DID YOU READ

Tim Grierson on the Five Good Things That Came Out of Oscar Season

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Oscar season, which starts approximately at the beginning of September, at long last came to an end last night. Even someone like myself who finds much to enjoy about this time of year has to admit that the past five months of constantly tracking which movies and performances have “heat” or “buzz” has been incredibly tiring. Still, optimist that I am, I’d like to think that there’s still some net good that comes out of the seemingly endless buildup to the Oscars. The Academy Awards may still reward the wrong people and overlook the truly worthy, but this year, as always, they also had their positives…

1. They inspired people to see small movies they might not have otherwise.

Films like “Argo” or “Les Miserables” would probably have been hits even without a Best Picture nomination. But nominations for other films helped elevate them to must-see status for people who are choosier in their viewing habits. “Amour” might have seemed too depressing, “Lincoln” could have looked too dry, “Beasts of the Southern Wild” might have seemed too strange, and “Zero Dark Thirty” could have felt too difficult. But hearing that these movies were in the running for the Oscars’ big prize no doubt helped push folks to give these movies a try. Encouraging audiences to seek out challenging fare can never be a bad thing.

2. They raised awareness for worthwhile social and political issues.

The Best Documentary nominees often cover a vast array of important topics, and this year’s crop was no different, whether it was relations between Israel and Palestine (“The Gatekeepers,” “5 Broken Cameras”), sexual assault within the U.S. military (“The Invisible War”), or the history of the AIDS-awareness organization ACT UP (“How to Survive a Plague”). But even the Best Picture field had its share of meaningful films, including “Amour,” which is an unsentimental look at aging and mortality. Perhaps the most important discussion prompted by any Oscar film this year, though, came from “Zero Dark Thirty,” a sobering, absorbing examination of the U.S. government’s 10-year pursuit of Osama bin Laden. Director Kathryn Bigelow’s thriller raised complaints from some, including a few U.S. senators, that the movie celebrated the use of torture — or suggested that it was an effective tool for hunting down terrorists. The debate may have ultimately been more about political posturing, but at least it opened a wider discussion about U.S. policy in the aftermath of 9/11 than any film had been able to do before. (And for the record, anyone who watches “Zero Dark Thirty” will see that the movie is far more nuanced and ambiguous in its commentary than its critics will acknowledge.)

3. They provoked some memorable social-media moments.

Because the Oscar campaigning goes on so long, there are inevitably unexpected side effects. For instance, the creation of memes that are very funny at the moment by may not have a long shelf life. (Angelina Jolie’s Leg was good for some chuckles a year ago. But now?) This year had its share of parodies and homages, their effectiveness very much a question of personal taste. Plenty of friends love the fake Michael Haneke Twitter account where the austere Austrian filmmaker is turned into a cat-loving, spellcheck-deficient goofball. (Me, I think it’s just the same joke repeated over and over again.) And then there was the parody of Anne Hathaway’s “I Dreamed a Dream” performance from “Les Miserables.” But my favorite is probably from comedian Paul F. Tompkins, who took to the stage of Largo in Los Angeles in December to perform an utterly sincere rendition of Adele’s “Skyfall” theme. Soon, it hit YouTube, becoming a viral hit. The comedian’s “Skyfall” rendition represented the best of pop cultural referencing, honoring what made the original so fantastic while adding a new, fun dimension to it.

4. They actually had a little suspense.

In the early months of award season, there’s always a little uncertainty about who the frontrunners might be, but eventually the clear-cut favorites assert themselves, and by the time of the actual ceremony, everybody knows who’s going to win Best Picture and most of the major categories. This year, that didn’t happen, as “Les Miserables,” “Lincoln,” “Zero Dark Thirty,” “Argo” and even “The Master” were discussed as being possible winners at one point or another. This, of course, is great news for Oscar bloggers and other awards handicappers who want to keep us interested, but for those of us who actually like the Academy Awards telecast, it also created a lot of suspense. That doesn’t happen that often. Their value isn’t in telling us what’s the best

5. They’ll never replace your own preferences for the year’s best films.

From your perspective, any collection of individuals voting on the best anything will ultimately fail to get it right unless they completely agree with you. That’s why I’ve never understood getting that annoyed with the Oscars (or the Independent Spirit Awards or the Golden Globes) when they don’t line up with your individual tastes. If nothing else, the Academy Awards are a way to make each of us consider what constitutes the greatest films and the greatest performances. The Oscars can have their definition — we each have our own.

You can follow Tim Grierson on Twitter.

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Forget Oscar

Find Your Spirit Animal

The Spirit Awards are LIVE this Saturday at 2p PT/5p ET.

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In just a few precious days, the greatest, most epic, most star-studded awards ceremony of the year comes to IFC.

And please, we’re definitely not talking about the Oscars. We’re talking about the Spirit Awards. Hosted by iconic comedy duo Nick Kroll and John Mulaney, it’s a relatively under-the-radar awards show with serious cred. And if the past is any indicator, we’re in for a wild night.

If you feel like doing your homework, you can find a full list of nominees and performance excerpts here. It reads like a who’s who of everyone that matters – those larger-than-life personalities with status that borders on mythological. Our celebrity spirit animals, if you will.

This isn’t hyperbole. Literally everyone who takes the stage at the awards show is spirit animal material. Let’s see if we can help you find yours…

Do you

Live in someone else’s shadow despite shining like the sun? Do you inexplicably vandalize your pretty-boy good looks with a sloppy-joe man bun and a repellent pubic-hair beard? Do you think sounding stoned and sounding thoughtful are kinda the same thing?

Congratulations, your spirit animal is Casey Affleck.

He’s the self-canonized patron saint of anyone who’s got the goods but doesn’t give a damn.

Do you

Have mid-length hair and exude a certain feminine masculinity that is universally appealing? Are you drawn to situations that promise little to nothing in the way of grooming or hygiene as a transparently self-conscious attempt to conceal your radiant inner glow? Does that fail miserably?

Way to go, your spirit animal is Viggo Mortensen.

He’s the yoga teacher of actors, in that what should make him super nasty only increases his curb appeal.

Do you

Get zero recognition for work that everyone knows is unrivaled? Do you inspire greatness in others yet get shortchanged when it comes to your own acclaim? Are you a goddam B-52 bomber in an industry of biplanes?

Bingo, your spirit animal is Annette Bening.

What does it take for this artist to win an Oscar? Honestly now, if her performance in 20th Century Women doesn’t earn her every award on the planet, consider it proof that the Universe truly is a cold dark void absent of reason or compassion.

Do you

Walk into a room full of strangers and walk out with a room full of friends? Have you been hiding under the radar just waiting for the right moment to leap out into the spotlight and stay there FOREVER? Do you possess the almost messianic ability to elevate Shia LaBeouf’s on-screen charisma?

You guessed it (or not), your spirit animal is 100% Sasha Lane.

If you haven’t seen American Honey, then you haven’t heard of her. She came out of the blue with a performance both subtle and powerful, and now she’s going to be in all the movies from this moment on. Or she should be, at any rate.

Don’t see your spirit animal there? Worry not. There are many more nominees to choose from, and you can see them all (yes, including Shia LaBeouf) during the Independent Spirit Awards, this Saturday at 2pm PT/5pm ET only on IFC.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

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This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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