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Golden Globes 2013: Ben Affleck and “Argo” reigned supreme

ARGO

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Ben Affleck, it’s time to tell the Academy to “Argo” f–k themselves. Just like at the Critics’ Choice Awards, Affleck and “Argo” came out the top winners at the Golden Globes. The film won Best Picture and he won Best Director, which must sting a bit since Affleck didn’t even get nominated in the Best Director category during the 2013 Academy Awards.

Beyond that, the Globes stuck with the list of award winners that we can likely expect to last through the rest of awards season. Daniel Day-Lewis won Best Actor in a Drama for “Lincoln” and Jessica Chastain won Best Actress in a Drama for “Zero Dark Thirty,” while on the flip side Hugh Jackman won Best Actor in a Musical or Comedy for “Les Miserables” and Jennifer Lawrence won Best Actress in a Musical or Comedy for “Silver Linings Playbook.” Adele won Best Song for “Skyfall,” Anne Hathaway won Best Supporting Actress for “Les Miserables” and Quentin Tarantino won Best Screenplay for “Django Unchained.”

Here is the full list of winners, in both film and television:

MOVIES

Best Drama

“Argo”
“Django Unchained”
“Life of Pi”
“Lincoln”
“Zero Dark Thirty”

Best Musical/Comedy

“The Best Exotic Marigold Hotel”
“Les Miserables”
“Moonrise Kindgom”
“Salmon Fishing in the Yemen”
“Silver Linings Playbook”

Best Director

Ben Affleck, “Argo”
Kathryn Bigelow, “Zero Dark Thirty”
Ang Lee, “Life of Pi”
Steven Spielberg, “Lincoln”
Quentin Tarantino, “Django Unchained”

Best Actress in a Drama

Jessica Chastain, “Zero Dark Thirty”
Marion Cotillard, “Rust and Bone”
Helen Mirren, “Hitchcock”
Naomi Watts, “The Impossible”
Rachel Weisz, “The Deep Blue Sea”

Best Actor in a Drama

Daniel Day-Lewis, “Lincoln”
Richard Gere, “Arbitrage”
John Hawkes, “The Sessions”
Joaquin Phoenix, “The Master”
Denzel Washington, “Flight”

Best Actor in a Musical or Comedy

Jack Black, “Bernie”
Bradley Cooper, “Silver Linings Playbook”
Hugh Jackman, “Les Miserables”
Ewan McGregor, “Salmon Fishing in the Yemen”
Bill Murray, “Hyde Park on Hudson”

Best Actress in a Musical or Comedy

Emily Blunt, “Salmon Fishing in the Yemen”
Judi Dench, “The Best Exotic Marigold Hotel”
Jennifer Lawrence, “Silver Linings Playbook”
Maggie Smith, “Quartet”
Meryl Streep, “Hope Springs”

Best Supporting Actress

Amy Adams, “The Master”
Sally Field, “Lincoln”
Anne Hathaway, “Les Miserables”
Helen Hunt, “The Sessions”
Nicole Kidman, “The Paperboy”

Best Supporting Actor

Alan Arkin, “Argo”
Leonardo DiCaprio, “Django Unchained”
Philip Seymour Hoffman, “The Master”
Tommy Lee Jones, “Lincoln”
Christoph Waltz, “Django Unchained”

Best Screenplay

Mark Boal, “Zero Dark Thirty”
Tony Kushner, “Lincoln”
David O’Russell, “Silver Linings Playbook”
Quentin Tarantino, “Django Unchained”
Chris Terrio, “Argo”

Best Foreign Language Film

“Amour”
“A Royal Affair”
“The Intouchables”
“Kon-Tiki”
“Rust and Bone”

Best Animated Feature

“Rise of the Guardians”
“Brave”
“Frankenweenie”
“Hotel Transylvania”
“Wreck-It Ralph”

Best Original Song

“For You,” music and lyrics by Monty Powell, Keith Urban (“Act of Valor”)
“Not Running Anymore,” music and lyrics by Jon Bon Jovi (“Stand Up Guys”)
“Safe & Sound,” music and lyrics by Taylor Swift, John Paul White, Joy Williams, T Bone Burnett (“The Hunger Games”)
“Skyfall,” music and lyrics by Adele and Paul Epworth (“Skyfall”)
“Suddenly,” music by Claude-Michel Schonberg and lyrics by Herbert Kretzmer and Alain Boublil (“Les Miserables”)

Best Original Score

Mychael Danna, “Life of Pi”
Alexandre Desplat, “Argo”
Dario Marianelli, “Anna Karenina”
Tom Tykwer, Johnny Klimek and Reinhold Heil, “Cloud Atlas”
John Williams, “Lincoln”

Cecil B. DeMille Award

Jodie Foster

TELEVISION

Best TV Comedy or Musical

“The Big Bang Theory”
“Episodes”
“Girls”
“Modern Family”
“Smash”

Best TV Drama

“Breaking Bad”
“Boardwalk Empire”
“Downton Abbey”
“Homeland”
“The Newsroom”

Best Actress in a TV Drama

Connie Britton, “Nashville”
Glenn Close, “Damages”
Claire Danes, “Homeland”
Michelle Dockery, “Downton Abbey”
Julianna Margulies, “The Good Wife”

Best Actor in a TV Drama

Steve Buscemi, “Boardwalk Empire”
Bryan Cranston, “Breaking Bad”
Jeff Daniels, “The Newsroom”
Jon Hamm, “Mad Men”
Damian Lewis, “Homeland”

Best Actress in a TV Comedy

Zooey Deschanel, “New Girl”
Julia Louis-Dreyfus, “Veep”
Lena Dunham, “Girls”
Tina Fey, “30 Rock”
Amy Poehler, “Parks and Recreation”

Best Actor in a TV Comedy

Alec Baldwin, “30 Rock”
Don Cheadle, “House of Lies”
Louis C.K., “Louie”
Matt LeBlanc, “Episodes”
Jim Parsons, “The Big Bang Theory”

Best Miniseries or TV Movie

“Game Change”
“The Girl”
“Hatfields & McCoys”
“The Hour”
“Political Animals”

Best Actress in a Miniseries or TV Movie

Nicole Kidman, “Hemingway & Gellhorn”
Jessica Lange, “American Horror Story: Asylum”
Sienna Miller, “The Girl”
Julianne Moore, “Game Change”
Sigourney Weaver, “Political Animals”

Best Actor in a Miniseries or TV Movie

Kevin Costner, “Hatfields & McCoys”
Benedict Cumberbatch, “Sherlock (Masterpiece)”
Woody Harrelson, “Game Change”
Toby Jones, “The Girl”
Clive Owen, “Hemingway & Gellhorn”

Best Supporting Actress in a TV Show, Miniseries or TV Movie

Hayden Panettiere, “Nashville”
Archie Panjabi, “The Good Wife”
Sarah Paulson, “Game Change”
Maggie Smith, “Downtown Abbey: Season 2″
Sofia Vergara, “Modern Family”

Best Supporting Actor in a TV Show, Miniseries or TV Movie

Max Greenfield, “New Girl”
Ed Harris, “Game Change”
Danny Huston, “Magic City”
Mandy Patinkin, “Homeland”
Eric Stonestreet, “Modern Family”

What do you think of the full winners list? Tell us in the comments section below or on Facebook and Twitter.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

IFC_CC_Neurotica_Series_Image4

IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

Neurotica_series_image_1

IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.