DID YOU READ

Tim Grierson on the Enduring Legacy of “Die Hard”

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On July 15, 1988, the weekend’s big action-thriller was a film featuring one of Hollywood’s most beloved characters played by one of its biggest stars. I’m speaking, of course, of “The Dead Pool,” the last of Clint Eastwood’s “Dirty Harry” movies. But that weekend also included another release, although it was only on 21 screens. Starred some TV actor. Had a kinda ridiculous premise. It was “Die Hard.”

It’s been 25 years, and a lot of the movies from that summer have been forgotten: “Cocktail,” “Young Guns,” “A Nightmare on Elm Street 4: The Dream Master.” But “Die Hard” has endured. This Friday sees the release of the franchise’s latest sequel, “A Good Day to Die Hard.” Over time, the series has gotten increasingly more ludicrous and cheerfully over-the-top. But at its core, the scrappy, underdog spirit of that original “Die Hard” remains. Which is another way of saying, thank god for Bruce Willis.

When the original “Die Hard” opened, Willis had enjoyed a little success in films thanks to the comedy “Blind Date,” which had come out the year before. (He followed it up with “Sunset,” a bomb.) Still, Willis was primarily known for his Emmy-winning role as David Addison on the comedy-drama series “Moonlighting.” He wasn’t the most obvious choice to play John McClane, a NYPD officer who has to take out a bunch of terrorists holding a gaggle of hostages (including his estranged wife) in a Los Angeles skyscraper right before Christmas. This was the 1980s, when action heroes were played by Schwarzenegger or Stallone.

But the secret to the film’s success — the whole franchise’s, really — was that Willis didn’t try to be one of those action heroes. Instead, he seemed to take a page from Harrison Ford, whose “Star Wars” fame had only grown due to the Indiana Jones films. As Indy, Ford never wowed us with his hulking frame; it was his sarcastic, black-and-blue ordinariness that made the character so appealing. He was a hero not because it was easy but, rather, because it was really hard. Willis took wisecracking David and turned him into a reluctant gun-toting, explosion-evading grumpy smartass who wanted to defeat the bad guys mostly because they were annoying the hell out of him. Eddie Murphy had proved the viability of the high-octane action-comedy with the “Beverly Hills Cop” movies, but in “Die Hard” Willis leaned more toward the action than the comedy. In ’88, people probably didn’t go to “Die Hard” because it was funny. That was just a lucky side benefit.

It also didn’t hurt that he was paired with a truly fun nemesis. As Hans Gruber, Rickman did a variation on every super-snide James Bond villain that came before, except he was actually smart and not campy. It’s almost as if Rickman wasn’t aware that ’80s bad guys were supposed to be really cheesy. Best know for his work on the stage and on television in England, Rickman wasn’t well-known by film audiences. For all we knew, maybe he was a criminal mastermind. (And for all the fine performances he’s given since, his cool, slightly haughty demeanor has been their constant through-line, connecting him back to Hans forever.)

Another reason the film has held up is because it’s simply ingenious. Based on the 1979 book “Nothing Lasts Forever,” “Die Hard” basically invented a whole new genre of action movie: one in which a regular guy is trapped in a location with a bunch of heavily-armed baddies. (As luck would have it, though, these “regular guys” often just happened to be buff dudes like Steven Seagal or Jean-Claude Van Damme.) This was a major change from most action movies, which drew their excitement from elaborate chase sequences or scenes in which the hero has to infiltrate the villain’s stronghold. With “Die Hard,” McClane was constantly hiding in the Nakatomi Plaza trying to evade capture while communicating via walkie-talkie to a local cop (Reginald VelJohnson) outside the building. The film was more of a cat-and-mouse thriller than a conventional shoot-‘em-up. (Although, granted, there is still a lot of shooting ’em up.) Maybe that’s why none of the sequels was ever quite as good: They all had Willis, but they opened up his world to make them more like other people’s action movies.

This isn’t to say that “Die Hard” is perfect. As groundbreaking as the film is, it features one of the stupidest side characters in all of action movies. That, of course, would be Dwayne T. Robinson, the LAPD chief played by Paul Gleason who’s almost maniacal in his distrust of McClane. As Roger Ebert said perfectly in his review at the time, “As nearly as I can tell, the deputy chief is in the movie for only one purpose: to be consistently wrong at every step of the way and to provide a phony counterpoint to Willis’ progress. The character is so willfully useless, so dumb … that all by himself he successfully undermines the last half of the movie.” That may be a bit of an exaggeration, but Robinson does deliver the film’s unforgivably dumbest line: After a FBI helicopter is destroyed, killing everyone inside, he matter-of-factly comments, “We’re gonna need some more FBI guys, I guess.” It’s entirely possible Gleason is playing the same numbskull from “The Breakfast Club.”

But when you go back and watch “Die Hard” now, fondness will probably help you forgive those types of problems. Above all, what’s great is that the movie doesn’t realize it’s going to give birth to a genre or a franchise. It’s just this plucky little movie about a dude in an undershirt winning back his wife by saving her and her coworkers. The movie is simply a great idea executed extremely well.

The sequels realized that they never could recapture the once-in-a-lifetime ingenuity of the “Die Hard” plot, so they had to keep expanding the concept and adding new quirks, all the while joking about the fact that, yes, it is completely preposterous that the same shit keeps happening to the same guy over and over. In “A Good Day to Die Hard,” which I haven’t seen yet, he’s fighting alongside his son — a plot point that I’m sure Fox is hoping will extend the brand after Willis really is too old to be doing these movies. But it’s funny how the franchise has come full circle. “Nothing Lasts Forever,” the book that inspired the original movie, was written by Roderick Thorp and was itself a sequel to his book “The Detective,” which became a movie starring Frank Sinatra in 1968. In “Nothing Lasts Forever,” the hero (Joe Leland) is an older guy trying to save his daughter and grandchildren from terrorists. No doubt Fox decided to make McClane younger for “Die Hard” so that it seemed more realistic. Nowadays, McClane’s old enough that such a storyline doesn’t seem nearly so farfetched anymore.

You can follow Tim Grierson on Twitter.

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Marc Maron – Maron – Season 4, Episode 5

Life Goals

10 Maron Quotes to Get You Through the Week

Get over the Wednesday hump with a brand new Maron tonight at 9P.

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Wednesdays are tough. You’re halfway through the week, but there’s still half of the week left. Luckily Wednesdays mean brand new Maron, with yet another chance to gain some much needed wisdom from Marc Maron. This week Marc continues to dig himself out of his own personal hell, making us all wiser in the process. Before you catch tonight’s Maron, check out some Marc quotes to get you over “Hump Day.”

1. Set realistic diet goals.

Whipped Cream Maron

Instead of looking up how many calories you have left for today’s nutritional intake, admit that you just want something of the whipped and creamy variety.


2. Assert yourself into the conversation.

Maron Shut Up

Instead of letting people walk all over you, be like Marc and demand to be heard…even if it’s just to tell someone to shut up.


3. Trust no one. Except Marc.

"Maron

Instead of trying to figure out which friend could keep a secret, admit that you yourself couldn’t keep a secret to save your life.


4. Minimize your shortcomings.

Maron Notes

Instead of blaming the world for your failures, admit when it’s your own damned fault…to a point.


5. Celebrate accomplishments. Even minor ones.

Maron Ahole

Instead of wishing for greater success, take pride in the ways that you have excelled without judgment.


6. Remember that every day is filled with potential.

Maron Possibilities

Just make sure you have enough coffee.


7. Demand proof from others.

Maron Believe

Instead of potentially being in someone’s shadow, throw doubt on anything they haven’t properly documented.


8. Take a moment to reflect.

Maron Right Thing

There’s a first time for everything.


9. Be honest about where you’re at right now.

Maron Smart

Instead of avoiding embarrassment, embrace it.


10. And finally, remember the important things in life.

Maron Love

Instead of bemoaning the inadequacies of your relationships, perhaps due in part to items 1 through 9, just focus on the physical.

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Marc Maron – Maron – Season 4, Episode 4

Behind the Anger

Marc Maron Gets Deep in an Interview with Fresh Air’s Terry Gross

Follow Marc's journey to recovery tonight at 9P on IFC.

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It ain’t no stage persona: Marc Maron is an anxious, angry, complicated fellow. In a recent interview with Terry Gross on Fresh Air, the Maron star described how he’s beset by constant anxiety, self-hatred, and general unease, which he considers his “uncomfortable” comfort zone. “Being sort of anxious and uncomfortable has really been my home base, innately,” he said. “And I don’t know how to change that, and that’s really the challenge for me now.”

A former addict himself, Marc also discussed the difficulty of portraying his TV character’s drug relapse, downfall, and rehabilitation — a fear he’s glad “happened in fiction and not in real life.”

Click here to listen to Marc Maron’s deep and revealing interview with NPR’s Terry Gross on Fresh Air.

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Keep It Weird

10 Hilarious “Weird Al” Cameos

Weird Al comes to Comedy Bang! Bang! starting June 3rd at 11P.

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Photo Credit: ABC

“Weird Al” has had one of the most unique careers in entertainment history. Sure, he made his name with parody songs, but he’s long since transcended simply poking fun at pop, becoming an American comedy staple in the process. With his new gig behind the keyboard on IFC’s Comedy Bang! Bang!, we thought we’d take a look back at just a few of his classic pop culture cameos, in which he showed he was more than just the man with the accordion and rhyming dictionary.

10. The Goldbergs

“Weird Al” came full circle with this recent cameo on this ’80s-set sitcom, once again donning the frizzy hair, mustache and Hawaiian shirt to return to his glorious retro roots.


9. Galavant

Galavant, the historical musical comedy series, was recently canceled by ABC, but not before we got to see Al as a doo-wop crooning monk who’d taken a “vow of singing.”


8. Wet Hot American Summer: First Day of Camp

Wet Hot Weird Al
Netflix

With Wet Hot American Summer making a triumphant return last summer, we all should have known they would work in a bit in which “Weird Al” played a summer camp hypnotist who turned into assassin Jon Hamm.


7. Batman: The Brave and the Bold

Wet Hot Batman
Cartoon Network

“Weird Al” creates music for all ages, so it shouldn’t be a surprise that he occasionally pops up on Saturday Morning cartoons, like this turn on Batman: The Brave and the Bold, in which he got to battle the Joker and the Penguin alongside Batman, Robin and Scooby-Doo.


6. Tim and Eric Awesome Show, Great Job!

Al has popped up on Tim Heidecker and Eric Wareheim’s bizarre ode to anti-comedy series a few times, but this wedding fever dream, straight out of the mind of a serial killer, really sort of sums it all up, whatever “all” is.


5. 30 Rock

Al is a man of many talents, but at the end of the day, he knows how to rip out a parody song with some bite. Here he puts his gifts to good use, writing lyrics to the 30 Rock theme song, and highlighting their lack of ratings in the process.


4. Halloween II

“Weird Al” shows up in just about the last place you would expect here, in Rob Zombie’s hard R horror remake. Playing a guest on what looks like an early version of Talking Dead, Al does some typical talk show shtick alongside Michael Meyers’ ethically compromised doctor, Samuel Loomis.


3. Transformers: Animated

Al has quite a history with the Transformers. His song “Dare to be Stupid” was used in 1986’s The Transformers: The Movie, and he also popped up as Wreck-Gar, a simple-minded robot brought to life by the All Spark, on Transformers: Animated.


2. The Naked Gun

Al’s stardom was ascendant in 1988, if this classic gag from Naked Gun was any indication. (He also did the theme song for the 1996 Leslie Nielsen comedy Spy Hard.)


1. Amazing Stories, “Miss Stardust”

Weird Al
NBC

Al’s first TV cameo might just be his, ahem, weirdest. As an alien affectionately known as “Cabbage Man,” “Weird Al” made quite the impression without even needing his trusty accordion.

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