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DID YOU READ

Tim Grierson on the Return of Arnold Schwarzenegger

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The Arnold Schwarzenegger comeback begins in earnest on Friday. That’s when his new movie, “The Last Stand,” opens. It’ll be the first film in 10 years in which he’s the primary star and leading man. Even when he showed up in the “Expendables” movies or had his likeness used in “Terminator Salvation,” he was merely a periphery player. If people pay money to see “The Last Stand,” it’ll be because of Schwarzenegger (with all due respect to fans of Johnny Knoxville and Luis Guzman, of course). It’s been a long time since that was the case.

Schwarzenegger’s comeback is unique among Hollywood stars because he’s not coming back in the usual way. He hasn’t recently recovered from addiction. He isn’t trying to rebuild his image after a tabloid scandal. He didn’t make himself a pariah by spewing scathingly inflammatory and offensive comments about minority groups or women. No, he’s just been busy serving as the governor of California. (Although, yes, he has had to apologize for some of his past behavior. And he’s no stranger to the tabloids. The man is certainly not a saint.) He’s not coming back in a kinder, gentler, changed form. He wants to be the same Arnold, albeit (as his character jokes in the “Last Stand” commercials) a slightly older model.

Before Schwarzenegger took office thanks to the fall 2003 recall election of then-Governor Gray Davis, he remained a popular star — a faded one, but a star nonetheless. Before that summer’s “Terminator 3: Rise of the Machines” — the year’s eighth-biggest hit — he had been in a series of box-office misfires (“Collateral Damage,” “The 6th Day,” “End of Days”), and even the $100-million hit “Batman & Robin” was seen as an underperformer, not to mention a campy fiasco. It would be incredibly simplistic and glib to suggest that Schwarzenegger’s move into politics was a savvy career transition. (Becoming the governor of the country’s most populous state brings with it far more stress, challenges and real-world consequences than anything faced in Hollywood.) But from a movie-business perspective, it allowed him to potentially bypass the commercial-wilderness years that eventually befall all action stars. No lame reality show, no halfhearted stab at showcasing his “serious side.” He just left.

But you got the sense that he never fully closed that door: His cameo in 2010’s “The Expendables,” which opened five months before he would leave office, proved that. And then when he was free of the governorship in early 2011, he made it be known that he would immediately start considering movie projects, including proposed remakes of “Predator” or “The Running Man.” At 63 and after seven years as governor, he wasn’t going to slow down and enjoy life. He clearly wanted back in to Hollywood.

Of course, that plan got derailed when it was revealed that he fathered a child with his family’s maid a decade earlier. But that derailment was brief: Soon, he was signed up for “The Last Stand,” the English-language debut from South Korean filmmaker Kim Jee-woon, who previously had made “I Saw the Devil” and “A Tale of Two Sisters.” He also came aboard “The Expendables 2” for a larger role than in the original. And “The Last Stand” isn’t his only upcoming film: He’s going to be in “The Tomb” with his “Expendables” costar Sylvester Stallone in the fall; and “Ten,” with Sam Worthington, is set for an early 2014 release. He seems incredibly determined to make up for lost time.

Clearly, Schwarzenegger is hoping to hit the reset button with his fans after many years away. It’s difficult to find an analogous Hollywood star to compare to his situation, so it might be more appropriate to look to the music world. In the last few years, several rock bands who were big in the late 1980s and early ‘90s — Jane’s Addiction, the Pixies, Soundgarden, Stone Temple Pilots — have reunited, finding success with concertgoers who are happy to revel in a little nostalgia. It’s worth pointing out that none of those bands have delivered much in the way of compelling new material — they’re just recycling the past. It seems to be the same for Arnold: His comeback isn’t some kind of redemption story like so many of his peers’. He just wants back into the limelight, offering the same bill of goods as before.

As the “Expendables” films have proved, there’s definitely an audience for bygone action heroes who are willing to crack skulls and blow stuff up like in the old days. So why not Schwarzenegger? The early reviews of “The Last Stand” haven’t been so good, and it seems unlikely that this movie on its own will catapult Arnold back into the ranks of the A-list. But considering how unusual his comeback scenario is, it would also be foolish to predict just how it’s going to play out.

You can follow Tim Grierson on Twitter.

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.