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“The Hobbit: An Unexpected Journey” review: Back to Middle-earth at 48 frames per second

The Hobbit: An Unexpected Journey

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Let’s face it: after “The Godfather: Part II” and “Indiana Jones and the Temple of Doom,” the list of successful prequel movies is pretty short.

Still, it’s no surprise to see “The Hobbit: An Unexpected Journey” arriving in theaters this weekend, offering up the first installment of a new, big-budget trilogy that will serve as a prequel to Peter Jackson’s “The Lord of the Rings” films. Jackson’s first series of movies based on J.R.R. Tolkien’s seminal fantasy novel has grossed almost $3 billion worldwide, so it was a bit of a no-brainer to give the same treatment to the story that started it all, The Hobbit.

Originally published back in 1937, The Hobbit chronicles the adventure of Bilbo Baggins, a diminutive “hobbit” caught up in a quest to kill a monstrous dragon that has laid claim to the ancestral home of a group of dwarves. Bilbo and the dwarves are accompanied by a mysterious wizard, Gandalf, who serves as guide, guardian, and ambassador at different points. Over the course of their journey, the group encounters all manner of enemies and allies, including giant spiders, vicious goblins, and noble eagles – as well as the dragon, Smaug – and Bilbo is forced to reconcile the appeal of an adventurer’s lifestyle with his love for a quiet home and a warm hearth.

By and large, the movie stays true to this theme, too – though it occasionally veers off to expand on threads in Tolkien’s story with new twists in characters’ relationships, a few new characters, and some brief narrative side-trips.

It’s worth noting early on that Tolkien penned The Hobbit as a children’s story – a fact that’s often forgotten due to the darker, more intense tone of both The Lord of the Rings novel and Jackson’s big-screen adaptations. “The Hobbit” filmmaker clearly hasn’t forgotten that fact, though, as it’s clear from the start that “An Unexpected Journey” skews considerably younger than the previous trilogy.

Where “The Lord of the Rings” films were frighteningly earnest with life-and-death stakes for both the characters and the world they inhabit, “The Hobbit” feels more like a grand, occasionally slapstick adventure with a group of bumbling fools trying to pass themselves off as warriors. With “An Unexpected Journey,” Jackson is clearly aiming for a lighter, more humorous tone, and Bilbo’s adventure comes across as more of a lighthearted romp than the deadly serious narrative of Frodo’s journey in “The Lord of the Rings.” While this is also right in line with the tone of The Hobbit as it was written, it’s the sort of difference that could confuse casual audiences expecting an extension of “The Lord of the Rings” and could frustrate fans whose recollection of the original story has been influenced by the modern adaptations.

On the visual side, Jackson’s decision to film “An Unexpected Journey” at 48 frames-per-second instead of the standard 24 in order to improve 3-D visuals has been loudly criticized by purists, but the change isn’t even close to the apocalyptic, career-ending, movie-ruining gaffe that early buzz indicated. While it takes a few minutes to adjust to the extra level of sharpness in the lush visuals of the film’s opening sequence (a sequence probably intended to distract you from that acclimation period), much of the film benefits from the high-def upgrade, which makes everything pop just a little bit more.

Still, that extra “pop” does cause a bit of a distraction during certain sequences – specifically, in scenes that take a bird’s-eye view of the group running through detail-heavy, CG set pieces. Much like the scene in “The Fellowship of the Ring” when Frodo and his companions are pursued through the Mines of Moria by a horde of goblins, Bilbo and the dwarves find themselves sprinting through similar environments on several occasions during “The Hobbit,” but the sequences have a noticeably different feel this time around with the hyper-detailed blend of 48fps filming and 3-D presentation. At times, the scenes feel a bit like the cinematic sequences from high-end video games, which often lose a sense of perspective by making every detail in the shot – no matter how far away – crystal clear. The end result is the occasional scene that doesn’t feel entirely real, but isn’t quite digital, either.

Overall, there seems to be a much heavier reliance on CG visuals in “The Hobbit” than in the “The Lord of the Rings” movies, with many of the film’s villains relying heavily on digital and motion-capture effects instead of on-screen actors in prosthetics and makeup. It’s an unfortunate decision, as the practical effects used in “The Lord of the Rings” provided an extra level of realism in those films that would’ve been even more valuable in the ultra-crisp, 48fps environment of the “Hobbit.”

Despite the reliance on digital effects for so many of the creatures of “The Hobbit,” the actors who do get time in front of the camera provide fantastic performances on par with “The Lord of the Rings” cast. Reprising his role as Gandalf, Ian McKellen proves yet again why he is the definitive version of the character, and Martin Freeman successfully captures all of the timidness of Bilbo Baggins with the necessary hint of the inner strength the adventure brings out in him. Outside of Richard Armitage’s noble and grim-faced Thorin Oakenshield, few of the dwarves receive much solo time in the spotlight (which stays right in line with the novel), though Aidan Turner makes the best of his opportunities as the young dwarf Kili.

Composer Howard Shore also deserves praise for his impressive interpretations of the lyrics that Tolkien scattered throughout The Hobbit – especially his haunting spin on the dwarves’ fireside ode to their long-lost kingdom, “Misty Mountains.” Tolkien was known for peppering both The Hobbit and The Lord of the Rings with song lyrics and poems, and much like the 1977 animated feature based on The Hobbit, “An Unexpected Journey” doesn’t disappoint in giving audiences the music of Middle-earth.

Despite all of its flaws (and there are quite a few of them), “The Hobbit: An Unexpected Journey” manages to be a very enjoyable film that remains loyal to the tone of the books without becoming a literal, scene-by-scene narrative. There’s no shortage of scenes that feel padded out to span the three-film arc Jackson has planned, but as the big-screen adaptation of a children’s story that had some dark undertones, “An Unexpected Journey” is a success.

The story of The Hobbit has always been its own creature, written for an audience 20 years younger than The Lord of the Rings readers, and envisioned as a far more innocent, playful tale. With this adaptation, Jackson seems keenly aware of the differences between The Hobbit and The Lord of the Rings, and instead of trying to make one more like the other, he embraces what makes each story unique. “An Unexpected Journey” may not be the greatest adventure on Middle-earth, but it does make for a great theater experience.

“The Hobbit: An Unexpected Journey” arrives in theaters Friday, December 14.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

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IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

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Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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