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Clea DuVall talks “Argo”, Ben Affleck, and her favorite project ever

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If you don’t immediately recognize the name Clea DuVall, it’s not for lack of a lengthy roster of popular film and television appearances on her resume. She’s had parts in everything from “Can’t Hardly Wait” and “The Faculty” to “Girl, Interrupted” and “Zodiac”. It’s just that she’s not often been at the forefront of those films. DuVall has existed as the sharp, talented character actor that, when you see her, you think, “I’ve seen her before!” That dynamic, however, may be about to change. After excellent performances in 2012’s “Argo” (available on Blu-ray and DVD February 19), the young actress is poised to become one of Hollywood’s hottest properties.

DuVall recently sat down with IFC.com to discuss working with Ben Affleck, holing up with six other actors, and what’s next for her.

IFC: “Argo” is a great film and, I think, rightfully deserves all the awards it’s receiving. Can you tell me how you got involved in the film?

CLEA DUVALL: I had known Ben [Affleck] for a really long time and about a year-and-a-half ago we saw each other. He said, “I’m making this movie and there’s a part I think you’d be really good for. You should come in and talk to me about it.” A few weeks later, I went in and met with Ben and [casting director] Lora Kennedy. He told me about the movie and what would be required of us, which was to live in a house together for a week with nothing from the outside world, and also a lot of improv and things like that. Of course I was like, “Totally!” And then I felt really afraid. [Laughs]

IFC: Were you nervous about taking on such a heavy subject or were those nerves calmed a little because you had already known Ben?

CD: I was definitely nervous, especially because he was asking us to improvise around Iranian politics in 1979. It can be a little daunting, but all it meant is that we really had to know our shit and do the work. I was really excited for the challenge because you don’t always get that kind of opportunity in a film to go that deep.

IFC: You and I were both really young when this whole real-life situation was happening. Did you do a lot of research into the conflict, and the story of these hostages, to prepare for the role?

CD: I did, yeah. I read a lot of books about it and, for each of us, they put together a research packet detailing the people we were playing. I was fortunate enough, as well, to speak with Cora before we started filming, so I was able to sort of pick her brain and see what it was like for her. More the day-to-day of it rather than the high-intensity drama. That was really, really helpful.

IFC: You have this great part in the film that actually feels a lot like an ensemble – the six of you holed up in this house. Tell me a little bit about the dynamic that the six of you had together.

CD: I think Ben was so smart to have us all live together because it really did give the effect that he wanted, which was that we were all people that knew each other very intimately because, by that time, we actually did. We all kind of moved around as this unit. The six of us were always keeping tabs on each other. We were very aware of each other and, I think, that was very important, especially when we got into the scenes that we shot at the bazaar for the location scouting.

You have these people who have been inside for three months terrified for their lives and then, all of a sudden, are thrust into this environment with thousands and thousands of people who, ultimately, want them dead. Creating the authenticity of that experience and having these people around was a little bit of a security blanket effect. It was such a brilliant idea that Ben had. I don’t think that we would have started day one with that dynamic had we not done that.

IFC: Do you think it helped, as well, to create this really claustrophobic, enclosed feeling of those scenes?

CD: Yeah, absolutely. And that cabin fever, stir crazy, high tension feeling was heightened by the experience. It helped to add very subtle layers to all of it. It subconsciously gave us these layers that we definitely would not have had otherwise.

IFC: How was it working with Ben, as he was both directing and starring in the film?

CD: He was amazing. I really was so impressed with how he handled it. I’ve worked with a couple other director/actors who did not handle it with the ease and grace with which he does.

IFC: Are you surprised that he didn’t get the Oscar nomination or is that just sort of par for the course with these types of things?

CD: I was definitely surprised, as everyone else was, but I also think that Ben is the real thing. He’s an amazing filmmaker and he’s probably going to run out of shelf space with all of the awards he’s going to get. I’m sure he’ll have a very long directing career, so I’m not worried about him.

IFC: You’ve done a good amount of TV in the past as well. Do you prefer one medium to the other?

CD: No, not really. I did a show for HBO called “Carnivale” and that was my favorite job I’ve ever had, and what I liked about it was being able to build the character and have her change and evolve.

I think I’ve been really fortunate in the TV that I have done to be able to really explore a character in a way that you can’t really do in film. But I also like film because it is this short window of time and the appreciation for that time is heightened because you know it’s going to end. Your pace is different as an actor working in film rather than TV.

IFC: What’s next for you? I see you have “In Security” coming up. Can you tell me a bit about that film?

CD: That is a little independent film that I was shooting on the weekends while I was making “Argo”. It’s just this cute little movie. I don’t really know what’s happening with it right now. I think they’re trying to go to festivals with it. The indie film world is tough.

I’ve also been working on some behind-the-camera things that I don’t really want to talk about just yet, but it’s looking very promising.

Otherwise, I don’t know. Hopefully something amazing.

IFC: What is the one project in your career that you wish had gotten more recognition or attention?

CD: “Carnivale”, for sure. I think it was just a little bit ahead of its time. I think if it was on now, people would love it. It was the one of the first of what basically ever cable show is now. It was really interesting and different and people couldn’t handle it.

“Argo” arrives on Blu-ray and DVD February 19.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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