got some Oscar buzz for his supporting turn in the Jason Reitman/Diablo Cody film “Young Adult,” but his performance as the obsessive New York Giants fan who gets assaulted by his favorite player and has to suppress his own dignity for the sake of the team was a real testament to his talent. He transferred his real life dork passion into on-screen sports passion, showing just how similar devoted nerds in both arenas really are – complete with the single-mindedness and social ineptitude.



5. Mike Myers in “54”

Another comedian known for over-the-top characters like Austin Powers or… *shudder*… The Love Guru, Myers turned his talent for impersonation towards drama as well when playing Steve Rubell of the legendary Studio 54. The lead story in the mixed bag of a film is a love triangle between Ryan Phillippe, Salma Hayek and Breckin Meyer, but it was Myers proving he doesn’t have to be a silly gag machine which got the only positive attention when it was released, although a director’s cut of the film has gotten a much more favorable response – enough that it might qualify as a cult following.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.