DID YOU READ

Tim Grierson on “Hannah and Her Sisters,” the Best Thanksgiving Movie

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With Thanksgiving just around the corner, I was thinking about movies set around the holiday. Movies as different as the comedy “Planes, Trains & Automobiles” and the dark suburban drama “The Ice Storm” come to mind, but for me “Hannah and Her Sisters” is the best of the bunch — even though Thanksgiving doesn’t seem to have much to do with the film.

This Oscar-winning 1986 film from writer-director Woody Allen takes place over the span of two years and three Thanksgivings. The movie opens on the first of those Thanksgivings, as Elliot (Michael Caine), who is married to the talented and beloved Hannah (Mia Farrow), is nursing a desperate, unrequited crush for her younger sister Lee (Barbara Hershey). There’s also a third sister, the baby of the family, Holly (Dianne Wiest), who can’t seem to ever pull her life together. Though maybe more cultured and successful than most, they feel like a pretty typical brood with all the love and madness and quiet regrets that are part of every family.

If for some reason you haven’t seen this wonderful comedy-drama, I’d rather not spoil anything else in the plot, but suffice it to say that Elliot decides to act on his feelings for Lee, while Hannah’s ex-husband, TV producer Mickey (Allen), is going through an existential crisis as he ponders mortality and the meaning of life — in a very funny way, of course. These seemingly disconnected plot strands come together over the next two years’ Thanksgiving meals.

As you can see, Thanksgiving serves mostly as a framing device in “Hannah and Her Sisters;” it’s not integral to the plot like it is in “Planes, Trains & Automobiles.” But as I’ve re-watched “Hannah” over the years, I’ve begun to appreciate the film as more than just a touching, hilarious look at a group of well-drawn characters but also as a reflection of the emotions that are stirred up by the holiday — specifically, the complexities of family and the very notion of what it means to be thankful.

Allen’s films have often examined the inner workings of families — “Interiors,” “Radio Days,” “Cassandra’s Dream” — but “Hannah and Her Sisters” does so with a compassion that allows us to see these people for all their faults but love them regardless. Though her name appears in the title, Hannah is less the central character in this story than she is the guiding light for everyone else in her family. Her parents adore her, her younger sisters envy her success as an actress and a mother, and her husband — although he’s contemplating having an affair — is in such awe of her that he feels that she doesn’t need him. But being the golden child of her family doesn’t make life easier for Hannah, who has to be the resilient glue that holds everything else around her together. Thanksgiving is one time every year that families meet up, which is tough for people who have difficult relationships with their siblings or parents. So it’s understandable why Allen might have chosen this particular holiday as a motif: It’s during the film’s three Thanksgivings when major revelations occur and new understandings about the characters develop.

Then there’s the film’s grappling with the idea of what Thanksgiving means. Beyond the turkey, stuffing and football games, the holiday is supposed to mark a time for all of us to be appreciative of the good things we have in our lives. (If you don’t like hanging out with your family, perhaps the one thing you’re appreciative of at that moment is that you’ll be away from them soon enough.) While “Hannah and Her Sisters” is about a lot of things — art, love, faith, death, the Marx brothers — gratitude wouldn’t seem to be a major theme. But from the right perspective, it absolutely is.

In different ways, all the characters are looking for happiness. Lee feels stymied in her relationship with her domineering older boyfriend (Max von Sydow), Elliot longs to be with Lee, Mickey wants answers to the mysteries of existence, Holly wants to stop floundering from one failed pursuit to another, and Hannah can’t figure out why her husband suddenly seems so distant. Allen’s movies tend toward melancholy endings that aren’t always happy — he’d rather be true to his complicated characters than force tidy resolutions on them — but “Hannah and Her Sisters” (despite its often clear-eyed view of human foibles) was a rare instance when he gave his characters a reprieve, allowing them contentment as the credits roll.

Perhaps not surprisingly, Allen has lamented that decision ever since. “I copped out a little on the film,” he once said, “I backed out a little at the end.” He added, “I tied it together at the end a little bit too neatly. [My character] should have been a little less happy at the end than I was.” Maybe, but the film’s happy endings aren’t exactly gumdrops and unicorns — they come from the characters, at one lucky moment in time, finally beginning to understand what they have in their lives that’s worthwhile. Often, Allen’s movies are about characters striving for things out of their reach that they think will give them fulfillment. In “Hannah and Her Sisters,” at that final Thanksgiving, they recognize that life is never perfect but that sometimes we can cobble together enough happiness to keep going. Whenever I watch the ending, I’m always overcome with a sense of gratitude — not just for the experience of watching a great movie but also for the realization that there are reasons to be thankful all around us, if only we’ll stop and appreciate them. And, really, isn’t that really what this holiday’s supposed to be about?

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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