DID YOU READ

“Carrie”: The cast and director talk blood, telekinesis and growing up

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“Carrie” will be more than just a prom gone horribly, horribly wrong, promises its stars and filmmakers. Kimberly Peirce’s adaptation of the Stephen King novel –recently pushed back to October 18 — will encompass more from the book than the Brian De Palma version — more destruction of the whole town, more telekinesis, and of course, more blood.

Peirce estimated that they used approximately 1000 gallons of fake blood during production. “We had so many different types of blood!” enthused Chloë Grace Moretz. “Each day was something else: the wet blood, the fire blood, the dry blood. The blood became part of who you are, and I just got used to going home every night covered in blood.”

The blood starts flowing, as you might recall, when Carrie gets her first menstrual cycle, but because she’s grown up with a religious fanatic for a mother, she thinks it means her damnation. Her gym teacher, Miss Desjardin (who is played by Judy Greer), sets her straight. “Carrie realizes, ‘Oh my God, I can be like this woman, who is secure and doesn’t think she’s going to hell just because she got her period,'” Moretz said. “And then she goes home and tries to tell her mother that it’s a natural progression. ‘I know what I’ve been told, but…'”

Margaret White, however, doesn’t want to hear it. This is a woman, as Julianne Moore pointed out, who started off in one religious sect, and when that wasn’t strict enough, “peeled off and formed her own church, which her husband.” Isolated from society, she didn’t understand her own period, which she thought was brought on by sexual sin, let alone her pregnancy — “she thought she had cancer, and delivered the baby by herself,” Moore said.

“All of this was so startling to learn and understand, so upsetting, and so rich in terms of characterization,” Moore said. “It helps you understand how important her relationship to this child is, how completely wrapped up in her she is. So the key is her isolation, and her psychosis, because she’s maybe had several psychotic breaks, and the moment she senses Carrie is moving away from her, she wants to ‘protect’ her. She only sees danger out there for Carrie.”

Moretz said Carrie has her first awakening when she realizes that her mother’s teachings might be wrong, and she has her second awakening when she realizes she has the power to move things with her mind.

“If you look at it from a telekinetic point of view, I don’t think that was used as much in the first film as in our film,” Moretz said. “Other people might be like, ‘Oh, that’s her downfall,’ or you can argue with it, because it’s not logical — ‘Huh, I just moved you’ — right? But here it’s like, ‘Wow, this might be who I am.’ It’s more of a sense of her becoming something. When she’s overly happy, it comes out. When she’s angry, it comes out. It takes her strongest emotion and multiplies it by a hundred, and her whole body tenses up and things move with her. When she’s alone and in her own mind, she can thrive, and you smile.”

Well, until she starts killing people with her mind, that is. Besides blowing up at the prom (just because of a little pig’s blood prank!) and then committing matricide, Carrie sets her entire neighborhood on fire, destroying the fire hydrants as well so no one can put out the fires. “You can’t do that in a PG-13 universe,” producer Kevin Misher said. “I think the only tone that can do this justice is R.”

Misher also said “the thing to remember” about “Carrie” is that it’s a metaphor for a young girl’s coming-of-age, calling it “almost like the first ‘Twilight’ or ‘Hunger Games.'” “It was a phenomenon of a book about teens and processing angst in a supernatural way,” he said.

“You’ve got a girl who’s trying to grow up, and a mother who’s trying to keep her from growing up,” Peirce said. “So beyond all the supernatural, what I found was really interesting is the journey that all girls on.”

Peirce said she amplified the interactions between Carrie and the girls at school — especially Chris, who abuses Carrie the most — but also kept the interactions “completely casual” for a sense of normalcy. “In terms of modernity, the way kids communicate, with social networking, with texting, with making videos everywhere they go on their cell phones, that part is different.”

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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