DID YOU READ

“Evil Dead”: The director and cast discuss the reinvention of a horror classic

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Take the first letters of all the character names in the new “Evil Dead” — David, Eric, Mia, Olivia, and Natalie — and it spells out “demon.” That’s just one of the many Easter eggs that the reboot of the franchise has to offer, according to director Fede Alvarez and producer Bruce Campbell (Ash!).

“You’re going to put on a nice, comfortable leather shoe here,” Campbell said. “It’s going to feel real familiar.”

Well, other than the gender reversal. The star of the new version, due out April 12, 2013, is Jane Levy, of the TV sitcom “Suburgatory” and the recent Halloween horror-lite film “Fun Size” (“That’s for kids,” she says). Campbell calls Levy (who plays Mia) “the new Ash.” “I hope she gets considered with the same respect and consideration that that idiot Ash does,” he said, noting that the gender switch allows her to carry on in his tradition without “some unnatural burden.” Also, he said, Sam Raimi’s idea behind the original “Evil Dead” — back when it was a short film shot on Super 8 called “Within the Woods” — was about a female protagonist. Alvarez said his treatment is a return to form.

“It’s a different story, but the same mythology,” Alvarez said. “The way it is for me, it’s very mythological, and it’s about women driving men insane. Usually in horror, it’s the other way around — it’s a girl running from some dude with an axe chasing her. ‘Evil Dead’ is one of the few where it’s completely the other way around, where the guys are freaking out and the girl is driving them crazy, because it’s the girl that turns first. I like the idea of women torturing men, psychologically, physically. That’s what we craved, and that’s one of the main ideas you’ll see in the movie.”

Alvarez co-wrote the reboot with his friend Rodo Sayagues, and then they brought in Diablo Cody (“Juno,” “Jennifer’s Body”) to punch up the dialogue and give it a female perspective. “As middle-aged men, we really don’t know how young people talk,” Campbell joked. “And she won a fucking Academy Award.” The story this time starts with the concept that Mia goes to her family cabin with her friends to try to kick a heroin habit. “You scream and get it out, and it’s a couple of bad days,” Campbell said. “But then the evil is unleashed.”

Knowing that not only would the film itself be scary, but making it could be scary, too, Campbell took a “fatherly” approach to the young actors, “letting them know what they were getting into,” he said. “I was like, ‘Don’t party, because you’re going to wear out. It’s going to be a long haul.’ Poor fuckers!”

“Bruce tried to scare me away,” Levy said. “He wanted to make sure I was up for the job, so at the audition he was like, ‘Do you know what it feels like to be buried alive? Do you know what it feels like to have tubes stuck down your throat to projectile vomit?'”

Luckily for Levy, she passed Campbell’s test. He claims that the film stands with the rest of the franchise, and anticipates double bills to show the original and the reboot at midnight screenings “for decades.” “I think they’re a great companion piece,” he said. “I know a lot of people were pissed when they heard about the remake, and I will be ready to accept everyone’s apology after you see it.”

What are you looking forward to most about “Evil Dead”? Tell us in the comments section below or on Facebook and Twitter.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

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This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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