DID YOU READ

The Political Radioactivity of “Zero Dark Thirty”

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How come a movie as smart and as serious as “Zero Dark Thirty,” directed and scripted by a highly acclaimed team – Mark Bowl and Kathryn Bigelow – is getting so little love this awards season? The answer: the radioactive politics of the film.

The controversy surrounding “Zero Dark Thirty” made the cover of TIME magazine this week. And while that piece of media real estate is not nearly as valuable as it once was once upon a time, it is still an important launching point for conversation among the chattering classes. Washington, certainly, is listening, obsessed even, with this controversy. It is not too often that a movie invades the polite conversation of the morning Sunday talking head shows and muscles its way onto Charlie Rose.

“Zero Dark Thirty” has, in fact, become a sort of cultural Rorschach test in the intellectual argument over the use of extraordinary rendition in the capture of dangerous terrorists as well as its use in the prevention of terrorist acts. The Fox television show “24,” after its own crude fashion a couple of years ago, raised the same controversial set of questions. That was then; this is now. “Zero Dark Thirty,” which takes the most extreme case – the mission to capture or kill Osama bin Laden, the world’s top terrorist – has faced questions of accuracy as well as questions of philosophy, now that we as a country have had some time and distance from the emotions of September 11.

If you are on the Dick Cheney side of the political-cultural spectrum, you’ll probably think that “Zero Dark Thirty” is “fantastically compelling” — as The National Review’s Rich Lowry did. Further, outgoing Secretary of Defense Leon Panetta, a hawkish Democrat who headed the CIA in a previous life, loved it and, he says, “lived it.” Panetta liked the way James Gandolfini portrayed him, telling Martha Raddatz on “ABC’s This Week,” “it’s a great movie … I think they did a great job in indicating how this came about.” In fine: if you believe in extraordinary rendition, or enhanced interrogation – flowery ways of expressing a brutal event – then this is the film for you.

On the other side of the spectrum, however, the reviews are more critical, honing in on the motives behind “Zero Dark Thirty.” Natasha Lennard in Salon notes, “(O)f course, the big question driving much criticism of the movie is whether it justifies torture. The argument is rooted in the premise that ‘ZDT’ presents information gleaned from ‘enhanced interrogation’ as crucial in leading the CIA to Osama bin Laden’s Abbottabad compound.” CNN national security analyst Peter Bergen – an unpaid advisor to the film — writes, “’Zero Dark Thirty’ is a great piece of filmmaking and does a valuable public service by raising difficult questions most Hollywood movies shy away from, but as of this writing, it seems that one of its central themes — that torture was instrumental to tracking down bin Laden — is not supported by the facts.” Maybe they should have paid him?

Who is right? And does it even matter in the scope of the mission of a dramatic work of art? Biopics, particularly during awards season, face an unbelievable amount of scrutiny. Clearly “ZD30” is not a totalizing narrative, so let’s get that off the table right away. Kathryn Bigelow maintains to the New Yorker’s Dexter Filkins, “What we were attempting is almost a journalistic approach to film.’’ So if this is not a “true story” — an accurate depiction of a single event — then what is it? And why have the critics fixed on this question of accuracy that has already, quite frankly, been answered by the filmmaker? Again, this leads back to the political radioactivity of the film that I mentioned at the outset.

Whatever you might think of them, director Kathryn Bigelow and screenwriter Mark Boal do not play small ball. It is not inconceivable, in fact, that ZD30 might have been too controversial – and thus radioactive – for any major award. How interesting that at this year’s Oscar’s ZD30 – a film fraught with controversy – is set to go mano-a-mano against “Argo,” a universally loved film about a “soft” solution to a political problem in the Middle East, in the Best Picture category. Awards season has turned out to be a battle between two similar films about a troubled region offering different solutions to the problem – one aggressive, the other softer. And it looks as what the juries this awards season want in that category of Best Picture is the Hollywood happy ending.

What are your thoughts on the controversy surrounding “Zero Dark Thirty”? Tell us in the comments section below or on Facebook and Twitter.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. 

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number! 

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time. 

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by. 

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo. 

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim. 

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t? 

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?” 

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud. 

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.