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Clea DuVall talks “Argo”, Ben Affleck, and her favorite project ever

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If you don’t immediately recognize the name Clea DuVall, it’s not for lack of a lengthy roster of popular film and television appearances on her resume. She’s had parts in everything from “Can’t Hardly Wait” and “The Faculty” to “Girl, Interrupted” and “Zodiac”. It’s just that she’s not often been at the forefront of those films. DuVall has existed as the sharp, talented character actor that, when you see her, you think, “I’ve seen her before!” That dynamic, however, may be about to change. After excellent performances in 2012’s “Argo” (available on Blu-ray and DVD February 19), the young actress is poised to become one of Hollywood’s hottest properties.

DuVall recently sat down with IFC.com to discuss working with Ben Affleck, holing up with six other actors, and what’s next for her.

IFC: “Argo” is a great film and, I think, rightfully deserves all the awards it’s receiving. Can you tell me how you got involved in the film?

CLEA DUVALL: I had known Ben [Affleck] for a really long time and about a year-and-a-half ago we saw each other. He said, “I’m making this movie and there’s a part I think you’d be really good for. You should come in and talk to me about it.” A few weeks later, I went in and met with Ben and [casting director] Lora Kennedy. He told me about the movie and what would be required of us, which was to live in a house together for a week with nothing from the outside world, and also a lot of improv and things like that. Of course I was like, “Totally!” And then I felt really afraid. [Laughs]

IFC: Were you nervous about taking on such a heavy subject or were those nerves calmed a little because you had already known Ben?

CD: I was definitely nervous, especially because he was asking us to improvise around Iranian politics in 1979. It can be a little daunting, but all it meant is that we really had to know our shit and do the work. I was really excited for the challenge because you don’t always get that kind of opportunity in a film to go that deep.

IFC: You and I were both really young when this whole real-life situation was happening. Did you do a lot of research into the conflict, and the story of these hostages, to prepare for the role?

CD: I did, yeah. I read a lot of books about it and, for each of us, they put together a research packet detailing the people we were playing. I was fortunate enough, as well, to speak with Cora before we started filming, so I was able to sort of pick her brain and see what it was like for her. More the day-to-day of it rather than the high-intensity drama. That was really, really helpful.

IFC: You have this great part in the film that actually feels a lot like an ensemble – the six of you holed up in this house. Tell me a little bit about the dynamic that the six of you had together.

CD: I think Ben was so smart to have us all live together because it really did give the effect that he wanted, which was that we were all people that knew each other very intimately because, by that time, we actually did. We all kind of moved around as this unit. The six of us were always keeping tabs on each other. We were very aware of each other and, I think, that was very important, especially when we got into the scenes that we shot at the bazaar for the location scouting.

You have these people who have been inside for three months terrified for their lives and then, all of a sudden, are thrust into this environment with thousands and thousands of people who, ultimately, want them dead. Creating the authenticity of that experience and having these people around was a little bit of a security blanket effect. It was such a brilliant idea that Ben had. I don’t think that we would have started day one with that dynamic had we not done that.

IFC: Do you think it helped, as well, to create this really claustrophobic, enclosed feeling of those scenes?

CD: Yeah, absolutely. And that cabin fever, stir crazy, high tension feeling was heightened by the experience. It helped to add very subtle layers to all of it. It subconsciously gave us these layers that we definitely would not have had otherwise.

IFC: How was it working with Ben, as he was both directing and starring in the film?

CD: He was amazing. I really was so impressed with how he handled it. I’ve worked with a couple other director/actors who did not handle it with the ease and grace with which he does.

IFC: Are you surprised that he didn’t get the Oscar nomination or is that just sort of par for the course with these types of things?

CD: I was definitely surprised, as everyone else was, but I also think that Ben is the real thing. He’s an amazing filmmaker and he’s probably going to run out of shelf space with all of the awards he’s going to get. I’m sure he’ll have a very long directing career, so I’m not worried about him.

IFC: You’ve done a good amount of TV in the past as well. Do you prefer one medium to the other?

CD: No, not really. I did a show for HBO called “Carnivale” and that was my favorite job I’ve ever had, and what I liked about it was being able to build the character and have her change and evolve.

I think I’ve been really fortunate in the TV that I have done to be able to really explore a character in a way that you can’t really do in film. But I also like film because it is this short window of time and the appreciation for that time is heightened because you know it’s going to end. Your pace is different as an actor working in film rather than TV.

IFC: What’s next for you? I see you have “In Security” coming up. Can you tell me a bit about that film?

CD: That is a little independent film that I was shooting on the weekends while I was making “Argo”. It’s just this cute little movie. I don’t really know what’s happening with it right now. I think they’re trying to go to festivals with it. The indie film world is tough.

I’ve also been working on some behind-the-camera things that I don’t really want to talk about just yet, but it’s looking very promising.

Otherwise, I don’t know. Hopefully something amazing.

IFC: What is the one project in your career that you wish had gotten more recognition or attention?

CD: “Carnivale”, for sure. I think it was just a little bit ahead of its time. I think if it was on now, people would love it. It was the one of the first of what basically ever cable show is now. It was really interesting and different and people couldn’t handle it.

“Argo” arrives on Blu-ray and DVD February 19.

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Holiday Extra Special

Make The Holidays ’80s Again

Enjoy the holiday cheer Wednesday December 21 at 10P on IFC.

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Photo Credit: Everett Collection

Whatever happened to the kind of crazy-yet-cozy holiday specials that blanketed the early winter airwaves of the 1980s? Unceremoniously killed by infectious ’90s jadedness? Slow fade out at the hands of early-onset millennial ennui? Whatever the reason, nixing the tradition was a huge mistake.

A huge mistake that we’re about to fix.

Announcing IFC’s Joe’s Pub Presents: A Holiday Special, starring Tony Hale. It’s a celeb-studded extravaganza in the glorious tradition of yesteryear featuring Bridget Everett, Jo Firestone, Nick Thune, Jen Kirkman, house band The Dap-Kings, and many more. And it’s at Joe’s Pub, everyone’s favorite home away from home in the Big Apple.

The yuletide cheer explodes Wednesday December 21 at 10P. But if you were born after 1989 and have no idea what void this spectacular special is going to fill, sample from this vintage selection of holiday hits:

Andy Williams and The NBC Kids Search For Santa

The quintessential holiday special. Get snuggly and turn off your brain. You won’t need it.

A Muppet Family Christmas

The Fraggles. The Muppets. The Sesame Street gang. Fate. The Jim Henson multiverse merges in this warm and fuzzy Holiday gathering.

Julie Andrews: The Sound Of Christmas

To this day a foolproof antidote to holiday cynicism. It’s cheesy, but a good cheese. In this case an Alpine Gruyère.

Star Wars Holiday Special

Okay, busted. This one was released in 1978. Still totally ’80s though. And yes that’s Bea Arthur.

Pee Wee’s Playhouse Christmas Special

Pass the eggnog, and make sure it’s loaded. This special is everything you’d expect it to be and much, much more.

Joe’s Pub Presents: A Holiday Special premieres Wednesday December 21 at 10P on IFC.

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It Ain't Over Yet

A Guide to Coping with the End of Comedy Bang! Bang!

Watch the final episodes tonight at 11 and 11:30P on IFC.

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After five seasons and 110 halved-hour episodes, Scott Aukerman’s hipster comedy opus, Comedy Bang! Bang!, has come to an end. Fridays at 11 and 11:30P will never be the same. We know it can be hard for fans to adjust after the series finale of their favorite TV show. That’s why we’ve prepared this step-by-step guide to managing your grief.

Step One: Cry it out

It’s just natural. We’re sad too.
Scott crying GIF

Step Two: Read the CB!B! IMDB Trivia Page

The show is over and it feels like you’ve lost a friend. But how well did you really know this friend? Head over to Comedy Bang! Bang!’s IMDB page to find out some things you may not have known…like that it’s “based on a Civil War battle of the same name” or that “Reggie Watts was actually born with the name Theodore Leopold The Third.”

Step Three: Listen to the podcast

One fascinating piece of CB!B! trivia that you might not learn from IMDB is that there’s a podcast that shares the same name as the TV show. It’s even hosted by Scott Aukerman! It’s not exactly like watching the TV show on a Friday night, but that’s only because each episode is released Monday morning. If you close your eyes, the podcast is just like watching the show with your eyes closed!

Step Four: Watch brand new CB!B! clips?!

The best way to cope with the end of Comedy Bang! Bang! is to completely ignore that it’s over — because it’s not. In an unprecedented move, IFC is opening up the bonus CB!B! content vault. There are four brand new, never-before-seen sketches featuring Scott Aukerman, Kid Cudi, and “Weird Al” Yankovic ready for you to view on the IFC App. There’s also one right here, below this paragraph! Watch all four b-b-bonus clips and feel better.

Binge the entire final season, plus exclusive sketches, right now on the IFC app.

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Everybody Sweats Now

The Four-Day Sweatsgiving Weekend On IFC

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This long holiday weekend is your time to gobble gobble gobble and give heartfelt thanks—thanks for the comfort and forgiveness of sweatpants. Because when it comes right down to it, there’s nothing more wholesome and American than stuffing yourself stupid and spending endless hours in front of the TV in your softest of softests.

So get the sweats, grab the remote and join IFC for four perfect days of entertainment.

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It all starts with a 24-hour T-day marathon of Rocky Horror Picture Show, then continues Friday with an all-day binge of Stan Against Evil.

By Saturday, the couch will have molded to your shape. Which is good, because you’ll be nestled in for back-to-back Die Hard and Lethal Weapon.

Finally, come Sunday it’s time to put the sweat back in your sweatpants with The Shining, The Exorcist, The Chronicles of Riddick, Terminator 2, and Blade: Trinity. They totally count as cardio.

As if you need more convincing, here’s Martha Wash and the IFC&C Music Factory to hammer the point home.

The Sweatsgiving Weekend starts Thursday on IFC

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