At this rate, we’ll see the all of the TV spots that movie studios plan to unveil at the Super Bowl before the game even airs. We recently compiled Disney’s various teasers for their full-length game day ads, and now videos for “World War Z” and “Snitch” have been released.
The “World War Z” teaser will be the one that airs on February 3. There’s not really anything new here, but at least it does set up the foreboding tone necessary for a zombie movie on this scale. Brad Pitt’s face and the 30-second tease might be enough to convince Super Bowl audiences to check out the film when it comes out on June 21.
Then there’s the TV spot for “Snitch,” the new movie from Dwayne Johnson that is coming out on February 22. He plays a father who goes undercover for the DEA to help his son get out of a 10-year prison sentence. The movie also stars Susan Sarandon, Jon Bernthal, Benjamin Bratt and Michael K. Williams.
These aren’t the only movies being promoted during the Super Bowl. Paramount is airing a “Star Trek Into Darkness” 30-second teaser and a 30-second “World War Z” promo, while Universal has paid for a 30-second “Fast 6″ ad. The Super Bowl takes place on February 3.
Which of these films are you most looking forward to? Tell us in the comments section below or on Facebook and Twitter.
Catch the classic sitcom Soap Saturday mornings on IFC.
Posted by Luke McKinney on Photo Credit: Columbia Pictures Television
The soap opera is the indestructible core of television fandom. We celebrate modern series like The Wire and Breaking Bad with their ongoing storylines, but soap operas have been tangling more plot threads than a quilt for decades. Which is why pop culture enjoys parodying them so much.
Check out some of the funniest soap opera parodies below, and be sure to catch Soap Saturday mornings on IFC.
1. Mary Hartman, Mary Hartman
Mary Hartman, Mary Hartman was a cult hit soap parody from the mind of Norman Lear that poked daily fun at the genre with epic twists and WTF moments. The first season culminated in a perfect satire of ratings stunts, with Mary being both confined to a psychiatric facility and chosen to be part of a Nielsen ratings family.
2. IKEA Heights
IKEA Heights proves that the soap opera is alive and well, even if it has to be filmed undercover at a ready-to-assemble furniture store totally unaware of what’s happening. This unique webseries brought the classic formula to a new medium. Even IKEA saw the funny side — but has asked that future filmmakers apply through proper channels.
When you’re parodying ’80s nighttime soaps like Dallas and Dynasty , everything about your show has to equally sumptuous. The 1986 CBS miniseries Fresno delivered with a high-powered cast (Carol Burnett, Teri Garr and more in haute couture clothes!) locked in the struggle for the survival of a raisin cartel.
Soap was the nighttime response to daytime soap operas: a primetime skewering of everything both silly and satisfying about the source material. Plots including demonic possession and alien abduction made it a cult favorite, and necessitated the first televised “viewer discretion” disclaimer. It also broke ground for featuring one of the first gay characters on television in the form of Billy Crystal’s Jodie Dallas. Revisit (or discover for the first time) this classic sitcom every Saturday morning on IFC.
5. Too Many Cooks
Possibly the most perfect viral video ever made, Too Many Cooks distilled almost every style of television in a single intro sequence. The soap opera elements are maybe the most hilarious, with more characters and sudden shocking twists in an intro than most TV scribes manage in an entire season.
6. Garth Marenghi’s Darkplace
Garth Marenghi’s Darkplace was more mockery than any one medium could handle. The endless complications of Darkplace Hospital are presented as an ongoing horror soap opera with behind-the-scenes anecdotes from writer, director, star, and self-described “dreamweaver visionary” Garth Marenghi and astoundingly incompetent actor/producer Dean Learner.
7. “Attitudes and Feelings, Both Desirable and Sometimes Secretive,” MadTV
Soap opera connoisseurs know that the most melodramatic plots are found in Korea. MADtv‘s parody Tae Do (translation: Attitudes and Feelings, Both Desirable and Sometimes Secretive) features the struggles of mild-mannered characters with far more feelings than their souls, or subtitles, could ever cope with.
8. Twin Peaks
Twin Peaks, the twisted parody of small town soaps like Peyton Place whose own creator repeatedly insists is not a parody, has endured through pop culture since it changed television forever when it debuted in 1990. The show even had it’s own soap within in a soap called…
9. “Invitation to Love,” Twin Peaks
Twin Peaks didn’t just parody soap operas — it parodied itself parodying soap operas with the in-universe show Invitation to Love. That’s more layers of deceit and drama than most televised love triangles.
10. “As The Stomach Turns,” The Carol Burnett Show
The Carol Burnett Show poked fun at soaps with this enduring take on As The World Turns. In a case of life imitating art, one story involving demonic possession would go on to happen for “real” on Days of Our Lives.
11. Days of our Lives (Friends Edition)
Still airing today, Days of Our Lives is one of the most famous soap operas of all time. They’re also excellent sports, as they allowed Friends star Joey Tribbiani to star as Dr Drake Ramoray, the only doctor to date his own stalker (while pretending to be his own evil twin). And then return after a brain-transplant.
And let’s not forget the greatest soap opera parody line ever written: “Come on Joey, you’re going up against a guy who survived his own cremation!”
12. Acorn Antiques
First appearing on the BBC sketch comedy series Victoria Wood As Seen on TV, Acorn Antiques combines almost every low-budget soap opera trope into one amazing whole. The staff of a small town antique store suffer a disproportional number of amnesiac love-triangles, while entire storylines suddenly appear and disappear without warning or resolution. Acorn Antiques was so popular, it went on to become a hit West End musical.
13. “Point Place,” That 70s Show
In a memorable That ’70s Show episode, an unemployed Red is reduced to watching soaps all day. He becomes obsessed despite the usual Red common-sense objections (like complaining that it’s impossible to fall in love with someone in a coma). His dreams render his own life as Point Place, a melodramatic nightmare where Kitty leaves him because he’s unemployed. (Click here to see all airings of That ’70s Show on IFC.)
14. The Spoils of Babylon
Bursting from the minds of Will Ferrell and creators Andrew Steele and Matt Piedmont, The Spoils of Babylon was a spectacular parody of soap operas and epic mini-series like The Thorn Birds. Taking the parody even further, Ferrell himself played Eric Jonrosh, the author of the book on which the series was based. Jonrosh returned in The Spoils Before Dying, a jazzy murder mystery with its own share of soapy twists and turns.
15. All My Children Finale, SNL
SNL‘s final celebration of one of the biggest soaps of all time is interrupted by a relentless series of revelations from stage managers, lighting designers, make-up artists, and more. All of whom seem to have been married to or murdered by (or both) each other.
Catch Charlie and the Chocolate Factory this month on IFC.
Posted by Emmy Potter on Photo Credit: Warner Brothers/courtesy Everett Collection
No pair has brought more pale weirdos and loners to life on the big screen in such visually-stirring, innovative ways quite like Tim Burton and Johnny Depp. They’ve made eight films (and counting) together over the last 26 years, establishing a collaborative partnership that makes the morbid and strange blithely beautiful and bleakly sad at its best — and maddeningly quirky and over-the-top at its worst. Burton and Depp’s joint filmography is certainly mixed, but it can never be said they haven’t always given us something interesting to see. With Charlie and the Chocolate Factory currently airing on IFC, we decided to rank their collaborations from worst to best. Where do your favorite Burton/Depp films fall on our list? Read on to find out.
8. Dark Shadows
Tim Burton and Johnny Depp’s most recent collaboration also happens to be their worst. The film, based on the melodramatic gothic soap opera of the same name, peddles in camp and quirk without much substance behind it. Its flimsiness isn’t helped by the film’s uneven tone since Burton can’t decide if he’s making a comedy or a horror. As per usual, Burton assembles a great supporting cast, but much like vampire Barnabas Collins’ (Depp) victims, the film leaves both the audience and the casting feeling lifeless.
7. Alice in Wonderland
On paper, Alice in Wonderland and Tim Burton seem like a match made in surrealist heaven, but the final product proves otherwise. Burton fills the screen to almost bloating with arresting visuals, but seems to have forgotten to also include a coherent narrative. (Case in point: a sudden appearance by Anne Hathaway as the White Queen who has no apparent purpose other than to wear Goth-inspired makeup and a wig that looks like it came from a Halloween store.) Depp’s Mad Hatter, meanwhile, is perhaps the pinnacle of the eccentric actor’s obsession with outrageous wigs, makeup, and bizarre accents. What once felt fresh in previous Depp/Burton collaborations seems tired here as Mad Hatter and Alice zip through Wonderland on the world’s dullest acid trip.
6. Charlie and the Chocolate Factory
Burton takes the definition of “candy-colored” at its most literal in his adaptation of Roald Dahl’s classic novel, employing CGI to oversaturate each frame of Willy Wonka’s factory. Depp, meanwhile, shows up in an insane bobbed haircut, dental veneers, and with a speaking voice based, in part, on Carol Channing. His Wonka is far odder than Gene Wilder’s quirky 1970 portrayal, but no less strangely alluring; when he’s onscreen, you can’t tear your eyes away from his manic portrayal. Despite a lovely performance from Freddie Highmore as the poor but sweet Charlie Bucket, the rest of the film (which follows Dahl’s source material far more closely than the 1970 family favorite) could have used more of that same manic energy. Burton’s Charlie & the Chocolate Factory is a bit like Wonka’s candy: it looks great, and you’ll gobble it up, but you’ll ultimately feel a little empty when it’s over.
5. Sleepy Hollow
Oscar-winning cinematographer Emmanuel Lubezki (Gravity, Birdman) is the real star of Tim Burton’s (loose) film adaptation of The Legend of Sleepy Hollow. Utilizing dense fog and dim lighting, the film has a stunning, Hammer horror film-inspired look that pairs nicely with Colleen Atwood’s Oscar-nominated costumes. In Burton’s considerably bloody version of Washington Irving’s classic tale, Ichabod Crane (Depp) is a police constable from Manhattan rather than a local teacher, which in typical Burton/Depp fashion, makes him an outsider to the tight-knit townspeople of Sleepy Hollow. For once, Depp gets to play the handsome straight-man (albeit one with some minor eccentricities), embracing Ichabod’s inquisitive, scientific nature with an aplomb usually reserved for his stranger characters. Unfortunately the script, penned by Seven screenwriter Andrew Kevin Walker, starts out as a taut thriller before collapsing under the weight of its overstuffed plot. A solid outing, but nothing worth losing your head over.
4. Corpse Bride
In an animated collaboration that perfectly dovetails with their live-action work, Burton and Johnny Depp continue their exploration of misfits seeking love and acceptance. This time it’s about a shy Victorian gentleman, Victor (Depp), mistakenly marrying a literal corpse bride named Emily (an enchanting Helena Bonham Carter) while practicing his fumbled vows meant for his living bride-to-be (Emily Watson). The stop-motion animation, a notoriously time-consuming medium (and Burton’s favorite), is spectacularly gorgeous and spooky, and Depp’s subtle voice work is just right for the film’s graceful tone. Corpse Bride may be meant for children, but adults will take to its edgy bittersweet tone.
3. Sweeney Todd
Johnny Depp’s Oscar-nominated performance as murderous barber Sweeney Todd is one of his most understated; you can feel Todd’s long-simmering rage boiling just below the surface of his pained yet stoic facade as he sets about trying to take revenge on the corrupt judge (the late Alan Rickman in a delightfully slimy performance) who locked him up, stole his wife, and covets his daughter. Calculated, elegant restraint is not necessarily something for which Burton or Depp are particularly known, but both are in full control of Stephen Sondheim’s 1979 Tony Award-winning source material, forgoing theatricality in favor of a bleak color palette and a chilly Victorian sensibility. Depp’s singing voice is strong where Helena Bonham Carter’s is weak, but they complement each other nicely especially when set against the lush sounds of a full orchestra. Murder has never looked (or sounded) so intoxicating.
2. Ed Wood
In choosing to do a biopic about the laughable-yet-lovable director of B-movies like Plan 9 From Outer Space, Burton and Depp reinvented themselves yet again; this time making a 1950s-set film whose tone falls somewhere between Capra and Corman. Their loving depiction of Wood presents a man whose indefatigable optimism and delusions of grandeur are both infectious and damning. Martin Landau won the Academy Award for Best Supporting Actor for his performance as horror legend Bela Lugosi, stealing every scene in which he appears. Like many Burton/Depp projects, Ed Wood is ultimately a sweet, satisfying film about outsiders finding acceptance and blazing their own trails…sometimes while wearing fuzzy pink sweaters.
1. Edward Scissorhands
A sweetly surreal suburban fairy tale about a gentle loner with scissors for hands who is taken in by a Leave It to Beaver-esque family, Burton and Depp’s first and finest collaboration has the kind of magical alchemy that made the filmmaker’s early work so visionary: wondrous design and cinematography, fascinating characters, an ethereal score from composer Danny Elfman, and a great cast. Depp famously took the role of Edward as a means of rebelling against his 21 Jump Street heartthrob persona, transforming himself and his career in the process. Despite the crazy hair and makeup, he does some very subtle, lovely work, which is echoed by the doe-eyed Winona Ryder as Kim, the object of Edward’s affections, and the marvelous Dianne Wiest as his chipper and sympathetic mom who takes the outcast in. Suburbia proves to be less than idyllic for the lonely Edward, and Burton’s film brilliantly shows us that terms like “beautiful” and “ugly” are relative. Edward Scissorhands is the rare film that still feels fresh and magical with repeat viewings, imbuing viewers with a sense of wonder they’ve only felt upon seeing (or like Kim, dancing in) snow for the first time.
Jurassic Park taught us all many things. We learned a lot about hiding from velociraptors in fancy kitchens, using “please” when dealing with nefarious computer hackers named Nedry, and that Jeff Goldblum never needs an excuse to have his shirt casually fly open during the most climactic parts of a movie. But how much do you know about the great actors who brought the characters to life? Before you catch IFC’s Jurassic Park movie marathon, check out a few things you might not know about the cast. Don’t worry, we spared no expense.
1. Sam Neill is an award-winning wine maker.
In 1993, the same year Jurassic Park hit theaters, the Golden Globe and Emmy-nominated actor started a small vineyard outside of Gibbston, New Zealand with five acres of Pinot Noir grapes. Now 23 years later, the vineyard, named Two Paddocks, has grown in size, producing five varieties of Pinot and two varieties of Riesling. Neill discovered his love for red wine through his acting mentor, the legendary James Mason, when the pair would dine together in London around the time the future Dr. Grant starred as the adult Damien in The Omen III: The Final Conflict. Insert “blood of Christ” joke here.
2. Laura Dern has been in nine movies (and counting) with her mother.
Yes, the actress who brought Ellie Satler to life is the daughter of Academy-Award nominated actors Bruce Dern and Diane Ladd, so she comes by the performing bug naturally. In fact, the trio is the first family to ever receive adjoining stars on the Hollywood Walk of Fame. But Laura Dern has most frequently worked with her mother, with both of them receiving Academy Award nominations for the 1991 period drama Rambling Rose, the first time in history that a mother and daughter received acting nominations the same year and for the same film. Dern was just 24 at the time, making her one of the youngest Best Actress nominees in history.
3. Jeff Goldblum is an accomplished jazz pianist.
Before he flirted with Ellie Satler via chaos theory lesson, beloved actor (and frequent Portlandia guest star) Jeff Goldblum grew up in Pittsburgh, where he learned to play piano from his parents as a kid and started playing gigs at cocktail lounges around the city in his teens. At the encouragement of Woody Allen, Goldblum formed the Mildred Snitzer Orchestra (named for a Pittsburgh neighbor) in the early ’90s. The quintet plays a regular weekly show in Los Angeles that is heavily improvised, with Goldblum interacting with audience members in between sets of Thelonius Monk or Dave Brubeck. And if you’re REALLY lucky, the national treasure known as Goldblum might sing his version of the Jurassic Park theme with lyrics, which we’re guessing probably causes much chaos (wink wink) among fans in the audience.
4. Wayne Knight worked as a private detective in between acting jobs.
Knight got his first Broadway role by writing to the producers of the long-running comedy Gemini and demanding an audition if they ever needed a replacement actor. They called him in for an audition, and he got the job. But in between acting gigs, Knight waited tables around New York City. A friend had gotten a job at a detective agency, and Knight decided to give it a try since the agency liked hiring actors (they tended to be pretty adept at lying). It’s safe to say Knight’s detective work literally paid off, as one of his first major movie roles was as a detective interrogating Sharon Stone during the infamous leg-crossing scene in Basic Instinct.
5. Ariana Richards was in a Ben Folds music video.
One of Ben Folds’ first hits was “Brick” off the 1997 album Ben Folds Five album, Whatever and Ever Amen. Richards starred in the 1998 music video for the song, playing a pregnant high school teenager going to get an abortion in a nod to Folds’ own experience with his high school girlfriend. Richards followed that up with a role in the direct-to-video flick Tremors 3: Back to Perfection, reprising her original Tremors role as Mindy Sterngood. These days, Richards is a studio painter, specializing in portraiture and landscapes in the style of the Impressionists. One of her pieces hangs in Steven Spielberg’s office.
6. Sir Richard Attenborough was part of the Royal Air Force Film Unit during WWII.
Before he became an acclaimed actor and filmmaker, Richard Attenborough joined the Royal Air Force early on in WWII. After his initial training period ended, he was moved into the newly-created Film Unit, which operated out of Pinewood Studios (the future home of Star Wars and the Bond franchise, among other films). The R.A.F. Film Unit was responsible for not only documenting RAF personnel in action but making propaganda films. One such film was 1944’s Journey Together, which starred the 21 year-old Attenborough and Edward G. Robinson. Attenborough moved through the ranks of the RAF Film Unit, earning the title of sergeant, filming many missions from the rear gunner’s position. Unfortunately he sustained permanent ear damage during one mission whilst filming the Bomber Command unit on an air raid in Germany. He is also the last veteran of WWII to win the Best Director Oscar.
7. Joseph Mazzello was supposed to star in an earlier version of A.I. Artificial Intelligence.
Steven Spielberg’s 2001 film A.I. Artificial Intelligence had a long, thorny development period going all the way back to the early 1970s when Stanley Kubrick sought to turn Brian Aldiss’ short story “Super-Toys Last All Summer Long” into a feature-length film. He brought on Spielberg as a producer in 1985, but abandoned the project in 1991 after multiple re-writes and complaints that computer graphics weren’t advanced enough to bring the artificial human, David, to life. The project was revived in 1994 after Kubrick saw the special effects in Jurassic Park, and Mazzello was immediately attached to star as David. However, Kubrick’s interest in the project waned due to technical difficulties, and he made his last film, Eyes Wide Shut, instead. Spielberg took the reins after Kubrick’s death in 1999 and cast Haley Joel Osment as David (Mazzello was 17 by the time Spielberg’s version of the film went into production in the summer of 2000). The closest Mazzello ever got to making A.I. was the hokey 1997 family sci-fi film, Star Kid, where his character finds and wears an alien cybersuit with A.I. capabilities that changes his personality.
8. Bob Peck mentored Sir Ian McKellen at the Royal Shakespeare Company.
Though McKellen was actually born six years before the late Peck, the veteran actor of stage and screen has frequently cited Peck as the actor from whom he learned the most. Peck, who played game warden Muldoon in Jurassic Park, spent nine years with the Royal Shakespeare Company’s acting ensemble during what is arguably known as its “golden era.” He played a number of prominent roles alongside the likes of McKellen, Dame Judi Dench, Jeremy Irons, Sir Ben Kingsley, and Ian Holm (among others). Former RSC artistic director Trevor Nunn recalled seeing McKellen watching Peck from the wings during a performance in awe and whispering, “He is the future.” Though he won a BAFTA for his work in the BBC thriller Edge of Darkness, Peck didn’t gain widespread notoriety outside of the U.K. until his role in Jurassic Park. Sadly, he passed away just six years later in 1999 from cancer, but left a considerable mark on the stage, screen, and McKellen himself.
9. B.D. Wong is a Tony Award winner.
While B.D. Wong is known for roles in everything from Jurassic Park to Mr. Robot, he made a name for himself early in his career on the Great White Way. Wong won the Tony Award for Best Performance by a Featured Actor in a Play for his role as the enigmatic opera diva, Song Liling, in M. Butterfly opposite John Lithgow in 1988. He also starred as Linus in the 1999 Tony Award-winning revival of You’re a Good Man Charlie Brown, aka the show that made a young Kristen Chenoweth a star. But despite Wong’s musical theatre talents, Disney chose Donny Osmond to record the songs for Wong’s character in Mulan, Captain Li Shang. Perhaps he’ll reprise the role in the inevitable Mulan stage musical?
10. Samuel L. Jackson practiced lightsaber moves on the golf course.
It’s no secret Samuel L. Jackson is crazy about golf. He has a clause added to all his film contracts that he must have easy access to golf courses even when he is on location. But in an interview with Golf Digest, Jackson admitted that he used to carry his lightsaber around in his golf bag with his clubs while on location in Australia, because he had over 109 movements to learn for his role as Mace Windu in Star Wars: Attack of the Clones. Whenever play on the course was slow, Jackson would practice his movements to the delight of many of his fellow golfers. Apparently, his golf handicap is better than Mace Windu’s lightsaber skills: the character is killed during a fight with Darth Sidious in Star Wars: Revenge of the Sith. May the FORE be with you, Sam.