DID YOU READ

Jack Kerouac and Hollywood: The Good, the Bad, and the Subterranean

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With this week’s release of “On The Road,” the new film based on Jack Kerouac’s generation-defining novel, the work of the celebrated French-Canadian author regarded as one of the founders of the “Beat” generation has found its way into the spotlight once again. Directed by Walter Salles, the film is the latest in a long list of attempts to bring Kerouac’s work to the big screen, with precious few of those attempts resulting in a finished movie – and even fewer that are worth watching.

While it’s still too early to know whether “On The Road” will stand the test of time, there’s no shortage of films you can track down now that run the gamut from must-see material to unwatchable messes, all offering different takes on Kerouac’s work – and in some cases, offering lessons on how not to bring his words to the screen.

Here are some of the highlights (and one notable low point) from Hollywood’s love/hate relationship with Kerouac and the supporting cast of poets, writers, and larger-than-life characters that filled his books:

“Heart Beat” (1980)

John Byrum wrote and directed this film based on the autobiography of Carolyn Cassady, the former wife of Neal Cassady and a prominent figure in literary circles during the early days of the Beat Generation. “Heart Beat” chronicles the love triangle between herself, Neal, and Kerouac that developed while Kerouac was writing On the Road and how the book’s publication affected the lives of its real-life characters. Sissy Spacek plays Carolyn Cassady, Nick Nolte plays Neal Cassady, and John Heard plays Kerouac. While it isn’t regarded as a critical success, the film is one of the first high-profile movies based on the Beat Generation and has enjoyed a nice mix of lukewarm and occasionally very positive reviews over the years, making it one of the more prominent big-screen portrayals of the writer and his life around the time of On The Road.

“Beat” (2000)

Daniel Martinez was cast as Jack Kerouac in this film that chronicles the time leading up to the very real death of William S. Burroughs’ wife, Joan Vollmer, in a notorious shooting accident. Kiefer Sutherland plays Burroughs, and he’s joined by an impressive supporting cast that includes Courtney Love as Joan, Ron Livingston as Allen Ginsberg, and Norman Reedus as Lucien Carr, another prominent figure in Kerouac’s literary and social circle. While Kerouac’s role in the story is relatively minor, “Beat” has earned praise for the cast’s portrayal of the real-life figures at the heart of the story – especially Livingston’s take on Howl poet Allen Ginsberg.

“The Subterraneans” (1960)

Notable for being one of the worst, most reviled, and financially unsuccessful films based on Kerouac’s work, this terrible movie cast George Peppard as Leo Percepied, Kerouac’s alter ego in a 1958 story he penned about his brief romance of an African-American girl while frequenting the jazz clubs of San Francisco in the 1950s. The movie is particularly reviled for the studio’s decision to change Leo’s love interest from an African-American girl to a young French girl (played by Leslie Caron) – a decision made to make the movie more palatable to mainstream audiences of the time. A notorious low point in the author’s Hollywood history, “The Subterraneans” is worth watching just to see how amazingly wrong an adaptation can go.

“Howl” (2010)

Currently the best-reviewed film featuring a fictional portrayal of Kerouac, this recent movie based on the creation of Allen Ginsberg’s famous poem and the obscenity trial it sparked cast James Franco as Ginsberg, Todd Rotondi as Kerouac, and Jon Prescott as Neal Cassady, as well as a long list of other actors playing notable literary figures of the time. Like “Beat,” this film features Kerouac as more of a supporting character than a primary figure in the narrative, though it’s well worth watching for some impressive performances and surprising cameos.

“The Last Time I Committed Suicide” (1997)

Thomas Jane plays Neal Cassady in this film based on a letter Neal wrote to Kerouac in the early ’50s. It’s a surprisingly good, compelling film with a fantastic cast that includes Keanu Reeves as Harry, a character that’s clearly a stand-in for Kerouac, and Adrien Brody as Ben, a character based on Allen Ginsberg. The film also features Claire Forlani and Gretchen Mol in supporting roles. “The Last Time I Committed Suicide” is one of those films that will fascinate fans of Kerouac’s work while also entertaining anyone who isn’t familiar with the author’s works.

While there are quite a few other films out there based on Kerouac’s life, his work, and the wild cast of characters that surrounded him, these are just a few of the highlights (and one notable low point) that are worth viewing for one reason or another. Whether you consider them “On The Road” prep or “what to watch next” material, they’re a good place to start for anyone interested in learning more about Kerouac’s life and work via the lens of Hollywood.

“On The Road” hits theaters December 21 and stars Garrett Hedlund as Dean Moriarty (Neal Cassady) and Sam Riley as Sal Paradise (Jack Kerouac).

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

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IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

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Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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