Yet another actress had joined the upcoming Amazon “Zombieland” series. This time it’s “Switched at Birth” star Maiara Walsh, who will take the Wichita role previously held by Emma Stone.
The Hollywood Reporter has the news, and describes the character as “a natural con-woman and tough girl who with her younger sister Little Rock teams up with Columbus to survive the zombie apocalypse and search for survivors.” That’s pretty similar to how she was defined in a leaked casting call, which read:
Wichita is still trying to look after Little Rock, trying to teach her math with problems about someone stealing from a liquor store and jumping on a train going 42 miles per hour, with a cop chasing in a car going 88 miles per hour. We also learn a lot more about Wichita’s backstory, including how she ran away from her father after he had her stealing people’s Christmas presents — and later, she found out she had a sister who was also being a grifter with her dad.
The series recently cast Columbus and Little Rock as well. Tyler Ross will play the Jesse Eisenberg role while Izabela Vidovic will portray the character created by Abigail Breslin. No word yet on who will play Woody Harrelson’s Tallahassee or the reported new rolesof Fred and Ainsley.
The “Zombieland” series is using the film as a jumping off point but seems to be creating its own universe. “Tucker and Dale vs. Evil’s” Eli Craig is directing the show’s pilot episode, while Reese, Wrenick and Gavin Polone will executive produce.
What do you think of the cast so far for the “Zombieland” TV series? Tell us in the comments section below or on Facebook and Twitter.
Portlandia star Carrie Brownstein’s memoir, Hunger Makes Me a Modern Girl, is out now at fine local book shops and at online retailers like iBooks, Barnes & Noble, or Amazon.
The book, a “deeply personal and revealing narrative of Brownstein’s life in music,” is getting rave reviews. The Washington Post writes that, “It’s impossible not to like Brownstein” in their review of her “engaging and witty” memoir. The AV Club called the book “engrossing,” adding that “for fans of Sleater-Kinney, it’s immensely compelling, particularly because Brownstein writes crisply, insightfully, and without vanity.” She even dedicated the book to her Sleater-Kinney bandmates (and Portlandiaregulars) Janet Weiss and Corin Tucker.
Pick up a copy of Hunger Makes Me a Modern Girl in stores today, and be sure to catch Carrie on her nationwide book tour at one of the dates below where she will be joined by specials guests like Questlove, Amy Poehler and more.
BROOKLYN, NY – OCTOBER 27
WORD Bookstore at Saint Vitus Bar
In conversation with Questlove
NEW YORK, NY – OCTOBER 28
Barnes & Noble Union Square
In conversation with Gaby Hoffman
PHILADELPHIA, PA – OCTOBER 29
Philadelphia Free Library at The Merriam Theater
In conversation with Aidy Bryant
CHICAGO, IL – OCTOBER 30
Pitchfork at the Museum of Contemporary Art Chicago
Ever wonder if Jackie, Kelso, Fez, Donna, Hyde, and Eric ever made it out of Red‘s basement? According to James Franco, those dumbasses definitely did not.
In a new episode of AOL’s “Making a Scene with James Franco,” the actor peered into the future of the gang from That ’70s Show to see what they’d be up to if the show actually continued into their 70s. Turns out they’re still sitting around the basement, sharing a joint, and listening to some of the Steve Miller Band’s greatest hits.
In the sketch, aptly called “That 70s ’70s Show,” Franco plays both a stoned, elderly Kelso as well as a nostril-hair heavy Eric Forman. The only member of the crew who has made it out of the basement is Donna, who has sadly passed away into a higher plane of existence (yes, it’s possible for them to get higher) leaving Eric to mourn the loss of his one true love.
Believe it or not, veteran character actor Kurtwood Smith has a warm, endearing smile. It just took audiences over a decade to actually see him in a role that didn’t focus on his ability to scare children with his villainous gaze and determined grin. Thanks to That ’70s Show, we now associate him most as Red Forman, the curmudgeonly but loveable father to Eric Forman and patriarch to the gang of burnouts who hung out in his basement. Smith has had a long career of playing characters that weren’t always as soft and cuddly as Red Forman. Here are five of the most memorable Kurtwood Smith roles in which he didn’t have to hilariously teach a “foreign kid” to stop saying “Amedica.”
1. Flashpoint (1984)
Flashpoint may be a forgotten thriller from 1984 starring Kris Kristofferson and Treat Williams as border cops who find a dead body and a ton of cash, but Kurtwood Smith shines in a role as a crooked federal agent. This character is as sinister a son-of-a-bitch as they come, with contempt practically oozing out from his eyes. You are more likely to find a VHS copy of Flashpoint at a random flea market than catch it on Netflix, but take a look at just how good he is at being a bad guy as he delivers a John Malkovich-level performance.
2. Robocop (1987)
Clarence Boddiker, the villain Smith played in Robocop, is still remembered fondly by sci-fi fans for the Jack Nicholson-like glee that he displayed for causing mayhem and inflicting pain. Any scene that has Kurtwood Smith entering a room delivering the line “B–ches leave!,” and ends with him pulling a grenade pin out with his mouth, then killing a coked-up ‘80s yuppie, will surely elevate a film’s cult status.
3. Dead Poets Society (1989)
Red Forman might have had a hard time expressing outward displays of affection for his son Eric, but compared to Mr. Perry in Dead Poets Society, he’s a regular Phil Dunphy. To say this character was chilling is an understatement. Smith nailed the cold detachment of a father determined to make his son live the life he was being groomed for. If you haven’t seen Dead Poets Society, in the words of Red Forman, what are you waiting for, “dumbass”???
4. Citizen Ruth (1996)
Smith got the chance to act in Alexander Payne’s first movie, a dark comedy in which Laura Dern’s Ruth plays a poor pregnant woman who likes to huff paint and gets mixed up with both sides of the abortion debate. Norm Stoney (Smith) and his wife enjoy nothing more on a beautiful day than to take the kids down to the free clinic, scarf a box of donuts and shout “murderer” at the people entering the building. A still relevant satire, the film gave Smith the chance to display his comedic chops before That ’70s Show. Though we doubt that Red would’ve let a “dirty hippy” like Ruth stay in his home.
5. True Believer (1989)
Smith shines as a no-nonsense prosecutor in this underrated crime thriller where James Woods and Robert Downey Jr. attempt to defend a man wrongfully accused of a gang murder.
Often covering heady concepts like philosophy and tragic social norms, science fiction is always in danger of being too dry and dour for its own good. However intelligent and astute the observations may be, if the themes don’t align with the tone, the end results could be a slog to watch. Sometimes we just want laughs to accompany aliens, time travel, and dystopian futures. Fortunately, there’s no shortage of sci-fi comedies that perfectly pair humor and futuristic wonder into a delightful package.
Here are 10 such sci-fi comedies that deserve a play when you need cheering up.
10. Repo Man
A staple in the cult film pantheon, Repo Man throws a punk-rocking Emilio Estevez into the bizarre world of car repossession set against a backdrop of a slightly-more-dystopian version of Los Angeles. Featuring veteran weirdo Harry Dean Stanton, a Chevy Malibu with aliens in the trunk, and a thumbnail philosophy centered around a hypothetical plate of shrimp, this midnight movie is a must-watch for those who are sick of boilerplate plotlines.
9. Night of the Comet
If you ever watched Valley Girl and thought it could use some zombies, then Night of the Comet is for you. This unfairly forgotten gem pits two mall-obsessed sisters against undead stockboys, bloodthirsty soldiers, and healthy teenage hormones in a post-apocalyptic land straight out of Omega Man. With tongue firmly in cheek, Night of the Comet is a fun and cheesy sci-fi comedy that doesn’t take itself too seriously.
8. They Live
Written and directed by genre king John Carpenter, They Live is a hilariously over-the-top treatise against commercialism, government control, and religious zealotry. The movie stars the sadly late (and never-better) Roddy Piper as migrant worker Nada who finds a special pair of sunglasses that reveal a world choked with subliminal consumerist messages and humanoid aliens. It’s endlessly quotable with a ridiculous yet valid message and contains the best street fight ever captured on film.
If you’ve read the comment section for an article on the Kardashians, energy drinks, or the state of our educational system, then you’re probably familiar with Mike Judge’s Idiocracy. Depicting a future where every American institution has crumbled due to wanton stupidity, average bloke Joe Bauers (Luke Wilson) becomes an Einstein among the mentally challenged and humanity’s last hope for survival. Like Judge’s Office Space, Idiocracy achieved cult status after a mismanaged theatrical release. It was also oddly prescient.
Endless charm and eye-popping special effects rev this high-energy, high-concept Joe Dante sci-fi comedy. Basically a goofball version of Fantastic Voyage, Innerspace injects a minuscule bio-pod piloted by Dennis Quaid into a neurotic Martin Short and propels them into the dangerous scientific underworld of nanotechnology supremacy. Quaid and Short — along with Meg Ryan, Robert Picardo, and Kevin McCarthy — are fun personified in this rollicking, rewatchable classic.
5. Galaxy Quest
Unfairly derided as “Three Amigos in space,” Galaxy Quest is actually one of the most accurate depictions of sci-fi tropes and geek fandom ever produced. A thinly veiled satire of the original Star Trek series, the ensemble comedy tackles everything from fan conventions to space-based MacGuffins, but does so with an unmistakable love for the genre.
4. Bill and Ted’s Excellent Adventure
Movie concepts don’t come any higher: A lovable pair of wannabe rock gods travel through time in a phone booth to assemble historical figures as a means to pass their history final and unite the planet through music. Keanu Reeves and Alex Winter are an effusive duo you can’t help but love, George Carlin as their time-guide Rufus is perfectly cast, and the moral message (“Be excellent to each other and party on, dudes!”) should be a real-world Golden Rule.
3. Mystery Science Theater 3000: The Movie
With a running time of 75 minutes and lacking a second “Mad” for loonier interplay, MST3K: The Movie is considered a lesser entry when compared to the television series. However, Mike and the Bots are in top form when mocking the sci-fi flick This Island Earth — Interocitor assembly and alien foreheads have never been richer for riffs — and any fan of the show would be remiss to skip the film.
2. Tie: Ghostbusters and Men in Black
It doesn’t get any more quotable than Bill Murray, Dan Aykroyd, Harold Ramis, and Ernie Hudson as the titular spectre-snatching quartet. At its core, this beloved treasure follows the hardships of a new fringe business as it tries to find a reliable customer base. But add supernatural elements, and Ghostbusters becomes a perfect blend of comedy, sci-fi (those proton packs wouldn’t be out of place on Star Trek) and the occult. Every line in every scene is a bona fide classic, rightfully earning the film its place among other worn-out VHS tapes in our collection. Meanwhile, Men in Black channels Ghostbusters with its mix of comedy, sci-fi and creepy creature-based bureaucracy.
1. Back to the Future
Arguably the best matchup in a comedy film, Michael J. Fox and Christopher Lloyd are absolutely perfect in this 1985 favorite. Back to the Future features Fox as a time-traveling teen sent back 30 years whose existence is in jeopardy when his 17-year-old mother falls in love with him and his father is too shy and weak-willed to pursue her. Nominated for Best Original Screenplay and spending 11 weeks at number one in the box office, Back to the Future is the rare mix of audience appreciation and critical acclaim — not to mention comedy and sci-fi.