DID YOU READ

Top Five American Historical Films

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History and movies are well paired, particularly during award season. Steven Spielberg’s “Lincoln,” which has grossed over $150 million, as well as “Hyde Park on Hudson,” are part of the great film tradition of films about politics and about history. Daniel Day-Lewis, almost a lock for Best Actor, is part of an industry tradition that recently included Colin Firth, in “The King’s Speech,” and Meryl Streep, in “The Iron Lady.” This year’s Tony Kushner-scripted movie about America’s political situation between 1861 and 1865 is one of the most gripping films ever made about the civil war. As we leave the holiday season behind, here are five other great films about American history to be thankful for:


5. “All The President’s Men” (1976)

Alan J. Pakula directs Dustin Hoffman (Bernstein) and Robert Redford (Bob Woodward) in this dramatic adaptation of Richard Nixon’s fall from power. Hoffman, in particular, is at the height of his powers as a reporter obsessed with following the story to its end. Watching it nowadays one wonders if there was ever a time when newspapers were powerful enough to bring down a President of the United States. Pakula also helmed The Parallax View, another great American political thriller with a convoluted, conspiracy minded plot, but “All The President’s Men” is a masterpiece and tragedy about American power and overreach.


4. “Oh Brother, Where Art thou?” (2000)

Written, produced and edited by Joel and Ethan Coen, this is one of the best films about the Great Depression. Starring George Clooney, Holly Hunter, Charles Durning, John Turturro and John Goodman, this film, scored, organically, with American folk music, is about chain gangs, treasure, robbery, selling ones soul to the devil in order to play good guitar and other all American past times. If you haven’t seen this movie, please do.


3. “The Patriot” (2000)

Much has been made of the whitewashing of slavery in this film – not its best selling point, to be sure — and much has been made of Mel Gibson afterwards. That having been said, flaws and all, The Patriot is one of the best contemporary retellings of the American Revolution and, particularly, the way in that war divided colonial society. Historians believe that roughly one-third of Americans supported the revolution. I cannot think of another film that expresses that difficult fact as thoughtfully as this one does. Nor has there been a film in recent memory that captures the uphill battle that the patriots fought in revolting against the British, at the time the world’s superpower, with only minimal help from the French. Chris Cooper, as Henry Burrell, does an amazing job as well.


2. “Malcolm X” (1992)

Spike Lee’s sprawling, magnificent “Malcolm X” is another American historical film that was looked over, unfortunately, by Oscar. Taking in much of the 20th century from the point of view of a complex, driven and principled African-American man, Denzel Washington gives the performance of a lifetime. The three hour and twenty minute running time goes by briskly as Spike takes us from the era of Pullman porters of Harlem jazz, of the rise of the Black Muslims and, towards the end, the Vietnam war. As Roger Ebert wrote, “Watching the film, I understood more clearly how we do have the power to change our own lives, how fate doesn’t deal all of the cards.” What could be more American than that?


1. “The Assassination of Jesse James by the Coward Robert Ford” (2007)

Okay, the title is a bit off putting. But the performances – by Brad Pitt and Casey Affleck and Sam Shepard and Mary-Louise Parker – are astonishingly good. Clocking in at 160 minutes, this is a richly drawn American film about outlaws and the thirst for fame (notoriety?). It could not have been made anywhere else but on this shore.

Brad Pitt, one of the best actors of his generation, gives us the ultimate Jesse James: rich, complex, criminal, possibly bipolar, yet all the time sympathetic. He should have won an Oscar for this role. This might be one of the best films ever made that few people have heard about. If you, like me, love history – particularly the history of the West and of railroads – watch this film via Netflix. Roger Deakins does an amazing job at cinematography, with his slow, majestic scenes of railroads and of the nineteenth century landscape.


What is your favorite American Historical Film? Tell us in the comments below or on Facebook and Twitter.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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