DID YOU READ

Exclusive premiere: Frontier Ruckus “Careening Catalog Immemorial”

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Sometimes the authorial intent of a song meets the vision of a director and a music video is born with such clarity that from that point on neither can exist in the mind without the other. This is the case with Frontier Ruckus‘ “Careening Catalog Immemorial” through the lens of director David Meiklejohn, a vision reminiscent of the urban haute bourgeoisie aesthetic of Whit Stillman — if his film musings had been set to a coming of age song in the Midwest.

“The filmmaker Derek Jarman once wrote that he ‘had seen very few films on male love which are gentle, they usually have a violent subtext,’ and I took that as a challenge,” Meiklejohn said of his fantastically refreshing portrayal of male youth. “I wanted to tell a story of young friends who love each other with such tenderness that even their fighting was sweet and playful.”

Songwriter Matthew Milia assembled “Careening Catalog Immemorial” from bits and pieces of lyrics and ideas he had left after most of the other 19 tracks on “Eternity of Dimming” were carefully finished. “It was a chance to have a lot of fun with all these lyrical orphans that I loved so much, but just hadn’t been able to find a home elsewhere,” Milia said. “What I had was a catalog of whacky couplets and cocky rhymes, each becoming its own stanza of disparate memories and eras for this metaphorical white limousine or minivan to careen through on the black-ice. It’s some memory-vehicle traveling recklessly from world to world of a tender childhood psyche.”

In some synchronous twist of fate, Meiklejohn had the perfect mental compliment to the Milia’s memory-vehicle. “I took a walk and tried to think of the absolute raddest thing in my life right now, and then I remembered a photo I saw of my teenaged friend Isaac and his pals hanging out shirtless around a table of food after a hearty Thanktober feast,” the director recalled. He promptly called up his young friend and pitched the idea of recreating the scene with all his (non-actor) friends. Two weeks later the video was shot in his house.

“The result was perhaps the purest distillation of idyllic youth mingling with abrupt adult punctuation that I shot to represent throughout the album” Milia added. “Definitely an accidental personal fav of mine on the record.”

 

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“What David Meiklejohn did with the video — emphasizing all of those youthful and playful elements in the narrative and color tones — was masterful,” Milia exclaimed, and one can almost see him shirtless, chocolate syrup in hand. “There’s a sort of ecstatic but red-faced ambiguity intrinsic to my feelings for early adolescence which he just nailed visually. I love the little nuances he throws in—like the kids tilting their heads at a Nintendo magazine centerfold as if it’s porn. He’s a brilliant stylist.”

 

Let us know how you fell about your red-faced adolescence in the comments below or on Twitter or Facebook!

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

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This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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