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DID YOU READ

Tim Grierson on the Critic-Proof Charm of Dwayne “The Rock” Johnson

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When you see posters advertising his movies, he’s identified as Dwayne Johnson. But nobody calls him that. We all just call him the Rock. There’s something incredibly telling about that. One name — the one we see on posters — is the name of an actor, a movie star. The other — the one we all prefer — belongs to his old life, when he was more of a cartoon character than a real person. But even Johnson seems to understand this reality, even embrace it. He wants to be an action hero, someone taken seriously in Hollywood, but his movies are almost beside the point. He’s bigger than the movies he stars in. And he’s definitely better than them.

Friday sees the release of “Snitch,” which will start screening for most critics this week. I haven’t seen it yet, but I find myself optimistic that it’ll be good. There is no reason I should feel this way. When you look at his recent output, it’s a mixed bag. He’s fun in brief comedic roles in “Get Smart” and “The Other Guys,” essentially spoofing his own tough-guy persona. But then you have the utterly terrible family fare like “Tooth Fairy,” where he was billed as Dwayne “The Rock” Johnson, and the so-so action-drama “Faster” where his grit mostly went to waste. Most times, I walk out of his films liking him but not liking the film much at all. Even when the film he’s in is a dog, he’s incredibly charismatic, and he’s funnier than just about any other pure action star out there. Outside of Jason Statham, there’s no movie star for whom I so consistently give the benefit of the doubt, no matter how many times he’s disappointed me.

Before he was an actor, he was a wrestler. A fairly successful one known as the Rock. He looked the part with his rippling muscles and cocky demeanor. But he also seemed to understand that most people know wrestling is fake, and so he walked a delicate line, acknowledging the absurdity of the whole thing while at the same time playing into the make-believe. His film career really hasn’t been that different. He knows we all call him the Rock and that his movies aren’t high art. He plays the tough guy, but a tough guy who gets that tough guys are kind of a joke. He won’t deny you the pleasure of enjoying him as a tough guy, but he also doesn’t take it so seriously.

This isn’t to suggest that people who go to his movies think of them as knowing self-parodies. Judging by the commercials for “Snitch,” the movie looks very much like it’s in the same vein as “Faster,” positioning Johnson as an action hero who’s comfortable with drama, albeit that of the B-movie kind. The guy’s clearly ambitious, and he’s willing to try anything. He’ll do inspirational sports movies (“Gridiron Gang”), he’ll do nervy indie dramas (“Southland Tales”), and he’ll do the franchise stuff (“The Scorpion King,” “Fast Five,” “Journey 2: The Mysterious Island”). But his appeal lies in his ability to not seem like a comer: Whether it’s on his Twitter feed or in his “Saturday Night Live” appearances, he works the aw-shucks self-deprecation with such sincerity that if he’s faking it’s his best-ever performance. He’s been on the big screen for more than 10 years now, and yet he’s still able to keep our expectations in check. We may not like his movies but, weirdly, we don’t blame him. He’s that one kid on the baseball team who’s really likable and fun to be around, and who cares if he can’t hit? You just enjoy being with him.

That can’t last forever, of course. Eventually audiences will get tired of him, or a newer actor will swoop in and steal the parts that he used to get. But for now, Johnson is unique among movie stars, and that uniqueness is worth celebrating, even if it does mean sitting through junk like “Journey 2.” Frankly, at this point the movies are just an excuse to have him around in the culture cracking jokes and being all Rock-like. There are plenty of movie stars with more depth than him. But there aren’t many who seem to enjoy their stardom as much as he does — and make it so enjoyable for the rest of us.

You can follow Tim Grierson on Twitter.

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.