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DID YOU READ

Top Five American Historical Films

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History and movies are well paired, particularly during award season. Steven Spielberg’s “Lincoln,” which has grossed over $150 million, as well as “Hyde Park on Hudson,” are part of the great film tradition of films about politics and about history. Daniel Day-Lewis, almost a lock for Best Actor, is part of an industry tradition that recently included Colin Firth, in “The King’s Speech,” and Meryl Streep, in “The Iron Lady.” This year’s Tony Kushner-scripted movie about America’s political situation between 1861 and 1865 is one of the most gripping films ever made about the civil war. As we leave the holiday season behind, here are five other great films about American history to be thankful for:


5. “All The President’s Men” (1976)

Alan J. Pakula directs Dustin Hoffman (Bernstein) and Robert Redford (Bob Woodward) in this dramatic adaptation of Richard Nixon’s fall from power. Hoffman, in particular, is at the height of his powers as a reporter obsessed with following the story to its end. Watching it nowadays one wonders if there was ever a time when newspapers were powerful enough to bring down a President of the United States. Pakula also helmed The Parallax View, another great American political thriller with a convoluted, conspiracy minded plot, but “All The President’s Men” is a masterpiece and tragedy about American power and overreach.


4. “Oh Brother, Where Art thou?” (2000)

Written, produced and edited by Joel and Ethan Coen, this is one of the best films about the Great Depression. Starring George Clooney, Holly Hunter, Charles Durning, John Turturro and John Goodman, this film, scored, organically, with American folk music, is about chain gangs, treasure, robbery, selling ones soul to the devil in order to play good guitar and other all American past times. If you haven’t seen this movie, please do.


3. “The Patriot” (2000)

Much has been made of the whitewashing of slavery in this film – not its best selling point, to be sure — and much has been made of Mel Gibson afterwards. That having been said, flaws and all, The Patriot is one of the best contemporary retellings of the American Revolution and, particularly, the way in that war divided colonial society. Historians believe that roughly one-third of Americans supported the revolution. I cannot think of another film that expresses that difficult fact as thoughtfully as this one does. Nor has there been a film in recent memory that captures the uphill battle that the patriots fought in revolting against the British, at the time the world’s superpower, with only minimal help from the French. Chris Cooper, as Henry Burrell, does an amazing job as well.


2. “Malcolm X” (1992)

Spike Lee’s sprawling, magnificent “Malcolm X” is another American historical film that was looked over, unfortunately, by Oscar. Taking in much of the 20th century from the point of view of a complex, driven and principled African-American man, Denzel Washington gives the performance of a lifetime. The three hour and twenty minute running time goes by briskly as Spike takes us from the era of Pullman porters of Harlem jazz, of the rise of the Black Muslims and, towards the end, the Vietnam war. As Roger Ebert wrote, “Watching the film, I understood more clearly how we do have the power to change our own lives, how fate doesn’t deal all of the cards.” What could be more American than that?


1. “The Assassination of Jesse James by the Coward Robert Ford” (2007)

Okay, the title is a bit off putting. But the performances – by Brad Pitt and Casey Affleck and Sam Shepard and Mary-Louise Parker – are astonishingly good. Clocking in at 160 minutes, this is a richly drawn American film about outlaws and the thirst for fame (notoriety?). It could not have been made anywhere else but on this shore.

Brad Pitt, one of the best actors of his generation, gives us the ultimate Jesse James: rich, complex, criminal, possibly bipolar, yet all the time sympathetic. He should have won an Oscar for this role. This might be one of the best films ever made that few people have heard about. If you, like me, love history – particularly the history of the West and of railroads – watch this film via Netflix. Roger Deakins does an amazing job at cinematography, with his slow, majestic scenes of railroads and of the nineteenth century landscape.


What is your favorite American Historical Film? Tell us in the comments below or on Facebook and Twitter.

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.