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Adele to perform “Skyfall” during Academy Awards

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Exciting news, “Skyfall” fans: Adele will officially be performing the movie’s theme song during the 2013 Academy Awards.

The announcement came from a press release sent by the Academy of Motion Picture Arts and Sciences. This will be Adele’s first live performance of “Skyfall,” and her first televised U.S. performance since the 2012 Grammys. “Skyfall” is one of the five songs nominated for the Best Original Song Oscar — and, if we were to place bets, the likely winner.

“It’s an honour to be nominated and terrifyingly wonderful to be singing in front of people who have captured my imagination over and over again,” Adele said in a statement. “It’s something I’ve never experienced and probably only ever will once!”

Academy Awards producers Craig Zadan and Neil Meron stated, “We have enormous respect for Adele’s unique artistry as a songwriter and a singer. She is currently one of the most successful recording artists in the world, and we believe that her performance of ‘Skyfall’ will be an exciting Oscar moment for audiences watching at the Dolby Theatre and on television screens around the world.”

Best Song is one of five Oscar nominations “Skyfall” has at this year’s Academy Awards. It’s also up for Best Cinematography, Best Sound Mixing, Best Sound Editing and Best Score. The 2013 Oscars will be holding a special tribute to the James Bond series, so it could be that Adele’s performance will tie into that as well as the Best Song nomination.

“Skyfall” stars Daniel Craig, Ralph Fiennes, Javier Bardem, Judi Dench, Naomie Harris, Berenice Marlohe, Albert Finney, Ben Whishaw, Helen McCrory and Ola Rapace. It came out on November 9 and made over $1 billion worldwide.

Are you glad Adele is performing at the Oscars? Are you as obsessed with “Skyfall” as we are? Let us know in the comments section below or on Facebook and Twitter.

Underworld

Under Your Spell

10 Otherworldly Romances That’ll Melt Your Heart

Spend Valentine's Day weekend with IFC's Underworld movie marathon.

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Photo Credit: Screen Gems/courtesy Everett Collection

Romance takes many forms, and that is especially true when you have a thirst for blood or laser beams coming out of your eyes.  It doesn’t matter if you’re a werewolf, a superhero, a clone, a time-traveler, or a vampire, love is the one thing that infects us all.  Read on to find out why Romeo and Juliet have nothing on these supernatural star-crossed lovers, and be sure to catch IFC’s Underworld movie marathon this Valentine’s Day weekend.

1. Cyclops/Jean Grey/Wolverine, X-Men series

The X-Men franchise is rife with romance, but the steamiest “ménage à mutant” may just be the one between Jean Grey (Famke Janssen), Cyclops (James Marsden), and Wolverine (Hugh Jackman). Their triangle is a complicated one as Jean finds herself torn between the two very different men while also trying to control her darker side, the Phoenix. This leads to Jean killing Cyclops and eventually getting stabbed through her heart by Wolverine in X-Men: The Last Stand. Yikes!  Maybe they should change the name to Ex-Men instead?


2. Willow/Tara, Buffy the Vampire Slayer

Joss Whedon gave audiences some great romances on Buffy the Vampire Slayer — including the central triangle of Buffy, Angel, and Spike — but it was the love between witches Willow (Alyson Hannigan) and Tara (Amber Benson) that broke new ground for its sensitive and nuanced portrayal of a LGBT relationship.

Willow is smart and confident and isn’t even sure of her sexuality when she first meets Tara at college in a Wiccan campus group. As the two begin experimenting with spells, they realize they’re also falling for one another and become the show’s most enduring, happy couple. At least until Tara’s death in season six, a moment that still brings on the feels.


3. Selene/Michael, Underworld series

The Twilight gang pales in comparison (both literally and metaphorically) to the Lycans and Vampires of the stylish Underworld franchise. If you’re looking for an epic vampire/werewolf romance set amidst an epic vampire/werewolf war, Underworld handily delivers in the form of leather catsuited Selene (Kate Beckinsale) and shaggy blonde hunk Michael (a post-Felicity Scott Speedman). As they work together to stop the Vampire/Lycan war, they give into their passions while also kicking butt in skintight leather. Love at first bite indeed.


4. Spider-man/Mary Jane Watson, Spider-man

After rushing to the aid of beautiful girl-next-door Mary Jane Watson (Kirsten Dunst), the Amazing Spider-man is rewarded with an upside-down kiss that is still one of the most romantic moments in comic book movie history. For Peter Parker (Tobey Maguire), the shy, lovable dork beneath the mask, his rain-soaked makeout session is the culmination of years of unrequited love and one very powerful spider bite. As the films progress, Peter tries pushing MJ away in an attempt to protect her from his enemies, but their web of love is just too powerful. And you know, with great power, comes great responsibility.


5. Molly/Sam, Ghost

When it comes to supernatural romance, you really can’t beat Molly and Sam from the 1990 hit film Ghost. Demi Moore goes crazy for Swayze like the rest of us, and the pair make pottery sexier than it’s ever been.

When Sam is murdered, he’s forced to communicate through con artist turned real psychic, Oda Mae Brown (Whoopi Goldberg in her Academy Award-winning role) to warn Molly she is still in danger from his co-worker, Carl (a pre-Scandal Tony Goldwyn). Molly doesn’t believe Oda is telling the truth, so Sam proves it by sliding a penny up the wall and then possessing Oda so he and Molly can share one last romantic dance together (but not the dirty kind). We’d pay a penny for a dance with Patrick Swayze ANY day.


6. Cosima/Delphine, Orphan Black

It stands to reason there would be at least one complicated romance on a show about clones, and none more complicated than the one between clone Cosima (Tatiana Maslany) and Dr. Delphine Cormier (Evelyne Brochu) on BBC America’s hit drama Orphan Black.

Cosima is a PhD student focusing on evolutionary developmental biology at the University of Minnesota when she meets Delphine, a research associate from the nefarious Dyad Institute, posing as a fellow immunology student. The two fall in love, but their happiness is brief once Dyad and the other members of Clone Club get involved. Here’s hoping Cosima finds love in season four of Orphan Black. Girlfriend could use a break.


7. Aragorn/Arwen, Lord of the Rings

On a picturesque bridge in Rivendell amidst some stellar mood-lighting and dreamy Elvish language with English subtitles for us non-Middle Earthlings, Arwen (Liv Tyler) and Aragorn (Viggo Mortensen) bind their souls to one another, pledging to love each other no matter what befalls them.

Their courtship is a matter of contention with Arwen’s father, Elrond (Hugo Weaving), who doesn’t wish to see his daughter suffer over Aragorn’s future death. The two marry after the conclusion of the War of the Ring, with Aragorn assuming his throne as King of Gondor, and Arwen forgoing her immortality to become his Queen. Is it too much to assume they asked Frodo to be their wedding ring-bearer?


8. Lafayette/Jesus, True Blood

True Blood quickly became the go-to show for supernatural sex scenes featuring future Magic Mike strippers (Joe Manganiello) and pale Nordic men with washboard abs (Hi Alexander Skarsgård!), but honestly, there was a little something for everyone, including fan favorite Bon Temps medium, Lafayette Reynolds (Nelsan Ellis).

In season three, Lafayette met his mother’s nurse, Jesus, and the two began a relationship. As they spend more time together and start doing V (short for Vampire Blood), they learn Jesus is descended from a long line of witches and that Lafayette himself has magical abilities. However, supernatural love is anything but simple, and after the pair join a coven, Lafayette becomes possessed by the dead spirit of its former leader. This relationship certainly puts a whole new spin on possessive love.


9. Nymphadora Tonks/Remus Lupin, Harry Potter series

There are lots of sad characters in the Harry Potter series, but Remus Lupin ranks among the saddest. He was bitten by a werewolf as a child, his best friend was murdered and his other best friend was wrongly imprisoned in Azkaban for it, then THAT best friend was killed by a Death Eater at the Ministry of Magic as Remus looked on. So when Lupin unexpectedly found himself in love with badass Auror and Metamorphmagus Nymphadora Tonks (she prefers to be called by her surname ONLY, thank you very much), pretty much everyone, including Lupin himself, was both elated and cautiously hopeful about their romance and eventual marriage.

Sadly, the pair met a tragic ending when both were killed by Death Eaters during the Battle of Hogwarts, leaving their son, Teddy, orphaned much like his godfather Harry Potter. Accio hankies!


10. The Doctor/Rose Tyler, Doctor Who

Speaking of wolves, Rose “Bad Wolf” Tyler (Billie Piper) captured the Doctor’s hearts from the moment he told her to “Run!” in the very first episode of the re-booted Doctor Who series. Their affection for one another grew steadily deeper during their travels in the TARDIS, whether they were stuck in 1950s London, facing down pure evil in the Satan Pit, or battling Cybermen.

But their relationship took a tragic turn during the season two finale episode, “Doomsday,” when the Tenth Doctor (David Tennant) and Rose found themselves separated in parallel universes with no way of being reunited (lest two universes collapse as a result of a paradox). A sobbing Rose told a holographic transmission of the Doctor she loved him, but before he could reply, the transmission cut out, leaving our beloved Time Lord (and most of the audience) with a tear-stained face and two broken hearts all alone in the TARDIS.

Seth MacFarlane’s Oscar promos bode well for the Academy Awards

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Seth MacFarlane is going to make one hell of an Oscars host. As he proved when he and Emma Stone announced the Oscar nominees, the “Family Guy” creator is charming in person and is charismatic on stage. That’s likely why the Academy Awards promos released are so good. After all, MacFarlane doesn’t need to do a Peter Griffin or Stewie impression to be funny.

Here are the promos:

Our favorites are the one where he claims Daniel Day-Lewis is doing an impression of him (after all, Day-Lewis really is that good) and the one where he told parents to ask their kids when he announced who he was. At least he’s taking the gig seriously like he promised in a statement after his hosting duties were announced.

“It’s truly an overwhelming privilege to be asked to host the Oscars,” MacFarlane said in a press release. “My thoughts upon hearing the news were, one, I will do my utmost to live up to the high standards set forth by my predecessors; and two, I hope they don’t find out I hosted the Charlie Sheen Roast.”

The Academy Awards will air on February 24, 2013.

What do you think of these Oscar promos? Tell us in the comments section below or on Facebook and Twitter.

Tim Grierson on the Oscar Nominations That Will Never Happen (But Really Should)

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About 20 years ago, writer Danny Peary published “Alternate Oscars,” a book in which he went back and second-guessed every Academy Award winner for Best Picture, Actress, and Actor since the Oscars’ early days of the 1920s. To Peary’s mind, there were plenty of instances when Oscar voters had gotten it wrong, and so he proposed who the real winners in those categories should have been. For people who love to argue about what constitutes the “best” in filmmaking, it’s a smart, terrific read.

This year’s Academy Award nominations will be revealed early Thursday morning, January 10, and I’d like to offer my own variation on Peary’s book by selecting the nominees I’d love to hear announced, even though I know they have no chance. In each category, I’ll pick one deserving individual or movie that, currently, isn’t part of the Oscar conversation at all. I don’t think my picks should win, but in a better world, they’d at least get to be part of all the Academy Award hoopla on February 24.

Best Supporting Actress

Anna Kendrick, “End of Watch”

I was tempted to go with Kelly Reilly, who’s terrific as the drug addict who falls for Denzel Washington in “Flight,” but because she’s still considered a bit of a dark horse, I’ll go with another performance that’s been even more overlooked. Anna Kendrick has proved to be a sharp, effervescent presence in movies like “Pitch Perfect” and “Up In the Air” (which earned her an Oscar nomination), but in “End of Watch,” she plays a very different character: a tougher, less adorable woman who falls in love with Jake Gyllenhaal’s LAPD cop. Kendrick’s sweetness, as always, is on display, but she responds to the harder-edged tone of “End of Watch” by delivering a performance that’s grittier and sadder than anything she’s done before. It’s crucial for showing us how the wife of a cop never can relax, always knowing that her husband’s work carries with it enormous risk.

Best Supporting Actor

David Oyelowo, “Middle of Nowhere”

Character actor David Oyelowo has been showing up in everything recently, appearing in “Rise of the Planet of the Apes,” “The Help,” “Red Tails,” “The Paperboy,” “Lincoln” and “Jack Reacher.” But in the little-seen character drama “Middle of Nowhere,” he really gets a chance to shine, playing a Los Angeles bus driver courting a woman (Emayatzy Corinealdi) whose husband is in prison. The film focuses on Corinealdi’s struggle to go on with her life while staying true to her man, and the excellence of Oyelowo’s performance is such that while we root for Corinealdi, we can’t help but wonder if this charming, sensitive driver might not ultimately be a better match for her.

Best Actor

Liam Neeson, “The Grey”

Because Liam Neeson rose to prominence in the 1990s starring in acclaimed movies like “Schindler’s List,” “Husbands and Wives” and “Kinsey,” there can be a negative kneejerk reaction to his recent transition to action movies like the “Taken” films, naysayers accusing him of “selling out” or compromising his art. But Neeson’s performance in “The Grey” reminds us that “serious” acting can occur in supposed popcorn films as well. Playing an oil-field worker stranded in the Alaskan wilderness who must fend off ravenous wolves and inhuman cold, Neeson gives us a portrayal of a lost soul who turns his ordeal into an unlikely chance at redemption. “The Grey” may be “just” an action-thriller, but the nuance and feeling in Neeson’s performance suggests what a superior actor can do with gripping material.

Best Actress

Kara Hayward, “Moonrise Kingdom”

There’s a very good chance that Quvenzhané Wallis, the lead in “Beasts of the Southern Wild,” will be among the Oscar nominees for Best Actress. If that happens, she would be the youngest nominee ever in that category, beating out Keisha Castle-Hughes, who was almost 14 when she got a nomination for “Whale Rider.” (Wallis turns 10 in August.) I’d like to spotlight another young actress, 14-year-old Kara Hayward, who was wonderful as the dark, melancholy Suzy who runs off with her beau Sam (the equally fine Jared Gilman) in “Moonrise Kingdom.” Though director Wes Anderson’s bittersweet coming-of-age romance features a slew of big names like Bruce Willis, Ed Norton and Bill Murray, the movie revolves around its two adolescent protagonists, and Hayward (in her first film role) is the sort of stormy, mysterious beauty that would bewitch the heart of any young dreamer.

Best Picture

“Compliance”

Ann Dowd, who’s fantastic as the fast-food manager duped by a prank caller in “Compliance,” has put up her own money to mount an Oscar campaign for Best Supporting Actress. I wish someone would have done something similar for this controversial psychological thriller, which examines how (and why) a group of employees do progressively more demeaning things to one of their coworkers (Dreama Walker). “Compliance” is not an easy film to sit through, but writer-director Craig Zobel uses provocation to ask sincere questions about power, class and gender that are just as upsetting as anything you see in the movie. Blessed with a sharp, precise script and a superb cast, “Compliance” is too divisive to ever have a chance at a Best Picture nomination. But I humbly suggest it might be one film from 2012 that we’re still discussing (and debating) in 2032.

You can follow Tim Grierson on Twitter.

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