DID YOU READ

Tim Grierson on the Year’s Forgotten Gems

goodbye-first-love

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Most critics agree that 2012 will be remembered as a particularly strong movie year. Whether it’s “Zero Dark Thirty” or “The Master,” “Moonrise Kingdom” or “Beasts of the Southern Wild,” “Amour” or “Holy Motors,” bold films were everywhere. The only downside to such a terrific year is that some superb smaller films have been pushed into the margins, overlooked by critics’ groups, end-of-the-year lists, and Oscar bloggers. With that in mind, I thought I’d select five that are absolutely worth your time that I haven’t mentioned in any of my columns this year. If you were having trouble narrowing down your 2012 favorites to a Top 10, these selections will only further complicate your process…

Goodbye First Love – This French drama from filmmaker Mia Hansen-Løve tackles an age-old subject, but with a real daring and freshness. An impressionable teenager named Camille (Lola Créton) is utterly smitten with her older boyfriend Sullivan (Sebastian Urzendowsky), convinced that they’re meant to be together forever. So what is she supposed to do when Sullivan decides to travel the globe and leave her behind? “Goodbye First Love” takes a clear-eyed perspective on the passionate unreasonableness of young love, quietly observing as Camille mourns for the guy who turned his back on her. Créton bravely allows Camille to be exasperating and moody, such is the seeming permanence of her stubbornly broken heart.

It’s Such a Beautiful Day – When we think of animated movies, our minds go to major productions like “Brave” or “Wreck-It Ralph,” where hundreds upon hundreds of animators and other artists are working together to make big blockbusters. By comparison, Don Hertzfeldt makes personal, do-it-yourself projects. This year, he released “It’s Such a Beautiful Day,” which compiled two previous short animated films with a new final installment, all about a luckless gent named Bill coping with the ennui of regular life. The three-piece movie runs just over an hour, but with wry humor and some utterly poignant touches, it addresses the complexity of life, death and family in such a way that it’s very nearly overpowering.

Marina Abramović: The Artist Is Present – For those who are allergic to performance art, an entire documentary about heralded, divisive art-world figure Marina Abramović might sound like hell. But director Matthew Akers delivers a portrait of an icon made human as she prepares for her latest show, which will involve her sitting quietly and expressionlessly in a chair for several hours each day while museum patrons take turns sitting opposite her. Abramović will only stare back at them, and likewise “The Artist Is Present” gazes back at her as she goes about her craft. But this is no dry academic treatise: Few films this year made me cry as much as this one, in part because of the extraordinary (albeit brief and silent) connection she makes with her fans during this exhibit.

Middle of Nowhere
– This year’s Sundance helped launch “Beasts of the Southern Wild” and “The Sessions.” But don’t forget about this wonderfully observed Los Angeles drama about a young woman named Ruby (Emayatzy Corinealdi) who promises to wait for her husband (Omari Hardwick) while he serves a prison sentence. But Ruby’s devotion to her man leaves her in an emotional purgatory that keeps her own life from moving forward, which causes all sorts of complications when a gentlemanly bus driver (a superb David Oyelowo) starts to develop feelings for her. Great performances, realistic stakes, genuine feeling — writer-director Ava DuVernay has crafted a movie with the richness and care of a novel.

Only the Young
– Of the many strengths of the documentary “Only the Young,” chief among them is how loving and nonjudgmental filmmakers Jason Tippet and Elizabeth Mims are about their subjects: three teens living in Southern California negotiating the anxiety of adolescence. Raised Christian but loving skateboarding and punk music, Garrison, Kevin and Skye are observed as they deal with crushes and broken families, and the movie blessedly never tries to categorize them, letting their contradictions speak for themselves. It also doesn’t hurt that “Only the Young” is quite often simply beautifully made, weaving together the teens’ conversation with images from their desert hometown that capture a universal sense of longing and isolation that any young person can recognize. Like many of 2012’s forgotten gems, “Only the Young” may not have made many waves, but its precise, wonderful artistry makes one ponder how many other wonderful films are out there waiting to be discovered.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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