Deadline‘s sources say that Disney only wants to focus on “rebooting the franchise” with the new “Star Wars” films. Considering the taint the prequels left on the series, that sounds like a smart move to us. “Star Wars: Episode I – The Phantom Menace” was thus far the only “Star Wars” prequel to hit theaters in 3D, and it ended up making $43.5 million in the United States during its run.
Prior to the announcement that Disney had purchased Lucasfilm, George Lucas’ company had revealed in August that the plan was to have “Attack of the Clones” be released in 3D on September 20, 2013 and “Revenge of the Sith” be released on October 11, 2013. Those back-to-back release dates don’t really make any sense, but at the time we speculated it was so Lucasfilm could pump out 3D rereleases of “Star Wars: Episodes IV,” “V” and “VI.” Considering the fact that Disney is almost certainly going to release “Star Wars: Episode VII” in 3D when it finally hits theaters (which might not be until after 2015), that seems like as good a trial run as any.
With this announcement of the canned 3D rereleases, expect to see a lot of “Star Wars: Episode VII” news come down the pipeline. Michael Ardnt is writing the screenplay for “Star Wars: Episode VII.” There is also a rumor that Zack Snyder is working on a “Seven Samurai”-style spinoff film.
Are you disappointed by the fact the “Star Wars” prequel 3D rereleases have been cancelled? Tell us in the comments section below or on Facebook and Twitter.
Freddy Krueger first grabbed America’s attention with the Nightmare On Elm Street films – and later grabbed cash with a TV series, a Nintendo game, a 1-900 number, toys, dolls, a board game and a pinball machine. But despite the corny spin-offs, the Elm Street movies left psychic scars on a generation of horror fans. Before you catch IFC’s Nightmare on Elm Street movie marathon this Halloween, see how well you know the Freddy films.
The British actor and comedian sits down with Scott and Cudi to talk about his many homes and what he has in common with Elton John. Learn all about how Stephen rolls Thursday at 11p PT/ET after an all-new Benders and an encore of this week’s skate-tastic Gigi Does It.
The Blue Jean Committee is about to head straight up the charts with their new song “Gentle & Soft.” Is it us, or did it just get really smooth in here?
The band, whose tumultuous history was chronicled in a compelling two-part episode of Documentary Now!,is back with an extremely soft bullet with the release of Catalina Breeze, an actual 12″ EP with actual songs that you can actually (and should actually) buy. As Fred Armisen, who sings in the Blue Jean Committee along with his Documentary Now! cohort Bill Hader, told EW, he wanted the band to capture the ’70s California soft rock sound. “So the best way to do it for us would be to just spell it out and call the song ‘Gentle and Soft,'” Armisen said.
The EP, which will be released on November 20th, also features the classic BJC tracks “Mama You’re a Dancer,” “Walking Shoes” and the titular jam all about relaxing Catalina breezes. True to its name, the Catalina Breeze EP will hit you like the wind, rushing your hair into a halo, which is as gentle and soft as it comes. Head over to Drag City to listen to song samples and grab the EP.
Catch Ghostbusters II Thursday, November 12th starting at 5P ET/PT on IFC.
Posted by Brian Steele on Photo credit: Columbia Pictures/Everett Collection.
Before his untimely death in 1982, few in Hollywood could match the sheer comedic force of John Belushi. For a brief moment in 1978, he had the number one album (The Blue Brothers’ Briefcase Full of Blues), the number one show in late night television (SNL), and the number one movie in theaters (Animal House). Drugs and the vagaries of Hollywood didn’t allow Belushi to remain on top for long, but at the time of his death, he had several projects in the pipeline. Before you catch the Ghostbusters movies (a franchise literally haunted by the ghost of Belushi) on IFC, check out a few projects that could’ve been different had they featured Belushi’s singular talent.
10. Ghostbusters, Peter Venkman
Ghostbusters had a long, complicated road to the big screen. When Dan Aykroyd first developed the project, he envisioned it as a follow-up to The Blues Brothers about a team of time traveling ghost hunters in the distant future. But then, just as the project started moving forward, its supposed star died of a drug overdose.
From day one, Belushi was envisioned as Peter Venkman, the smooth talking ladies man/paranormal investigator, but his death threw the project into a tailspin. Richard Pryor was briefly considered for the lead role, before it fell into Bill Murray’s lap. It’s near sacrilege to picture Ghostbusters without Murray’s unique persona steering the ship, but it’s fun to imagine what Belushi would’ve brought to the comedy classic. Aykroyd and director Ivan Reitman have always said that lovable ghoul Slimer is basically a tribute to Belushi in slimy, spectral form.
9. Moon Over Miami (aka American Hustle), Shelly Slutsky
Shortly before Belushi’s death, famed French auteur Louis Malle began developing a script based on the FBI Abscam story, a sting operation in the 1970s that led to the arrest of numerous politicians. If that sounds familiar, it’s because filmmaker David O. Russell mined the same true story in 2013 for his Oscar favorite American Hustle.
Moon Over Miami, as the project was known at the time,would’ve allowed both Malle and Belushi to step outside their comfort zone, creating more of a sharp satire than a flat out comedy or drama. Belushi would’ve played Shelly Slutsky, a slobbish conman similar to the role Christian Bale played in American Hustle. Belushi’s partner in crime, Dan Aykroyd, was also being eyed for the role of Otis Presby, otherwise known as Bradley Cooper’s FBI agent on the edge. If all the pieces had come together, this movie had the potential to be a major turning point for the creative partnership of Belushi and Aykroyd. Playwright John Guare, who penned the script, would stage the screenplay years later, but this version of the story would never make it to the big screen.
8. Fatty Arbuckle biopic
Belushi was the first of many larger than life comedic actors to explore the possibility of playing the legendary silent film star, who all but invented the idea of the chubby comedian on the big screen. The story of Arbuckle’s rise and tragic fall at the dawn of Hollywood could’ve provided Belushi with a chance to be funny, while also exploring the inherent darkness of being the “fat guy who falls down.”
7. Animal House 2, John ‘Bluto’ Blutarsky
Animal House had the biggest box office ever for a comedy when it came out, so it’s no surprise a sequel was immediately put into development. The story would have followed Bluto, Otter and the boys reuniting during the Summer of Love, but Belushi resisted, for fear of being typecast, and the project never came together. Belushi’s passing thankfully spared moviegoers from what would no doubt have been a lesser sequel to a comedy classic.
6. Noble Rot, Johnny Glorioso
This dark comedy about a dysfunctional family of winemakers was a passion project for Belushi, who co-wrote the script with fellow SNL writer/performer Don “Father Guido Sarducci” Novello. Alas, his death would leave the project in limbo, and we would never get to see what a movie co-written by and starring Belushi would’ve looked like.
Set in an alternate universe New York City, where everything has the feel of a 1930s musical, the Lorne Michaels-produced film features cameos from SNL favorites Dan Aykroyd and Bill Murray. Rumor has it Belushi was supposed to cameo, but sadly died six weeks before filming.
4. Spies Like Us, Emmett Fitz-Hume
This cold war comedy is a relic of its time. Not the funniest movie on anyone’s filmography, it’s still good for a few laughs. Belushi was slated to play Emmett Fitz-Hume, the role that eventually went to Chevy Chase. Considering Belushi was reportedly no fan of his former SNL cohort, that casting just seems like adding insult to injury.
3. Fear and Loathing in Las Vegas, Dr. Gonzo
A big screen take on Hunter S. Thompson’s novel starring Dan Aykroyd and John Belushi makes so much sense, it’s a wonder it never came together. Aykroyd’s odd, clipped intensity as Raoul Duke, alongside Belushi’s unhinged, swarthy madness as Dr. Gonzo, is pitch perfect casting. Sadly, the project evaporated with Belushi’s passing and the novel floated around Hollywood for another decade before Terry Gilliam finally made his adaptation.
2. Gangs of New York, Bill “The Butcher” Cutting
Martin Scorsese’s passion project was in development for so long, Belushi was the first choice to play the role that Daniel Day-Lewis later made famous. While the film that Scorsese eventually made has its merits, it surely would’ve provided a drastically different type of part for Belushi to dig into. Even more amazing is the fact that Aykroyd was being considered for the part of Amsterdam Vallon at the time. If only we lived in a world where the The Blues Brothers duked it out in period garb in a Scorsese film.
1. Three Amigos, Ned Nederlander
Yet another in the long line of supposed Aykroyd/Belushi projects that were in development post-Blues Brothers, Belushi was set to play Ned Nederlander before he passed away. Martin Short was brought in as a replacement, giving a wonderful performance, but one that would seem to be the polar opposite of what Belushi would’ve done with the material.