DID YOU READ

The Political Radioactivity of “Zero Dark Thirty”

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How come a movie as smart and as serious as “Zero Dark Thirty,” directed and scripted by a highly acclaimed team – Mark Bowl and Kathryn Bigelow – is getting so little love this awards season? The answer: the radioactive politics of the film.

The controversy surrounding “Zero Dark Thirty” made the cover of TIME magazine this week. And while that piece of media real estate is not nearly as valuable as it once was once upon a time, it is still an important launching point for conversation among the chattering classes. Washington, certainly, is listening, obsessed even, with this controversy. It is not too often that a movie invades the polite conversation of the morning Sunday talking head shows and muscles its way onto Charlie Rose.

“Zero Dark Thirty” has, in fact, become a sort of cultural Rorschach test in the intellectual argument over the use of extraordinary rendition in the capture of dangerous terrorists as well as its use in the prevention of terrorist acts. The Fox television show “24,” after its own crude fashion a couple of years ago, raised the same controversial set of questions. That was then; this is now. “Zero Dark Thirty,” which takes the most extreme case – the mission to capture or kill Osama bin Laden, the world’s top terrorist – has faced questions of accuracy as well as questions of philosophy, now that we as a country have had some time and distance from the emotions of September 11.

If you are on the Dick Cheney side of the political-cultural spectrum, you’ll probably think that “Zero Dark Thirty” is “fantastically compelling” — as The National Review’s Rich Lowry did. Further, outgoing Secretary of Defense Leon Panetta, a hawkish Democrat who headed the CIA in a previous life, loved it and, he says, “lived it.” Panetta liked the way James Gandolfini portrayed him, telling Martha Raddatz on “ABC’s This Week,” “it’s a great movie … I think they did a great job in indicating how this came about.” In fine: if you believe in extraordinary rendition, or enhanced interrogation – flowery ways of expressing a brutal event – then this is the film for you.

On the other side of the spectrum, however, the reviews are more critical, honing in on the motives behind “Zero Dark Thirty.” Natasha Lennard in Salon notes, “(O)f course, the big question driving much criticism of the movie is whether it justifies torture. The argument is rooted in the premise that ‘ZDT’ presents information gleaned from ‘enhanced interrogation’ as crucial in leading the CIA to Osama bin Laden’s Abbottabad compound.” CNN national security analyst Peter Bergen – an unpaid advisor to the film — writes, “’Zero Dark Thirty’ is a great piece of filmmaking and does a valuable public service by raising difficult questions most Hollywood movies shy away from, but as of this writing, it seems that one of its central themes — that torture was instrumental to tracking down bin Laden — is not supported by the facts.” Maybe they should have paid him?

Who is right? And does it even matter in the scope of the mission of a dramatic work of art? Biopics, particularly during awards season, face an unbelievable amount of scrutiny. Clearly “ZD30” is not a totalizing narrative, so let’s get that off the table right away. Kathryn Bigelow maintains to the New Yorker’s Dexter Filkins, “What we were attempting is almost a journalistic approach to film.’’ So if this is not a “true story” — an accurate depiction of a single event — then what is it? And why have the critics fixed on this question of accuracy that has already, quite frankly, been answered by the filmmaker? Again, this leads back to the political radioactivity of the film that I mentioned at the outset.

Whatever you might think of them, director Kathryn Bigelow and screenwriter Mark Boal do not play small ball. It is not inconceivable, in fact, that ZD30 might have been too controversial – and thus radioactive – for any major award. How interesting that at this year’s Oscar’s ZD30 – a film fraught with controversy – is set to go mano-a-mano against “Argo,” a universally loved film about a “soft” solution to a political problem in the Middle East, in the Best Picture category. Awards season has turned out to be a battle between two similar films about a troubled region offering different solutions to the problem – one aggressive, the other softer. And it looks as what the juries this awards season want in that category of Best Picture is the Hollywood happy ending.

What are your thoughts on the controversy surrounding “Zero Dark Thirty”? Tell us in the comments section below or on Facebook and Twitter.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

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IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
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Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
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Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

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Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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