DID YOU READ

Quentin Tarantino and the N Word

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In the thick of awards season, we now turn with jaded eye to the question of Quentin. Disclaimer: I, personally, do not use the N-word, not even ironically. But Quentin Tarantino is no stranger to controversy or to that six-letter word that has the power to freeze the blood when uttered in polite company. Spike Lee has been a big critic of Quentin over the years (“Jackie Brown” and “Pulp Fiction” come to mind), but with “Django Unchained,” the floodgates have opened.

The film – a cross between a revenge fantasy and a highly stylized blacksploitation flick – is Tarantino’s most direct, controversial and brilliant confrontation with the subjects of race and revenge, twin topics that have subtly helixed their way through his oeuvre. And so it was inevitable, when confronting these controversial topics, at the same time, in a bombastic manner, that he would run into some sort of public turbulence.

Turbulence, though, might be an understatement. Many thoughtful African-Americans who have seen the film had profound issues with it. Heavyweight thinkers and African-American members of the entertainment community like Spike, Cecil Brown, Ishmael Reed and Mo’Kelly have all weighed in – very publicly — with powerful and convincing/condemning arguments that the film is fundamentally degrading to African-Americans. L.A. Reid also had problems with the language. Even NPR doesn’t escape this brouhaha– the comment thread on Terry Gross’s Fresh Air page had over 250 comments after she interviewed the controversial director. “I’m not against the word. And some people speak that way. But Quentin is infatuated with that word,” Lee said of Tarantino, quite accurately, in an interview with Variety in 1997. Tarantino employed the n-word 38 times in “Jackie Brown” by Lee’s calculation. And what a grim task it must have been for Spike to tabulate that data!

To Tarantino’s defense comes Training Day’s Antoine Fuqua. Jamie Foxx, the star of the film, also comes to the director’s side. “I respect Spike, he’s a fantastic director. But he gets a little shady when he’s taking shots at his colleagues without looking at the work,” Foxx told The Guardian. Spike began attacking the film on social media before even having seen it and it remains unclear if he has seen the film at post time. Obviously, Sam Jackson, Tarantino’s muse in so many films, backs the man he calls “QT.” Spike Lee has shown, in the past, he is not a fan of Tarantino’s use of the word. But to be fair, Spike ought to first watch the movie before judging its context and its use. Further, the problem might be generational, as younger African-Americans – Nas, for instance – understand, organically, what Tarantino was trying to do in the film. The controversy, of course, has not hurt “Django Unchained’s” bottom line. The film is Tarantino’s highest grossing domestic release. What is that old show business adage? There is no such thing as bad publicity.

To be fair, no one really thinks Quentin Tarantino is a racist (well, maybe Spike Lee does). The argument is basically that Tarantino is, at worst, racially insensitive — that he shouldn’t use that word, ever. This is an overly emotional argument that gives an almost sacred totemic power to the n-word, because, clearly, Tarantino is not throwing it around to make some sort of argument about racial superiority. Rather, Tarantino is using a word – a hateful, terrible word – to show the moral decay of someone like Leonardo DiCaprio’s King Schultz. Tarantino uses the word, though not as artfully as Francis Ford Coppola and Mario Puzzo employed it in “The Godfather,” to basically say: these may be interesting men, but they are not good men, they are unevolved and broken, always remember that.

No word, no matter how hateful, should be off limits in film. That argument, that there are things too terrible to hear or see, runs counter to the spirit of independent film. Disqualifying a word – the c-word, for example – limits the palette of a writer, chains the characters and harnesses the story. How can filmmakers accurately depict the darkness that exists in the world without descending into the ugliness and the muck? It is not pretty to hear Don Zalochi in “The Godfather” utter the n-word, but it holds the mirror up to nature and reveals great insight into his disgustingly flawed character. Independent film exists to expose such flaws, to make explicit such grays that the black and white formula that mainstream Hollywood ignores. A film in the independent spirit should be as ugly and as beautiful and as complicated as life itself.

“Django Unchained” ought to be seen as how it was meant to be seen. Tarantino is not a racists and “Django Unchained” is not meant to be a hymn to race supremacy. It is, in fact, an homage to spaghetti westerns, to the revenge fantasy – a genre that Tarantino has now perfected – and to Blaxploitation, territory he explored, furtively, in Jackie Brown but with much love. The film is about the primal need for vengeance on those who have wronged us, cloaked in outrageousness — Candyland plantation? Really? –all wrapped up messily around a highly sensitive topic, perhaps the most sensitive topic in American history. And if that gets your panties in a twist, you are misreading the intention and seeing DiCaprio’s slaveholder in a way that was never intended. Get over it.

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Grow TFU

Adulting Like You Mean It

Commuters makes its debut on IFC's Comedy Crib.

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Jared Warner, Nick Ciavarella, and Tim Dean were once a part of Murderfist, a group of comedy writers, actors, producers, parents, and reluctant adults. Together with InstaMiniSeries’s Nikki Borges, they’re making their IFC Comedy Crib debut with the refreshingly-honest and joyfully-hilarious Commuters. The webseries follows thirtysomethings Harris and Olivia as they brave the waters of true adulthood, and it’s right on point.

Jared, Nick, Nikki and Tim were kind enough to answer a few questions about Commuters for us. Here’s a snippet of that conversation…

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IFC: How would you describe Commuters to a fancy network executive you met in an elevator?

Nick: Two 30-somethings leave the Brooklyn life behind, and move to the New Jersey suburbs in a forced attempt to “grow up.” But they soon find out they’ve got a long way to go to get to where they want to be.

IFC: How would you describe Commuters to a drunk friend of a friend you met in a bar?

Jared: It’s a show about how f*cking stupid people who think they are smart can be.

IFC: What’s your origin story? When did you all meet and how long have you been working together?

Jared: Nick, Tim, and I were all in the sketch group Murderfist since, what, like 2004? God. Anyway, Tim and Nick left the group to pursue other frivolous things, like children and careers, but we all enjoyed writing together and kept at it. We were always more interested in storytelling than sketch comedy lends itself to, which led to our webseries Jared Posts A Personal. That was a show about being in your 20s and embracing the chaos of being young in the city. Commuters is the counterpoint, i guess. Our director Adam worked at Borders (~THE PAST!!~) with Tim, came out to a Murderfist show once, and we’ve kept him imprisoned ever since.

IFC: What was the genesis of Commuters?

Tim: Jared had an idea for a series about the more realistic, less romantic aspects of being in a serious relationship.  I moved out of the city to the suburbs and Nick got engaged out in LA.   We sort of combined all of those facets and Commuters was the end result.

IFC: How would Harris describe Olivia?

Jared: Olivia is the smartest, coolest, hottest person in the world, and Harris can’t believe he gets to be with her, even though she does overreact to everything and has no chill. Like seriously, ease up. It doesn’t always have to be ‘a thing.’

IFC: How would Olivia describe Harris?

Nikki:  Harris is smart, confident with a dry sense of humor but he’s also kind of a major chicken shit…. Kind of like if Han Solo and Barney Rubble had a baby.

IFC: Why do you think the world is ready for this series?

Nikki:  I think this is the most accurate portrayal of what a modern relationship looks like. Expectations for what your life is ‘supposed to look like’ are confusing and often a let down but when you’re married to your best friend, it’s going to be ok because you will always find a way to make each other laugh.

IFC: Is the exciting life of NYC twentysomethings a sweet dream from which we all must awake, or is it a nightmare that we don’t realize is happening until it’s over?

Tim: Now that i’ve spent time living in the suburbs, helping to raise a two year old, y’all city folk have no fucking clue how great you’ve got it.

Nikki: I think of it similar to how I think about college. There’s a time and age for it to be glorious but no one wants to hang out with that 7th year senior. Luckily, NYC is so multifaceted that you can still have an exciting life here but it doesn’t have to be just what the twentysomethings are doing (thank god).

Jared: New York City is a garbage fire.

See the whole season of Commuters right now on IFC’s Comedy Crib.

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C'mon Fellas

A Man Mansplains To Men

Why Baroness von Sketch Show is a must-see.

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Mansplaining is when a man takes it upon himself to explain something to a woman that she already knows. It happens a lot, but it’s not going to happen here. Ladies, go ahead and skip to the end of this post to watch a free episode of IFC’s latest addition, Baroness von Sketch Show.

However, if you’re a man, you might actually benefit from a good mansplanation. So take a knee, lean in, and absorb the following wisdom.

No Dicks

Baroness von Sketch Show is made entirely by women, therefore this show isn’t focused on men. Can you believe it? I know what you’re thinking: how will we know when to laugh if the jokes aren’t viewed through the dusty lens of the patriarchy? Where are the thinly veiled penis jokes? Am I a bad person? In order: you will, nowhere, and yes.

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Huge Balls

Did you know that there’s more to life than poop jokes, sex jokes, body part jokes? I mean, those things are all really good things, natch, and totally edgy. But Baroness von Sketch Show does something even edgier. It holds up a brutal funhouse mirror to our everyday life. This is a bulls**t world we made, fellas.

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Oh Canada

After you watch the Canadian powerhouses of Baroness von Sketch Show and think to yourself “Dear god, this is so real” and “I’ve gotta talk about this,” do yourself a favor and think a-boot your options: Refrain from sharing your sage wisdom with any woman anywhere (believe us, she gets it). Instead, tell a fellow bro and get the mansplaining out of your system while also spreading the word about a great show.

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Dudes, that’s the deal.
Women, start reading again here:


Check out the preview episode of Baroness von Sketch Show and watch the series premiere August 2 on IFC.

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Happy Tears

Binge Don’t Cringe

Catch up on episodes of Documentary Now! and Portlandia.

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Photo Credit: GIFs via GIPHY

A brain can only take so much.

Every five minutes, all day, every day, ludicrously stressful headlines push our mental limits as we struggle to adapt to a reality that seems increasingly less real. What’s a mind to do when simple denial just isn’t good enough anymore?

Radical suggestion: repeal and replace. And by that we mean take all the bad news that keeps you up at night, press pause, and substitute it with some genuine (not nervous, for a change) laughter. Here are some of the issues on our mind.

Gender Inequality

Feminist bookstore owners by day, still feminist bookstore owners by night, Toni and Candace show the male gaze who’s boss. Learn about their origin story (SPOILER: there’s an epic dance battle) and see what happens when their own brand of empowerment gets out of hand.

Healthcare

From Candace’s heart attack to the rise of the rawvolution, this Portlandia episode proves that healthcare is vital.

Peaceful Protests

Too many online petitions, too little time? Get WOKE with Fred and Carrie when they learn how to protest.

What Could Have Been

Can’t say the name “Clinton” without bursting into tears? Documentary Now!’s masterfully political “The Bunker” sheds a cozy new light on the house that Bill and Hill built. Just pretend you don’t know how the story really ends.

Fake News

A healthy way to break the high-drama news cycle is to switch over to “Dronez”, which has all the thrills of ubiquitous adventure journalism without any of the customary depression.

The more you watch, the better you feel. So get started on past episodes of Documentary Now! and Portlandia right now at IFC.com and the IFC app.

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