DID YOU READ

Tim Grierson on the Critic-Proof Charm of Dwayne “The Rock” Johnson

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When you see posters advertising his movies, he’s identified as Dwayne Johnson. But nobody calls him that. We all just call him the Rock. There’s something incredibly telling about that. One name — the one we see on posters — is the name of an actor, a movie star. The other — the one we all prefer — belongs to his old life, when he was more of a cartoon character than a real person. But even Johnson seems to understand this reality, even embrace it. He wants to be an action hero, someone taken seriously in Hollywood, but his movies are almost beside the point. He’s bigger than the movies he stars in. And he’s definitely better than them.

Friday sees the release of “Snitch,” which will start screening for most critics this week. I haven’t seen it yet, but I find myself optimistic that it’ll be good. There is no reason I should feel this way. When you look at his recent output, it’s a mixed bag. He’s fun in brief comedic roles in “Get Smart” and “The Other Guys,” essentially spoofing his own tough-guy persona. But then you have the utterly terrible family fare like “Tooth Fairy,” where he was billed as Dwayne “The Rock” Johnson, and the so-so action-drama “Faster” where his grit mostly went to waste. Most times, I walk out of his films liking him but not liking the film much at all. Even when the film he’s in is a dog, he’s incredibly charismatic, and he’s funnier than just about any other pure action star out there. Outside of Jason Statham, there’s no movie star for whom I so consistently give the benefit of the doubt, no matter how many times he’s disappointed me.

Before he was an actor, he was a wrestler. A fairly successful one known as the Rock. He looked the part with his rippling muscles and cocky demeanor. But he also seemed to understand that most people know wrestling is fake, and so he walked a delicate line, acknowledging the absurdity of the whole thing while at the same time playing into the make-believe. His film career really hasn’t been that different. He knows we all call him the Rock and that his movies aren’t high art. He plays the tough guy, but a tough guy who gets that tough guys are kind of a joke. He won’t deny you the pleasure of enjoying him as a tough guy, but he also doesn’t take it so seriously.

This isn’t to suggest that people who go to his movies think of them as knowing self-parodies. Judging by the commercials for “Snitch,” the movie looks very much like it’s in the same vein as “Faster,” positioning Johnson as an action hero who’s comfortable with drama, albeit that of the B-movie kind. The guy’s clearly ambitious, and he’s willing to try anything. He’ll do inspirational sports movies (“Gridiron Gang”), he’ll do nervy indie dramas (“Southland Tales”), and he’ll do the franchise stuff (“The Scorpion King,” “Fast Five,” “Journey 2: The Mysterious Island”). But his appeal lies in his ability to not seem like a comer: Whether it’s on his Twitter feed or in his “Saturday Night Live” appearances, he works the aw-shucks self-deprecation with such sincerity that if he’s faking it’s his best-ever performance. He’s been on the big screen for more than 10 years now, and yet he’s still able to keep our expectations in check. We may not like his movies but, weirdly, we don’t blame him. He’s that one kid on the baseball team who’s really likable and fun to be around, and who cares if he can’t hit? You just enjoy being with him.

That can’t last forever, of course. Eventually audiences will get tired of him, or a newer actor will swoop in and steal the parts that he used to get. But for now, Johnson is unique among movie stars, and that uniqueness is worth celebrating, even if it does mean sitting through junk like “Journey 2.” Frankly, at this point the movies are just an excuse to have him around in the culture cracking jokes and being all Rock-like. There are plenty of movie stars with more depth than him. But there aren’t many who seem to enjoy their stardom as much as he does — and make it so enjoyable for the rest of us.

You can follow Tim Grierson on Twitter.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.