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DID YOU READ

Tim Grierson on the Unforgettable Movie Moments of 2012

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When you think back on a year in movies, what flashes through your mind? It’s probably snapshots: incredible scenes or indelible images or a funny line that’s always going to stick with you. In 2012, I saw over 300 films, and even some of the worst had their moments that I can look back on fondly. So, as we prepare for 2013, here’s a random list of the scenes and moments of the film year that I really treasure. I’ve kept some intentionally vague so that I don’t spoil anything, but hopefully these favorite glimpses will help inspire your own happy memories of a great film year….

The dazzling motion-capture sequence in “Holy Motors.”

Josh Brolin’s dead-on perfect impression of a younger Agent K (Tommy Lee Jones) in “Men in Black 3.”

Abraham Lincoln (Daniel Day-Lewis) leaves the White House for the very last time in “Lincoln.”

Navy SEALs launch their raid on Bin Laden’s compound in “Zero Dark Thirty.”

Hushpuppy (Quvenzhané Wallis) meets the woman who may be her long-lost mother in “Beasts of the Southern Wild.”

Anne Hathaway sings “I Dreamed a Dream” in “Les Misérables.”

The tsunami comes in “The Impossible.”

Eric Parker (Robert Pattinson) travels through Manhattan in his tricked-out limo in “Cosmopolis.”

Sam (Jared Gilman) and Suzy (Kara Hayward) hatch their plan to run away together over a series of letters in “Moonrise Kingdom.”

Graham (Tom Wilkinson) is reunited at long last with his boyfriend in “The Best Exotic Marigold Hotel.”

In a split second, something happens between Nica (Hani Furstenberg) and Alex (Gael García Bernal) that threatens their relationship forever in “The Loneliest Planet.”

We finally get to see Pat (Bradley Cooper) and Tiffany’s (Jennifer Lawrence) dance routine in “Silver Linings Playbook.”

Dallas (Matthew McConaughey) explains the intricacies of strip-club seduction to the Kid (Alex Pettyfer), complete with lots of pelvic thrusting, in “Magic Mike.”

The plane finally, finally takes off from Iran in “Argo.”

Freddie (Joaquin Phoenix) and Dodd (Philip Seymour Hoffman) have their big blowup in the jail cell in “The Master,” causing Freddie to go temporarily insane, smashing everything in his path.

Jafar Panahi, under house arrest, finally goes outside to see the fireworks in “This Is Not a Film.”

Feuding siblings J.R. (Carlen Altman) and Colin (director Alex Ross Perry) finally make some peace — in the most unexpected way possible — in “The Color Wheel.”

Ottway (Liam Neeson) prepares for his final showdown with the wolves in “The Grey.”

The utterly sincere use of Katy Perry’s “Fireworks” in “Rust & Bone.”

The, uh, scene involving fried chicken in “Killer Joe.”

The riff-off in “Pitch Perfect.”

Joe (Joseph Gordon-Levitt) sits down at a diner with his older self (Bruce Willis) to find out what’s become of him in “Looper.”

Pi (Suraj Sharma) barely survives the shipwreck in “Life of Pi.”

Brian (Jake Gyllenhaal) and Janet (Anna Kendrick) do a pretty sweet choreographed dance to “Push It” at their wedding reception in “End of Watch.”

Although he’s drunk and high, Whip Whitaker (Denzel Washington) manages to land his doomed aircraft in the harrowing opening of “Flight.”

Elena (Nadezhda Markina) finally decides how to resolve her disagreement with her husband (Andrey Smirnov) in “Elena.”

Mallory (Gina Carano) and Paul (Michael Fassbender) fight it out in their hotel room in “Haywire.”

Ohlsdorfer (János Derzsi) and his daughter (Erika Bók) try to leave their doomed farm in “The Turin Horse,” but then, for a reason that’s never explained, they turn around and head home.

The moment when we’re sure that the young boy Cyril (Thomas Doret) is dead in “The Kid With a Bike.”

A prank caller (Pat Healy) tells a fast-food manager (Ann Dowd) that one of her employees (Dreama Walker) stole money from a customer’s purse in “Compliance” — and then things just get worse and worse.

Georges (Jean-Louis Trintignant) squares off with a pigeon in “Amour.”

Performance artist Frank Uwe Laysiepen silently sits across the table from his collaborator and former lover Marina Abramović during her MoMA show in “Marina Abramović: The Artist Is Present.”

Isaac Sachs (Tom Hanks) realizes he’s in love with Luisa Rey (Halle Berry) — just as his plane explodes — in “Cloud Atlas.”

Jackie and David Siegel’s dream mansion sits unfinished — a sad symbol of their fading riches — in “The Queen of Versailles.”

Batman (Christian Bale) confronts Bane (Tom Hardy) in his underground lair — and quickly realizes he’s no match for him — in “The Dark Knight Rises.”

Erik (Thure Lindhardt) cries with relief after learning he’s not HIV positive in “Keep the Lights On.”

After trying to control his emotions for so long, Bruce Banner (Mark Ruffalo) finally becomes the Hulk in “The Avengers.”

Anna (Keira Knightley) and Count Vronksy (Aaron Taylor-Johnson) dance through a sea of frozen-in-place partygoers in “Anna Karenina.”

A distraught Hester (Rachel Weisz) dashes into the London Underground in “The Deep Blue Sea,” suddenly finding herself having a flashback to when she and her husband (Simon Russell Beale) huddled there with others during the London Blitz while everyone sang “Molly Malone.”

Mark (John Hawkes) and Cheryl (Helen Hunt) say goodbye after the last session in “The Sessions.”

Charlotte (Nicole Kidman) lets it be known just how hot she is for convicted murderer Hillary (John Cusack) in “The Paperboy.”

Bilbo Baggins (Martin Freeman) meets a strange, scary creature named Gollum (Andy Serkis) in “The Hobbit: An Unexpected Journey.”

The final, beguiling dance in “Not Fade Away.”

Da Good Bishop Enoch Rouse (Clarke Peters) preaches his heart out in “Red Hook Summer.”

Super-competitive brothers Jeremy (Mark Kelly) and Mark (Steve Zissis) engage in a comically high-stakes Laser Tag battle in “The Do-Deca-Pentathlon.”

A new dance craze, the Sambola, is born in “Damsels in Distress.”

Neil Young drives around his old hometown telling stories in “Neil Young Journeys.”

Stacee Jaxx (Tom Cruise) and Constance Sack (Malin Akerman) paw each other while belting out “I Want to Know What Love Is” in “Rock of Ages.”

Katniss (Jennifer Lawrence) volunteers to take her sister’s place in “The Hunger Games.”

Spider-Man (Andrew Garfield) saves the boy from the burning car in “The Amazing Spider-Man.”

Jeff (Jason Segel) dives into the water in “Jeff, Who Lives at Home.”

“Afro Circus,” from “Madagascar 3: Europe’s Most Wanted,” gets embedded in our brains.

We discover tough-as-nails Sergeant Calhoun’s (Jane Lynch) comically horrible backstory in “Wreck-It Ralph.”

Schmidt (Jonah Hill) and Jenko (Channing Tatum) start having some trippy drug visions in “21 Jump Street.”

After a night of drinking and bonding, Hannah (Rosemarie DeWitt) and Jack (Mark Duplass) decide that sleeping together might not be the worst idea in “Your Sister’s Sister.”

Daniel (Luke Kirby) tells married Margot (Michelle Williams) in sensual detail exactly what he’d do to her if they were lovers in “Take This Waltz.”

The android David (Michael Fassbender) watches “Lawrence of Arabia,” modeling himself after Peter O’Toole, in “Prometheus.”

In “Taken 2,” a kidnapped, imprisoned Bryan Mills (Liam Neeson) calls his daughter (Maggie Grace) and tells her to throw grenades around Istanbul so he can figure out where he is. (You know, because, sure, why the hell not?)

Armie Hammer playing a perfectly lunk-headed prince in “Mirror Mirror.”

Any time Rihanna says anything in “Battleship.”

The big motorcycle chase at the end of “The Bourne Legacy.”

Any scene with Eva Green in “Dark Shadows.”

The wonderfully ridiculous and over-the-top action sequence that kicks off “The Expendables 2.”

The restaurant dance sequence in “Step Up Revolution.” (Honorable Mention: Every other dance sequence in “Step Up Revolution.”)

We discover the reason why James Bond (Daniel Craig) doesn’t want to discuss Skyfall in “Skyfall.”

Happy holidays, everyone. See you in 2013.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.