DID YOU READ

“On The Road” cast and director talk road trips, jazz, and the American dream

Film Review-On the Road

Posted by on

Jack Kerouac’s groundbreaking 1957 novel On The Road defined a generation when it first hit shelves, and 50 years later the story of Sal Paradise and Dean Moriarty’s wild journey across postwar America will finally make it to the big screen.

While some have questioned whether Kerouac’s semi-autobiographical account of his travels with Neal Cassady can possibly resonate with modern audiences, the film’s supporters – including executive producer Francis Ford Coppola, who bought the rights to the story in 1979 – have long argued that the themes of music, drugs, sex, and self-discovery that fuel On The Road are as relevant today as they were when the book was first published. For director Walter Salles, the book’s enduring qualities became clear when he embarked on a cross-country road trip of his own prior to filming.

“I tried to immerse myself in the world that these guys had lived in,” Salles told IFC of the years he spent traveling back and forth across the country before and after filming – a series of trips he chronicled in the documentary “Searching for On The Road.”

“We did that for six years intermittently, criss-crossing America,” he said. “We met the characters of the book that are still alive and talked to the poets of that generation who ended up changing the cultural landscape of America.”

Widely regarded as one of the most important novels of the 20th century, On The Road tells of Kerouac’s introduction to Cassady in the late 1940s and the years of near-continuous traveling across North America that followed their initial meeting. While Kerouac’s original draft of the book identified Neal and himself by name – as well as Allen Ginsberg, William S. Burroughs, and various other literary figures of the time – the characters were renamed in the first published edition of the book. Kerouac became Sal Paradise, Neal became Dean Moriarty, and so on.

For Salles, practical research for “On The Road” continued long after principal filming was completed, with lead Garrett Hedlund (Dean Moriarty / Neal Cassady) joining the director on yet another cross-country road trip just after shooting wrapped. The pair made their way from one coast to the other in the 1949 Hudson used during filming of the movie – the same make and model that carried Sal and Dean on their wild adventure.

“We must have broken down about nine times, but we met some of the best mechanics in the country,” laughed Hedlund. “We drove through a blizzard where I actually had to drive with my head out of the window from Utica to Erie, Pennsylvania, because we didn’t have window-wipers, a gas gauge, or a speedometer. I think we drove without brakes from Cincinnati to Lexington, Kentucky. We broke down in Mississippi, Arkansas, Texas, Las Vegas, New Mexico… [Laughs] We drove backroads the whole way, trying to retrace the path of Kerouac.”

British actor Sam Riley, who plays Sal Paradise in the film, found that his connection with Kerouac’s novel had as much to do with the music of the time as the highways.

“On one hand, there was a connection because I didn’t know very much about America – like Jack, it was still new to me,” he explained. “But the music, that was one of the things I really threw myself into.”

Riley told IFC he immersed himself in the early jazz that fascinated Kerouac and his companions and provided a soundtrack for many of their adventures. A musician himself, Riley soon found that his phone’s library of ’40s and ’50s jazz tracks became a valuable resource during filming.

“Before some scenes, I’d play something in the car, and that would very much help us feel a part of the place and the time,” he said. “Walter would have me pick something for us, and I really began to enjoy it. In a way, that was one of my roles throughout everything. I was the one with the phone with all the bebop on it.”

And whether he was speeding down a country road with Hedlund or looking to Riley for musical inspiration, Salles insisted that these were more than just helpful, atmosphere-creating experiments – they were absolutely, positively necessary to understand Kerouac’s story and inhabit the characters of the novel.

“We needed to do that in order to be completely faithful to the free-form, jazz-infused narrative that is at the heart of this book,” he explained. “We also needed to do that to fill it with improvisation and moments that are unexpected.”

“We went from New York to the West Coast, criss-crossing America and taking those backroads trying to find unpolluted Walmart territory in order to capture the last American frontiers these guys were trying to find in their own travels,” he added. “And at some point I realized that the question isn’t whether those frontiers still exist today, but whether they even existed in Kerouac’s time. I think that maybe they were witnessing the beginning of the end of the American dream.”

”On The Road” arrives in theaters December 21 and stars Garrett Hedlund, Sam Riley, and Kristen Stewart. The film is directed by Walter Salles from a screenplay by Jose Rivera.

Watch More
carnotes3_thumbnail

Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

Posted by on

It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

Watch More
MAT_101_blog

Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

Posted by on

This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

Watch More
Quirks_106_MPX-1920×1080

Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

Posted by on

The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

Watch More
Powered by ZergNet