DID YOU READ

Tim Grierson on the Unforgettable Movie Moments of 2012

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When you think back on a year in movies, what flashes through your mind? It’s probably snapshots: incredible scenes or indelible images or a funny line that’s always going to stick with you. In 2012, I saw over 300 films, and even some of the worst had their moments that I can look back on fondly. So, as we prepare for 2013, here’s a random list of the scenes and moments of the film year that I really treasure. I’ve kept some intentionally vague so that I don’t spoil anything, but hopefully these favorite glimpses will help inspire your own happy memories of a great film year….

The dazzling motion-capture sequence in “Holy Motors.”

Josh Brolin’s dead-on perfect impression of a younger Agent K (Tommy Lee Jones) in “Men in Black 3.”

Abraham Lincoln (Daniel Day-Lewis) leaves the White House for the very last time in “Lincoln.”

Navy SEALs launch their raid on Bin Laden’s compound in “Zero Dark Thirty.”

Hushpuppy (Quvenzhané Wallis) meets the woman who may be her long-lost mother in “Beasts of the Southern Wild.”

Anne Hathaway sings “I Dreamed a Dream” in “Les Misérables.”

The tsunami comes in “The Impossible.”

Eric Parker (Robert Pattinson) travels through Manhattan in his tricked-out limo in “Cosmopolis.”

Sam (Jared Gilman) and Suzy (Kara Hayward) hatch their plan to run away together over a series of letters in “Moonrise Kingdom.”

Graham (Tom Wilkinson) is reunited at long last with his boyfriend in “The Best Exotic Marigold Hotel.”

In a split second, something happens between Nica (Hani Furstenberg) and Alex (Gael García Bernal) that threatens their relationship forever in “The Loneliest Planet.”

We finally get to see Pat (Bradley Cooper) and Tiffany’s (Jennifer Lawrence) dance routine in “Silver Linings Playbook.”

Dallas (Matthew McConaughey) explains the intricacies of strip-club seduction to the Kid (Alex Pettyfer), complete with lots of pelvic thrusting, in “Magic Mike.”

The plane finally, finally takes off from Iran in “Argo.”

Freddie (Joaquin Phoenix) and Dodd (Philip Seymour Hoffman) have their big blowup in the jail cell in “The Master,” causing Freddie to go temporarily insane, smashing everything in his path.

Jafar Panahi, under house arrest, finally goes outside to see the fireworks in “This Is Not a Film.”

Feuding siblings J.R. (Carlen Altman) and Colin (director Alex Ross Perry) finally make some peace — in the most unexpected way possible — in “The Color Wheel.”

Ottway (Liam Neeson) prepares for his final showdown with the wolves in “The Grey.”

The utterly sincere use of Katy Perry’s “Fireworks” in “Rust & Bone.”

The, uh, scene involving fried chicken in “Killer Joe.”

The riff-off in “Pitch Perfect.”

Joe (Joseph Gordon-Levitt) sits down at a diner with his older self (Bruce Willis) to find out what’s become of him in “Looper.”

Pi (Suraj Sharma) barely survives the shipwreck in “Life of Pi.”

Brian (Jake Gyllenhaal) and Janet (Anna Kendrick) do a pretty sweet choreographed dance to “Push It” at their wedding reception in “End of Watch.”

Although he’s drunk and high, Whip Whitaker (Denzel Washington) manages to land his doomed aircraft in the harrowing opening of “Flight.”

Elena (Nadezhda Markina) finally decides how to resolve her disagreement with her husband (Andrey Smirnov) in “Elena.”

Mallory (Gina Carano) and Paul (Michael Fassbender) fight it out in their hotel room in “Haywire.”

Ohlsdorfer (János Derzsi) and his daughter (Erika Bók) try to leave their doomed farm in “The Turin Horse,” but then, for a reason that’s never explained, they turn around and head home.

The moment when we’re sure that the young boy Cyril (Thomas Doret) is dead in “The Kid With a Bike.”

A prank caller (Pat Healy) tells a fast-food manager (Ann Dowd) that one of her employees (Dreama Walker) stole money from a customer’s purse in “Compliance” — and then things just get worse and worse.

Georges (Jean-Louis Trintignant) squares off with a pigeon in “Amour.”

Performance artist Frank Uwe Laysiepen silently sits across the table from his collaborator and former lover Marina Abramović during her MoMA show in “Marina Abramović: The Artist Is Present.”

Isaac Sachs (Tom Hanks) realizes he’s in love with Luisa Rey (Halle Berry) — just as his plane explodes — in “Cloud Atlas.”

Jackie and David Siegel’s dream mansion sits unfinished — a sad symbol of their fading riches — in “The Queen of Versailles.”

Batman (Christian Bale) confronts Bane (Tom Hardy) in his underground lair — and quickly realizes he’s no match for him — in “The Dark Knight Rises.”

Erik (Thure Lindhardt) cries with relief after learning he’s not HIV positive in “Keep the Lights On.”

After trying to control his emotions for so long, Bruce Banner (Mark Ruffalo) finally becomes the Hulk in “The Avengers.”

Anna (Keira Knightley) and Count Vronksy (Aaron Taylor-Johnson) dance through a sea of frozen-in-place partygoers in “Anna Karenina.”

A distraught Hester (Rachel Weisz) dashes into the London Underground in “The Deep Blue Sea,” suddenly finding herself having a flashback to when she and her husband (Simon Russell Beale) huddled there with others during the London Blitz while everyone sang “Molly Malone.”

Mark (John Hawkes) and Cheryl (Helen Hunt) say goodbye after the last session in “The Sessions.”

Charlotte (Nicole Kidman) lets it be known just how hot she is for convicted murderer Hillary (John Cusack) in “The Paperboy.”

Bilbo Baggins (Martin Freeman) meets a strange, scary creature named Gollum (Andy Serkis) in “The Hobbit: An Unexpected Journey.”

The final, beguiling dance in “Not Fade Away.”

Da Good Bishop Enoch Rouse (Clarke Peters) preaches his heart out in “Red Hook Summer.”

Super-competitive brothers Jeremy (Mark Kelly) and Mark (Steve Zissis) engage in a comically high-stakes Laser Tag battle in “The Do-Deca-Pentathlon.”

A new dance craze, the Sambola, is born in “Damsels in Distress.”

Neil Young drives around his old hometown telling stories in “Neil Young Journeys.”

Stacee Jaxx (Tom Cruise) and Constance Sack (Malin Akerman) paw each other while belting out “I Want to Know What Love Is” in “Rock of Ages.”

Katniss (Jennifer Lawrence) volunteers to take her sister’s place in “The Hunger Games.”

Spider-Man (Andrew Garfield) saves the boy from the burning car in “The Amazing Spider-Man.”

Jeff (Jason Segel) dives into the water in “Jeff, Who Lives at Home.”

“Afro Circus,” from “Madagascar 3: Europe’s Most Wanted,” gets embedded in our brains.

We discover tough-as-nails Sergeant Calhoun’s (Jane Lynch) comically horrible backstory in “Wreck-It Ralph.”

Schmidt (Jonah Hill) and Jenko (Channing Tatum) start having some trippy drug visions in “21 Jump Street.”

After a night of drinking and bonding, Hannah (Rosemarie DeWitt) and Jack (Mark Duplass) decide that sleeping together might not be the worst idea in “Your Sister’s Sister.”

Daniel (Luke Kirby) tells married Margot (Michelle Williams) in sensual detail exactly what he’d do to her if they were lovers in “Take This Waltz.”

The android David (Michael Fassbender) watches “Lawrence of Arabia,” modeling himself after Peter O’Toole, in “Prometheus.”

In “Taken 2,” a kidnapped, imprisoned Bryan Mills (Liam Neeson) calls his daughter (Maggie Grace) and tells her to throw grenades around Istanbul so he can figure out where he is. (You know, because, sure, why the hell not?)

Armie Hammer playing a perfectly lunk-headed prince in “Mirror Mirror.”

Any time Rihanna says anything in “Battleship.”

The big motorcycle chase at the end of “The Bourne Legacy.”

Any scene with Eva Green in “Dark Shadows.”

The wonderfully ridiculous and over-the-top action sequence that kicks off “The Expendables 2.”

The restaurant dance sequence in “Step Up Revolution.” (Honorable Mention: Every other dance sequence in “Step Up Revolution.”)

We discover the reason why James Bond (Daniel Craig) doesn’t want to discuss Skyfall in “Skyfall.”

Happy holidays, everyone. See you in 2013.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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