DID YOU READ

10 reasons to love Michael Keaton

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Why isn’t Michael Keaton in everything? That’s the question I often ask myself whenever I do manage to catch a glimpse of one of the most amusing and talented actors of this or any generation. That guy makes everything better. His sheer presence is a delight that spreads joy and good feelings to all who have the good fortune to experience it. He’s funny, he’s charming, he’s weird, and he’s not nearly in enough stuff these days. So here, for public record, are 10 reasons to love Michael Keaton and to start putting him in more movies again.


1. Stand Up Comedy

Before you ever heard of him, Michael Keaton was working the stand-up circuit, and if you pay attention to this excerpt of his act (which includes an amusing dramatic reading of Bazooka Joe comics), you can definitely hear the vocal stylings that would eventually form the core of the title character of a gangster move he’d do – you know, that guy whose last name is an adverb.


2. “Night Shift”

Keaton’s first big movie role came with this 1982 Ron Howard comedy. The former Richie Cunningham cast the former Fonz, Henry Winkler, as a put-upon mortician who Keaton convinces to start running a brothel out of the morgue, with the help of hooker-with-a-heart-of-gold Shelley Long. Much like our equally beloved national treasure Tom Hanks, Keaton started as a manic comedy machine before settling down into future dramatic roles, and that early energy is on full display in this hilarious film. Observe his stunning powers of bullshit here.


3. “Johnny Dangerously”

Yes, his last name is an adverb. Keaton shined in this ridiculous Amy Heckerling gangster farce that may also be the best thing Joe Piscopo ever accomplished. Using a lot of that James Cagney movie charm in service of a lot of zany slapstick schtick, Keaton’s Johnny is the coolest, smoothest and friendliest gangster in town, never tryin’ to hurt nobody, torn over the fact that his brother (Griffin Dunne) is a straight-laced anti-crime crusader.


4. “Mr. Mom”

In 1983, the concept of the stay-at-home dad was still pretty novel, and thus Keaton was able to make great hay out of a playing a guy who got laid off trying to make a go of it as the househusband and being constantly frazzled at every turn in his John Hughes-scripted comedy. With every mundane task seeming like a huge ordeal, Jack Butler was inevitably driven crazy by the pressure of it all, and nobody makes crazy as fun as Michael Keaton does.


5. “Beetlejuice”

Speaking of crazy – teaming Keaton up with Tim Burton for this story about a completely bonkers ghost named Betelgeuse showcases him at his absolute craziest – not to mention the perviest, too. Summoned by a pair of nice ghosts (Alec Baldwin, Geena Davis) to get rid of some annoying living people in their home, the maniac becomes an even bigger problem than young Winona Ryder’s family ever could’ve been. Keaton’s a tour-de-force in this one, showing us the frayed edges of sanity that he’s so good at harnessing – and he’s doing it at a mile a minute.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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