DID YOU READ

Craig Robinson talks “Hot Tub” sequel, “This Is the End” and more

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Craig Robinson pops miniature cupcakes in his mouth, each one representing an alien trapped in an Area 51 prison in his latest film, “Escape from Planet Earth.” A blue one is in reference to either of two brothers in the Supernova family, Gary (the brains, voiced by Rob Corddry) or Scorch (the brawn, voiced by Brendan Fraser). A red one is for Jane Lynch’s Cyclops alien named Io (Get it? Eye-O). An orange one is for George Lopez’s slimy mollusk alien Thurman. But where’s the one for Robinson’s character, a mouse-like alien named Doc, a famed intergalactic talk show therapist who invented social networking? What’s up with that, Doc? “I don’t know,” Robinson laughs. “I’d be delicious.”

Despite his character’s invention, Robinson himself was late to the Twitter party. “Very late,” he acknowledges. “I remember hearing Rainn Wilson talking about it on set [at ‘The Office’], maybe to Mindy [Kaling], and he and she both have over a million followers. I’m still stuck at two hundred thousand. But I’m terrible.”

If Robinson sees an image that makes him laugh, or if he’s at an event where he meets fellow celebs (such as the NAACP Image Awards after party, where he met up with Quvenzhané Wallis from “Beasts of the Southern Wild” and Amandla Stenberg who played Rue in “The Hunger Games”), he’ll tweet a picture. “But other than that, I don’t know how to use it exactly,” he says. “And I don’t want it to control me. And I can’t just let off everything. Some of it’s got to be saved for the stage, and who wants to hear what I’m thinking?”

Robinson used his real voice for the character of Doc, but amped up his positivity — he wanted the alien to be the one you turn to in disaster situations (“He feels like he has all the answers,” he says. “He’s the man to know, because he knows how to get out of any situation”). And speaking of disasters, Robinson’s becoming quite the expert on post-apocalyptic situations — “Escape from Planet Earth” is just one of a trio of doomsday films he has on the horizon. Also on the way — Seth Rogen’s directorial debut “This Is the End” (where he and his buddies wait out the apocalypse at James Franco’s house) and “Raptureapalooza,” in which Robinson is the Antichrist.

“They all couldn’t be more different, but it’s quite interesting that I’m at the center of these three,” Robinson says. “‘Escape’ is the possibility of a planet blowing up, but it’s averted, and ‘This Is the End,’ something bad has just happened, and ‘Raptureapalooza,’ the Antichrist has taken over, so it’s all the different stages. They’re all fun and funny, and that’s what I’m here to do. I’m the apocalypse guy.”

In “This Is The End,” Robinson says, all the actors (who are playing versions of themselves) go “a little crazy,” but he’s the one who, “for the lack of a better word, I’m not as nasty. Some of the other characters are.” Since it’s a large cast, he had a harder time than usual stealing scenes: “There are six people, so you got Jonah Hill, James Franco, and Seth Rogen over here, so anytime it’s time to improv, it’s like, ‘Okay, here we go!’ You have to get in where you fit in. You have to jockey for position. Jonah is not going to stop. Franco is not going to stop. Rogen is not going to stop. And that left [Jay] Baruchel, Danny McBride, and myself, and it was a lot of jockeying.”

One moment he jockeyed for — and might end up on the cutting room floor — is when “they send me out into the madness,” and he sings a silly song, trying their patience. The key to playing himself, Robinson said, was keeping it positive. “He realizes that drinking his urine is not that bad,” Robinson says of this version of himself. “What else could this post-apocalyptic world have to offer that I never would have experienced if everything is normal? Your attitude is going to carry you. Your attitude is your altitude. It’s not really the end of the world — it’s, What do you do now? That’s the big question.”

In both “This Is the End” and “Rapturepalooza,” Robinson says, people are “Raptured up to heaven,” and it’s about the ones who are left behind. The difference is, he says, two years have passed. For one of his first leading roles, Robinson says his take on the Antichrist is to make him “loveable.” “He’s a regular human being, but he knows he’s going to come back as Satan. He wants to die, because he’s power-hungry, but at the same time, he falls in love with Anna Kendrick’s character.” His character sings to her, “to try to seduce her, in my Antichrist way,” he says. “It’s a very inappropriate song, so there are some fun things I get to say to her about touching her booty and she just has to take it because she’s trying to keep her family and friends alive.” Robinson, who just saw Kendrick’s turn in “Pitch Perfect” on the flight to New York the day previous, thinks he could take Kendrick in a riff-off: “She definitely has a better voice, but I could out-last her in songs.”

But if an apocalyptic situation were to actually happen, don’t look to Robinson for any help. Beyond wondering where he would hide, “I would be ass out,” he laughs. “I am not prepared for anything. I think I have one first aid kit in a backpack from a gifting suite or something. Other than that, I would be trying to borrow margarine from other people. ‘Can I get some beans?’ And I wouldn’t even have a can opener or nothing.”

On the horizon for Robinson — if the world doesn’t end before then — is another trip back in time with the “Hot Tub Time Machine” crew. “Looking forward to seeing if that happens,” he grins. “He’s become a successful music producer, but he became successful because he sang the Black Eyed Peas. That’s not fair. So it might touch on some of that. And hopefully if people liked my singing in the first one, they’ll want some more of that. I think we’re going to go back to that, absolutely.”

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. 

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number! 

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time. 

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by. 

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo. 

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim. 

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t? 

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?” 

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud. 

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.