DID YOU READ

Rise of the Jason Bateman Comedy Brand

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Very few child actors manage the pitfalls of the film industry as well as Jason Bateman. Unlike, say, Jodie Foster, who has had career ups and downs, Jason Bateman never really left the pop-cultural event horizon at all, tirelessly working his way through television, to small supporting roles in interesting films – like Juno – and wonderful failures – like “The Sweetest Thing.” From each role, it seems, he took something away, learned his craft, gave generous performances, developing, along the way, a dry comedic sensibility all his own. This, for lack of a better term, is the Jason Bateman comedic brand.

Bateman’s rise to the top of the comedic box office began, strangely enough, on the dourest of television dramas. He cut his chops on “Little House on the Prairie,” starring as an orphan adopted into the rather severe Ingalls family. From his years in entertainment, he has developed a powerful work ethic, drawing upon his established comedy brand, expanding into digital content creation in his co-venture with Will Arnett. DumbDumb, a comedy marketing venture started by the “Arrested Development” alums in 2010, already has had Obit Gum as a sponsor. “We’re the CEOs of DumbDumb, but that’s a hilarious moniker to give us,” Arnett told Papermag. “We’re actually co-chief executive dummies. That’s our official title.”

Perhaps it is the longevity of his career in the entertainment business — 30 years — but Bateman rarely seems to make mistakes or at least the magnitude of mistakes that have sidelined generations of child stars. He seems to have gotten all the partying out of his system. Bateman, further, is a good businessman, a virtue not many creatives, especially comedy minded creative, can claim. He told Howard Stern that he got some back-end from “Juno,” which would make him quite wealthy as well as smart for taking that risky role. “My goal is to get another 30 years out of this business,” Bateman told Men’s Health magazine in 2009. “So I need to figure out the fuel to do that. And so far, I think its respect and quality and company, not celebrity or box office or stardom. It’s not a sprinter’s approach. It’s more like a long-distance thing. You can stick around a lot longer if you kind of slow-play it.” Be grown up and the box office will follow.

Jason Bateman will be the first, however, to cop to some of his wonderful failures, like the horrendously unnecessary “Teen Wolf Too.” At the end of January, Bateman, on the Howard Stern Show, called the werewolf sequel, justly, “a shitty movie.” As usually happens, the subject of the Stern show turned towards the guest’s sowing of wild oats years. Bateman was unusually candid about his life before marriage and kids. “Because I worked so much as a little kid I made a concerted effort to play as hard as I was working and try to catch up.” He continued, “the reason it became a problem is because I wanted to start doing things that were more adult, which means you’ve got get up a little bit early in the morning. So I had to dial it down.” And dial it down he did.

That characteristic dry style evolved, over time, achieving its apex in “Arrested Development,” soon to come back to the small screen in season four. And he killed it in “Horrible Bosses,” where he had a memorable supporting role. That brings us up to date with Identity Thief. Identity Thief, poised finish in one of the top sports for the third week in a row, is proof positive that Bateman is now a box office comedy royal, capable of carrying a comedy all on his own. The Jason Bateman comedy brand – for lack of a better term – took 30 years to build. I look forward to 30 more, and you should too.

What’s your favorite Jason Bateman role? Tell us in the comments section below or on Facebook and Twitter.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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