DID YOU READ

“Warm Bodies” review: A zombie story with heart… and a lot of brains

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Just when you thought the zombie genre had shambled off into the sunset bereft of any fresh ideas, a movie like “Warm Bodies” comes along and makes the undead seem, well… very much alive.

Written and directed by Jonathan Levine (“50/50”) and based on Isaac Marion’s novel of the same name, “Warm Bodies” unfolds in the aftermath of a zombie apocalypse that has made humans the food of choice for hungry zombies and the savage, skeletal “bonies” that some of the undead turn into after a certain point in time. However, unlike the zombies portrayed in most media, some of the undead in this story still show signs of life, stringing together thoughts and even communicating with the occasional grunt or single-syllable word. “R” is one such zombie, and when he falls in love with a human girl that he saves from some of his fellow zombies, their relationship ignites a spark that not only changes him, but also has a cascading effect on both zombies and humans alike.

While it’s easy to dismiss the concept of “Warm Bodies” as just another young-adult supernatural romance that exchanges vampires and werewolves for flesh-hungry zombies, Levine’s film shares more in common with the modern, clever takes on the genre like “Shaun of the Dead” than it shares with the “Twilight” franchise.

British actor Nicholas Hoult (“X-Men: First Class”) carries much of the film on his slumped shoulders as R, complementing a smart, funny inner monologue with physical acting that just might make him the funniest zombie since Tarman in “Return of the Living Dead.” Emoting shouldn’t be easy when your character is a trudging, near-mindless corpse, but Hoult certainly makes it seem so, adding just the right inclination of an eyebrow or tilt of his chin to give R some genuine depth. The subtle exaggeration of these small movements as the story progresses makes R’s evolution even more believable, and provides a nice showcase for Hoult’s talents.

Playing opposite Hoult, Teresa Palmer (“I Am Number Four”) puts in a good, safe performance as Julie, the object of R’s affections and the daughter of General Grigio (John Malkovich), the leader of a nearby, militarized human sanctuary. Although her character never manages to steal the spotlight away from R, this says more about Hoult’s performance and the focus of the film than anything she brings to the role. The same goes for Malkovich, who plays more of a cameo than anything even remotely as memorable as the characters he’s played in the past.

Still, “Hot Tub Time Machine” actor Rob Corddry does manage to stand out as R’s zombie pal “M,” and the pair have a nice chemistry that translates into some of the film’s funniest moments. Like Hoult, Corddry does a lot with every scene he’s in, right down to the smallest twitch of a shoulder or well-timed grunt, and makes a strong case for M as the character most deserving of his own spin-off film.

In fact, that may be the most impressive achievement in Levine’s adaptation of Marion’s novel: the most interesting, compelling characters in the story are zombies.

Even with all of the story’s allusions to “Romeo & Juliet” (from star-crossed lovers R and Julie, to R’s best friend M serving as the Mercutio to R’s Romeo), “Warm Bodies” never feels like a traditional romance dressed up in a post-apocalyptic theme. The reverse feels more appropriate, with the costume of a classic romance disguising a very smart mash-up of horror and comedy that somehow manages to bridge the divide between two very different audiences and — maybe even more importantly — stand out in an increasingly overcrowded genre.

“Warm Bodies” hits theaters Friday, February 1.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.