DID YOU READ

“Zombieland” series casts its Jesse Eisenberg and Abigail Breslin replacements

Jesse Eisenberg stars in Columbia Pictures’ comedy ZOMBIELAND.

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Now that Amazon has picked up the “Zombieland” TV series, production is moving forward at lightning speed. Writers/producers Rhett Reese and Paul Wernick have cast two new actos in the roles of Jesse Eisenberg and Abigail Breslin’s characters.

Tyler Ross will play Columbus, while Izabela Vidovic will play Little Rock, /Film reports. That still leaves the roles of Tallahassee and Wichita to be cast, as well as some new characters that are going to be introduced in the series.

The “Zombieland” series is using the film as a jumping off point but seems to be creating its own universe. “Tucker and Dale vs. Evil’s” Eli Craig is directing the show’s pilot episode, while Reese, Wrenick and Gavin Polone will executive produce. Here’s the casting call originally released about the show:

Tallahassee is still kind of a snarky weirdo, but he seems to have a much less spiky relationship with Columbus. He and Columbus have a pretty amusing thing where they riff on the fact that Steven Seagal movies always have three-word titles like “Marked for Justice” or “May Cause Diarrhea.” But Tallahassee also dispenses homespun wisdom about how to feel happy with your life. He also tells a weird story about being in a trailer park with a perpetually nude Matthew McConaughey. He also has a somewhat heartwarming scene where he tells Columbus that he’s been wandering aimlessly for a long time, but maybe he’s been put here for a reason — to help Columbus and the others.

Columbus is much the same, except that he tracks down his grandma and grandpa (Bubbie and Peepaw) only to find them recently zombiefied. Also, Columbus is trying to deal with his newfound relationship with Wichita, after their first kiss. He has started calling her “Krista,” her real name — but there are some problems, especially after she finds him reading a book about fatherhood. He tries to organize a romantic scavenger hunt for her in the IKEA they’re camping out in, but it goes kind of horribly.

Wichita is still trying to look after Little Rock, trying to teach her math with problems about someone stealing from a liquor store and jumping on a train going 42 miles per hour, with a cop chasing in a car going 88 miles per hour. We also learn a lot more about Wichita’s backstory, including how she ran away from her father after he had her stealing people’s Christmas presents — and later, she found out she had a sister who was also being a grifter with her dad.

Little Rock seems actually kind of excited about meeting Columbus’ grandparents, before they turn out to be zombies. And she shares some of her own backstory, about how her dad parked her at a school while he went off grifting on his own — and then yanked her out of school right before a dance that she was looking forward to.

Fred and Ainsley are two office workers at the start of the zombie apocalypse, obliviously complaining about problems with their iPhones and getting the wrong order at Starbucks, which they admit are “first world problems” with a hashtag — while people are being disembowled just outside the window they’re not facing. Tallahassee shows up to bring them their lunch orders, wearing a green polo shirt.

Do you think it’s smart to go with relative unknowns for this show? Tell us in the comments section below or on Facebook and Twitter.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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