This browser is supported only in Windows 10 and above.

DID YOU READ

The Five Best Revenge Movies

thegodfather_1452836i

Posted by on

Revenge, or retaliation is as old an impulse as the reptile brain. “Django Unchained,” Quentin Tarantino’s slavery revenge fantasy, opened on Christmas, following the spring release of “The Avengers.” The theme of revenge, it seems, and the business of avenging was strong in this year passed. Lately, however, it seems as if Tarantino (“Kill Bill,” “Inglorious Basterds”) has taken proprietorship of the whole revenge fantasy film genre. But he is not alone, of course. “The Dark Knight Rising” is in its entirety from start to finish a paean to revenge, from Bane’s revenge against The Bat to The Bat’s revenge against Bane.

Quentin may be on to something. Revenge, when done well, is as immensely satisfying a cinematic experience as it is a dark psychological pleasure that arose in dark antiquity. The feeling of satisfaction from a revenge fantasy movie is not entirely unlike how at the end of TV’s “Law and Order” the bad guys – generally – get their comeuppance. The viewer feels as if all is well and good in the world (even though, of course, it often is not) after a hard day of work in a universe where fortune appears to favor the most aggressive and ethically neutral among us. And who among us wouldn’t prefer to watch Spielberg’s “Munich” than, say, Angelina Jolie’s massive downer of a film, “A Mighty Heart”? Would you rather pay admission to “A Mighty Heart” over “Munich”?

In the spirit of revenge, in all its dark glory, here are my five favorite films from that genre:


5. “Leon: The Professional” (1994)

Icy-precise hitman Leon Montana led a pretty nihilistic, efficient life until he took the contract of little Mathilda. Mathilde, played by Natalie Portman, seeks the avenging of the death of her family by the sleazy-precise corrupt DEA agent Stansfield in an apartment complex. The death of her innocent four year old brother and the powerlessness of a twelve year old girl against such forces of governmental corruption strike a universal chord. And the redemption of Leon, one of the most loveable cold-blooded killers of all time, makes this film truly a superlative example of revenge fantasy. Rest in pieces, brother.


4. “Star Trek II: The Wrath of Khan” (1982)

“Revenge,” hisses Khan Noonien Singh, “is a dish best served cold.” This, Khan tells us, is an old Klingon proverb, but many actual civilizations have lived by that same idea. Fifteen years earlier, Captain James Kirk stranded Khan in the remains of the USS Botany Bay to live out the rest of his days in the cold embrace of outer freaking space. How cool is that? Sheer geekiness notwithstanding, Star Trek II is an instance of a sequel outdoing the original. The slowly played out space cat and mouse game is masterful, a cosmic dance. “The Wrath of Khan” is timeless, transcending the limited appeal of mere science fiction.


3. “The Unforgiven” (1960)

Before Clint Eastwood made an ass of himself chatting with an empty chair in public, he was one of the greatest American badasses of all time. “The Unforgiven,” widely seen at the time as “the last Western” is also about Redemption, one of the thematic pillars of any great revenge story. There is nothing conventionally good about any of the characters, outlaws all. Eastwood, as aging outlaw William Munny, is no saint – and neither are his gunfighter sidekicks or the prostitutes who post a $1,000 bounty on the heads of the animals that disfigured one of their own.  And yet our primal, reptile brains cannot help but anticipate with dark joy the bloody comeuppance sure to come. Delicious.


2. “Gladiator” (2000)

“Gladiator,” on its surface, is formulaic. The noble Maximus is wronged by Power. He struggles, against all odds, and gets his revenge. And the film won Best Picture. Still, this is not Rocky II. The execution is so brilliant, the story so perfect, the acting so convincing, that Gladiator of the only movies that I have ever seen where the audience at the theater broke into applause several times during the film as well as at the end. Gladiator can only be properly construed as cathartic. We cheer at the sanguinary death of the whiny “Emperor” Commodus because he didn’t deserve the throne; we cheer at the death of the whiny “Emperor” Commodus every time power, unearned, holds its boots to our collective necks. Rest in peace, Maximus; semper fi.


1. “The Godfather” (1974)

Not only is “The Godfather” one of the greatest films in the history of cinema, it is the greatest revenge fantasy in the history of cinema. Vito Corleone, granted, is not as noble as the Roman soldier Maximus, but he, after his own fashion, is not without an ancient moral code guiding his behavior.

Three of the film’s most effective scenes involve intricate depictions of the psychology of revenge in an almost classic tragic form. In the first, Vito Corleone movingly forgoes revenge for the death of Sonny, withdrawing his objections to the Tattaglia’s in the meeting with the Five Families for the sake of peace. In the second hugely effective rendering of the psychology of revenge, Michael Corleone, the next generation of Don, bides his time and brutally exacts his revenge, consolidating his power. And in the final, and most effective scene involving the psychology of revenge, Michael – the son of his father — blatantly lies to his wife, Kay, about the bloody-tragic actions he set in motion.

Retaliation, or revenge, is as old as the reptile brain, but it is that most civilized of human art –motion pictures – that has fully expressed that impulse in all its dark, glorious beauty.


What is your favorite revenge movie? Tell us in the comments below or on Facebook and Twitter.

IFC_ComedyCrib_ThePlaceWeLive_SeriesImage_web

SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

Posted by on
GIFs via Giphy

Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

via GIPHY

IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

via GIPHY

IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.

Neurotica_105_MPX-1920×1080

New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

Posted by on

Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

IFC_CC_Neurotica_Series_Image4

IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

Neurotica_series_image_1

IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

Posted by on
Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

via GIPHY

Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

via GIPHY

via GIPHY

Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

via GIPHY

And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.