DID YOU READ

Jack Kerouac and Hollywood: The Good, the Bad, and the Subterranean

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With this week’s release of “On The Road,” the new film based on Jack Kerouac’s generation-defining novel, the work of the celebrated French-Canadian author regarded as one of the founders of the “Beat” generation has found its way into the spotlight once again. Directed by Walter Salles, the film is the latest in a long list of attempts to bring Kerouac’s work to the big screen, with precious few of those attempts resulting in a finished movie – and even fewer that are worth watching.

While it’s still too early to know whether “On The Road” will stand the test of time, there’s no shortage of films you can track down now that run the gamut from must-see material to unwatchable messes, all offering different takes on Kerouac’s work – and in some cases, offering lessons on how not to bring his words to the screen.

Here are some of the highlights (and one notable low point) from Hollywood’s love/hate relationship with Kerouac and the supporting cast of poets, writers, and larger-than-life characters that filled his books:

“Heart Beat” (1980)

John Byrum wrote and directed this film based on the autobiography of Carolyn Cassady, the former wife of Neal Cassady and a prominent figure in literary circles during the early days of the Beat Generation. “Heart Beat” chronicles the love triangle between herself, Neal, and Kerouac that developed while Kerouac was writing On the Road and how the book’s publication affected the lives of its real-life characters. Sissy Spacek plays Carolyn Cassady, Nick Nolte plays Neal Cassady, and John Heard plays Kerouac. While it isn’t regarded as a critical success, the film is one of the first high-profile movies based on the Beat Generation and has enjoyed a nice mix of lukewarm and occasionally very positive reviews over the years, making it one of the more prominent big-screen portrayals of the writer and his life around the time of On The Road.

“Beat” (2000)

Daniel Martinez was cast as Jack Kerouac in this film that chronicles the time leading up to the very real death of William S. Burroughs’ wife, Joan Vollmer, in a notorious shooting accident. Kiefer Sutherland plays Burroughs, and he’s joined by an impressive supporting cast that includes Courtney Love as Joan, Ron Livingston as Allen Ginsberg, and Norman Reedus as Lucien Carr, another prominent figure in Kerouac’s literary and social circle. While Kerouac’s role in the story is relatively minor, “Beat” has earned praise for the cast’s portrayal of the real-life figures at the heart of the story – especially Livingston’s take on Howl poet Allen Ginsberg.

“The Subterraneans” (1960)

Notable for being one of the worst, most reviled, and financially unsuccessful films based on Kerouac’s work, this terrible movie cast George Peppard as Leo Percepied, Kerouac’s alter ego in a 1958 story he penned about his brief romance of an African-American girl while frequenting the jazz clubs of San Francisco in the 1950s. The movie is particularly reviled for the studio’s decision to change Leo’s love interest from an African-American girl to a young French girl (played by Leslie Caron) – a decision made to make the movie more palatable to mainstream audiences of the time. A notorious low point in the author’s Hollywood history, “The Subterraneans” is worth watching just to see how amazingly wrong an adaptation can go.

“Howl” (2010)

Currently the best-reviewed film featuring a fictional portrayal of Kerouac, this recent movie based on the creation of Allen Ginsberg’s famous poem and the obscenity trial it sparked cast James Franco as Ginsberg, Todd Rotondi as Kerouac, and Jon Prescott as Neal Cassady, as well as a long list of other actors playing notable literary figures of the time. Like “Beat,” this film features Kerouac as more of a supporting character than a primary figure in the narrative, though it’s well worth watching for some impressive performances and surprising cameos.

“The Last Time I Committed Suicide” (1997)

Thomas Jane plays Neal Cassady in this film based on a letter Neal wrote to Kerouac in the early ’50s. It’s a surprisingly good, compelling film with a fantastic cast that includes Keanu Reeves as Harry, a character that’s clearly a stand-in for Kerouac, and Adrien Brody as Ben, a character based on Allen Ginsberg. The film also features Claire Forlani and Gretchen Mol in supporting roles. “The Last Time I Committed Suicide” is one of those films that will fascinate fans of Kerouac’s work while also entertaining anyone who isn’t familiar with the author’s works.

While there are quite a few other films out there based on Kerouac’s life, his work, and the wild cast of characters that surrounded him, these are just a few of the highlights (and one notable low point) that are worth viewing for one reason or another. Whether you consider them “On The Road” prep or “what to watch next” material, they’re a good place to start for anyone interested in learning more about Kerouac’s life and work via the lens of Hollywood.

“On The Road” hits theaters December 21 and stars Garrett Hedlund as Dean Moriarty (Neal Cassady) and Sam Riley as Sal Paradise (Jack Kerouac).

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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