The decision to follow the Marvel Cinematic Universe formula and push a “Justice League” movie always seemed a bit risky for Warner Bros. from where we are standing. The studio has had a hit-and-miss track record with DC comics films, with projects like Christopher Nolan’s “The Dark Knight” trilogy being massive successes and then films like the Ryan Reynolds “Green Lantern” movie failing.
Now “Man of Steel” is being released, and it could mark a new era for Warner Bros.’ DC films. The movie comes out on June 14 and could set the tone for the planned 2015 “Justice League” film. According to Variety, WB is waiting to see how well “Man of Steel” does in theaters before it really starts pushing “Justice League” forward.
“A ‘Justice League’ film wouldn’t likely be in theaters before 2015, as Warner’s top brass has indicated that they are awaiting the results of ‘Man of Steel,’ which opens June 14, before moving further ahead,” the outlet writes.
Honestly, that’s not too surprising. Will Beall has been developing a script for a while, but Warner hasn’t chosen a director despite much Internet speculation. This seems like the right route to go, since “Man of Steel’s” failure would not bode well for a “Justice League” film with an entirely new cast. Fortunately for WB, “Man of Steel” looks like it will actually be pretty fantastic.
Meanwhile, “Man of Steel” writer David S. Goyer opened up about his take on the film in a new interview with Empire (via ComicBookMovie.com). In the interview, he talked about how Superman will be portrayed as “a man, yet he’s not a man” in the upcoming film. He also explained how he and director Zack Snyder tried to ground the movie in reality.
“It is obviously a much longer process with a character like Superman. It is much easier to do a realistic take on Batman. You know nothing can hurt Superman, presumably other than Kryptonite,” he said. “The challenge was simply: can we figure out a way to make those elements work, quote unquote, in the real world? It’s very much a story of a man with two fathers.”
“Man of Steel” stars Russell Crowe, Henry Cavill, Amy Adams, Michael Shannon, Kevin Costner, Diane Lane and Laurence Fishburne. It is due in theaters on June 14, 2013 in IMAX and 3D.
Are you glad that Warner Bros. is waiting on “Man of Steel” before moving forward on “Justice League”? Tell us in the comments section below or on Facebook and Twitter.
Writer/actor/rocker Carrie Brownstein recently added another credit to her poly-hyphenated resume: autobiographer. The Portlandia star and Sleater-Kinney musician penned Hunger Makes Me a Modern Girl, a memoir covering her years playing gigs, writing comedy, and producing a sketch show with cohort Fred Armisen.
Brownstein shared an excerpt from her memoir with The New Yorker that details her complicated relationship with her father, his coming to terms with his homosexuality, and how it led up to him coming out to Brownstein in 1988. A compelling and moving read, the essay is highlighted by the final passage wherein her father opened up to her grandmother and the life lesson Brownstein learned by her tragic response.
When my father came out to his mom, my grandmother said, “You waited for your father to die, why couldn’t you have waited for me to die?” I knew then that I never want to contribute to the corrosiveness of wanting someone to stay hidden. Despite all my initial conflicts about trying to reconcile the father I had as a child to the one I have now, I am thankful that he is happy, that he did not waste another second. Now there is someone to know.
A historic summit of comedic minds has finally happened in the Cat Ranch — Lorne Michaels sat down for an interview on Marc Maron‘s WTF Podcast. And you can listen to it here.
20 years ago, Marc had a meeting with Lorne about possibly taking over Weekend Update on Saturday Night Live. But then Marc never got a a callback—and his brief meeting with the SNL guru has haunted him ever since. This week on his WTF podcast, Marc finally got closure. As Marc wrote on his website, “In the history of WTF, Lorne Michaels is talked about more than any other person. Now he is finally a guest.”
In addition to discussing why Marc wasn’t ready to join the Not Ready for Primetime Players, the episode’s wide-ranging conversation also covers the reason Michaels started the show back in 1975 and what keeps him doing it each and every season.
A great Halloween episode is like terrific fan fiction. Our beloved characters are thrust into a spooky predicament beyond their normal scope of storylines while wearing garish outfits and fearing for their lives. The annual tradition on-screen is a reflection of the holiday’s appeal in real life: A chance to see the familiar skew towards the garish and macabre.
Fun, scary, and memorable, here are the 10 best Halloween episodes of all time.
10. That ’70s Show, “Halloween”
The siren song of an abandoned building on Halloween lures the That ’70s Show gang to their burned-out grammar school where they discover their old permanent records. Secrets and backstories are revealed, such as Jackie’s middle name, Kelso’s real age, and an act of vandalism committed by a 7-year-old Eric which followed Hyde around his entire life.
9. Freaks and Geeks, “Tricks and Treats”
Expertly capturing the dilemma of kids too old to trick-or-treat but too young for drunken holiday revelry (legally, at least), Freaks and Geeks brings us back to the youthful pursuit of making the most out of Halloween. Wannabe freak Lindsay opts for petty vandalism while Sam and his geeky pals are humiliated by their costumed rounds through the neighborhood. On the plus side, Bill makes a very stately Bionic Woman.
8. Quantum Leap, “The Boogieman”
Leaping into a horror writer’s life in 1964, Sam plays detective as the people around him start dying, Al’s not quite himself, and a goat keeps appearing. The grisly plot culminates to a legitimately unsettling climax that’s as scary as it is funny (seriously, it’s hard to describe) and we find out the neighborhood boy goes on to become somebody very familiar.
7. Cheers, “Bar Wars V: The Final Judgement”
On Halloween, the bar’s longtime rivalry with Gary’s Olde Towne Tavern is curiously called off when Gary reveals his heart can’t take it — literally. But Sam, not buying the medical diagnosis, stages an elaborate (and in reality, logistically impossible) prank involving Carla’s holographic head that may have caused Gary to kick the bucket. (There’s a humorous callback to this episode in the following season’s “Bar Wars” episode.)
6. Amazing Stories, “Mummy Daddy”
Over a decade before Wes Craven upended horror movie tropes with Scream, this episode of the tragically short-lived Steven Spielberg-produced anthology series blurs the line between myth and Hollywood when an actor playing a mummy is pursued by (and mistaken for) an actual mummy. Pure pulp fun if only for the image of a mummy riding horseback.
5. Buffy the Vampire Slayer, “Fear, Itself”
Mixing a little Scarecrow villainry into the Whedonverse, this episode has Buffy and the gang attending a Halloween frat party where a demon that feeds on fear subjects everyone to their greatest nightmares. A delightful writing exercise that exposes each character’s weaknesses and doubts, “Fear, Itself” is prime Buffy entertainment.
4. MacGyver, “Halloween Knights”
Less of an episode of television than a convergence of all things great, MacGyver is coerced into joining forces with longtime nemesis and super-assassin Murdoc when his former hitman employers kidnap his sister and threaten to execute her at a posh Halloween party. Complete with a booby-trapped funhouse and thinly veiled references to Raiders of the Lost Ark, this is hands down one of the greatest episodes from the series.
3. Roseanne, “BOO!”
Kicking off an annual tradition of Halloween with the Conners, “BOO!” from season two of Roseanne showcases the family’s obsession with the holiday and the lengths to which they celebrate it. For a family just scraping by and the viewers who watch them, it’s a cathartic outlet and an excuse to let freak flags fly. And from the first holiday go-around, it’s instantly clear the show will do it again and again.
2. It’s Always Sunny in Philadelphia, “Who Got Dee Pregnant?”
Narrowly edging out season eight’s stellar, McPoyle-infested “Maureen Ponderosa Wedding Massacre,” season six’s “Who Got Dee Pregnant?” represents the very best of the Paddy’s Pub crew. Dee reveals she’s pregnant and the gang engage in drunken flashbacks Rashomon-style to determine who the father could be. Featuring the sexual exploits of the always-awesome Artemis, as well as Frank dressed as the canon-busting Man-Spider, “Who Got Dee Pregnant?” is top-notch.
1. The Simpsons, “Treehouse of Horror V”
Picking your favorite child would be far easier than picking your favorite Simpsons Halloween special — though they tend to be earlier seasons, don’t they? However, “Treehouse of Horror V” from season six is simply too fantastic to be topped. Between the classic Shining parody, Homer’s time-traveling advice from his father on his wedding night, and Groundskeeper Willie constantly getting an axe in the back, you can’t find a better way to ring in October 31st than this half hour.
Catch Ghostbusters II Thursday, November 12th starting at 5P ET/PT on IFC.
Posted by Brian Steele on Photo credit: Columbia Pictures/Everett Collection.
Before his untimely death in 1982, few in Hollywood could match the sheer comedic force of John Belushi. For a brief moment in 1978, he had the number one album (The Blue Brothers’ Briefcase Full of Blues), the number one show in late night television (SNL), and the number one movie in theaters (Animal House). Drugs and the vagaries of Hollywood didn’t allow Belushi to remain on top for long, but at the time of his death, he had several projects in the pipeline. Before you catch the Ghostbusters movies (a franchise literally haunted by the ghost of Belushi) on IFC, check out a few projects that could’ve been different had they featured Belushi’s singular talent.
10. Ghostbusters, Peter Venkman
Ghostbusters had a long, complicated road to the big screen. When Dan Aykroyd first developed the project, he envisioned it as a follow-up to The Blues Brothers about a team of time traveling ghost hunters in the distant future. But then, just as the project started moving forward, its supposed star died of a drug overdose.
From day one, Belushi was envisioned as Peter Venkman, the smooth talking ladies man/paranormal investigator, but his death threw the project into a tailspin. Richard Pryor was briefly considered for the lead role, before it fell into Bill Murray’s lap. It’s near sacrilege to picture Ghostbusters without Murray’s unique persona steering the ship, but it’s fun to imagine what Belushi would’ve brought to the comedy classic. Aykroyd and director Ivan Reitman have always said that lovable ghoul Slimer is basically a tribute to Belushi in slimy, spectral form.
9. Moon Over Miami (aka American Hustle), Shelly Slutsky
Shortly before Belushi’s death, famed French auteur Louis Malle began developing a script based on the FBI Abscam story, a sting operation in the 1970s that led to the arrest of numerous politicians. If that sounds familiar, it’s because filmmaker David O. Russell mined the same true story in 2013 for his Oscar favorite American Hustle.
Moon Over Miami, as the project was known at the time,would’ve allowed both Malle and Belushi to step outside their comfort zone, creating more of a sharp satire than a flat out comedy or drama. Belushi would’ve played Shelly Slutsky, a slobbish conman similar to the role Christian Bale played in American Hustle. Belushi’s partner in crime, Dan Aykroyd, was also being eyed for the role of Otis Presby, otherwise known as Bradley Cooper’s FBI agent on the edge. If all the pieces had come together, this movie had the potential to be a major turning point for the creative partnership of Belushi and Aykroyd. Playwright John Guare, who penned the script, would stage the screenplay years later, but this version of the story would never make it to the big screen.
8. Fatty Arbuckle biopic
Belushi was the first of many larger than life comedic actors to explore the possibility of playing the legendary silent film star, who all but invented the idea of the chubby comedian on the big screen. The story of Arbuckle’s rise and tragic fall at the dawn of Hollywood could’ve provided Belushi with a chance to be funny, while also exploring the inherent darkness of being the “fat guy who falls down.”
7. Animal House 2, John ‘Bluto’ Blutarsky
Animal House had the biggest box office ever for a comedy when it came out, so it’s no surprise a sequel was immediately put into development. The story would have followed Bluto, Otter and the boys reuniting during the Summer of Love, but Belushi resisted, for fear of being typecast, and the project never came together. Belushi’s passing thankfully spared moviegoers from what would no doubt have been a lesser sequel to a comedy classic.
6. Noble Rot, Johnny Glorioso
This dark comedy about a dysfunctional family of winemakers was a passion project for Belushi, who co-wrote the script with fellow SNL writer/performer Don “Father Guido Sarducci” Novello. Alas, his death would leave the project in limbo, and we would never get to see what a movie co-written by and starring Belushi would’ve looked like.
Set in an alternate universe New York City, where everything has the feel of a 1930s musical, the Lorne Michaels-produced film features cameos from SNL favorites Dan Aykroyd and Bill Murray. Rumor has it Belushi was supposed to cameo, but sadly died six weeks before filming.
4. Spies Like Us, Emmett Fitz-Hume
This cold war comedy is a relic of its time. Not the funniest movie on anyone’s filmography, it’s still good for a few laughs. Belushi was slated to play Emmett Fitz-Hume, the role that eventually went to Chevy Chase. Considering Belushi was reportedly no fan of his former SNL cohort, that casting just seems like adding insult to injury.
3. Fear and Loathing in Las Vegas, Dr. Gonzo
A big screen take on Hunter S. Thompson’s novel starring Dan Aykroyd and John Belushi makes so much sense, it’s a wonder it never came together. Aykroyd’s odd, clipped intensity as Raoul Duke, alongside Belushi’s unhinged, swarthy madness as Dr. Gonzo, is pitch perfect casting. Sadly, the project evaporated with Belushi’s passing and the novel floated around Hollywood for another decade before Terry Gilliam finally made his adaptation.
2. Gangs of New York, Bill “The Butcher” Cutting
Martin Scorsese’s passion project was in development for so long, Belushi was the first choice to play the role that Daniel Day-Lewis later made famous. While the film that Scorsese eventually made has its merits, it surely would’ve provided a drastically different type of part for Belushi to dig into. Even more amazing is the fact that Aykroyd was being considered for the part of Amsterdam Vallon at the time. If only we lived in a world where the The Blues Brothers duked it out in period garb in a Scorsese film.
1. Three Amigos, Ned Nederlander
Yet another in the long line of supposed Aykroyd/Belushi projects that were in development post-Blues Brothers, Belushi was set to play Ned Nederlander before he passed away. Martin Short was brought in as a replacement, giving a wonderful performance, but one that would seem to be the polar opposite of what Belushi would’ve done with the material.