DID YOU READ

Tim Grierson on “Hannah and Her Sisters,” the Best Thanksgiving Movie

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With Thanksgiving just around the corner, I was thinking about movies set around the holiday. Movies as different as the comedy “Planes, Trains & Automobiles” and the dark suburban drama “The Ice Storm” come to mind, but for me “Hannah and Her Sisters” is the best of the bunch — even though Thanksgiving doesn’t seem to have much to do with the film.

This Oscar-winning 1986 film from writer-director Woody Allen takes place over the span of two years and three Thanksgivings. The movie opens on the first of those Thanksgivings, as Elliot (Michael Caine), who is married to the talented and beloved Hannah (Mia Farrow), is nursing a desperate, unrequited crush for her younger sister Lee (Barbara Hershey). There’s also a third sister, the baby of the family, Holly (Dianne Wiest), who can’t seem to ever pull her life together. Though maybe more cultured and successful than most, they feel like a pretty typical brood with all the love and madness and quiet regrets that are part of every family.

If for some reason you haven’t seen this wonderful comedy-drama, I’d rather not spoil anything else in the plot, but suffice it to say that Elliot decides to act on his feelings for Lee, while Hannah’s ex-husband, TV producer Mickey (Allen), is going through an existential crisis as he ponders mortality and the meaning of life — in a very funny way, of course. These seemingly disconnected plot strands come together over the next two years’ Thanksgiving meals.

As you can see, Thanksgiving serves mostly as a framing device in “Hannah and Her Sisters;” it’s not integral to the plot like it is in “Planes, Trains & Automobiles.” But as I’ve re-watched “Hannah” over the years, I’ve begun to appreciate the film as more than just a touching, hilarious look at a group of well-drawn characters but also as a reflection of the emotions that are stirred up by the holiday — specifically, the complexities of family and the very notion of what it means to be thankful.

Allen’s films have often examined the inner workings of families — “Interiors,” “Radio Days,” “Cassandra’s Dream” — but “Hannah and Her Sisters” does so with a compassion that allows us to see these people for all their faults but love them regardless. Though her name appears in the title, Hannah is less the central character in this story than she is the guiding light for everyone else in her family. Her parents adore her, her younger sisters envy her success as an actress and a mother, and her husband — although he’s contemplating having an affair — is in such awe of her that he feels that she doesn’t need him. But being the golden child of her family doesn’t make life easier for Hannah, who has to be the resilient glue that holds everything else around her together. Thanksgiving is one time every year that families meet up, which is tough for people who have difficult relationships with their siblings or parents. So it’s understandable why Allen might have chosen this particular holiday as a motif: It’s during the film’s three Thanksgivings when major revelations occur and new understandings about the characters develop.

Then there’s the film’s grappling with the idea of what Thanksgiving means. Beyond the turkey, stuffing and football games, the holiday is supposed to mark a time for all of us to be appreciative of the good things we have in our lives. (If you don’t like hanging out with your family, perhaps the one thing you’re appreciative of at that moment is that you’ll be away from them soon enough.) While “Hannah and Her Sisters” is about a lot of things — art, love, faith, death, the Marx brothers — gratitude wouldn’t seem to be a major theme. But from the right perspective, it absolutely is.

In different ways, all the characters are looking for happiness. Lee feels stymied in her relationship with her domineering older boyfriend (Max von Sydow), Elliot longs to be with Lee, Mickey wants answers to the mysteries of existence, Holly wants to stop floundering from one failed pursuit to another, and Hannah can’t figure out why her husband suddenly seems so distant. Allen’s movies tend toward melancholy endings that aren’t always happy — he’d rather be true to his complicated characters than force tidy resolutions on them — but “Hannah and Her Sisters” (despite its often clear-eyed view of human foibles) was a rare instance when he gave his characters a reprieve, allowing them contentment as the credits roll.

Perhaps not surprisingly, Allen has lamented that decision ever since. “I copped out a little on the film,” he once said, “I backed out a little at the end.” He added, “I tied it together at the end a little bit too neatly. [My character] should have been a little less happy at the end than I was.” Maybe, but the film’s happy endings aren’t exactly gumdrops and unicorns — they come from the characters, at one lucky moment in time, finally beginning to understand what they have in their lives that’s worthwhile. Often, Allen’s movies are about characters striving for things out of their reach that they think will give them fulfillment. In “Hannah and Her Sisters,” at that final Thanksgiving, they recognize that life is never perfect but that sometimes we can cobble together enough happiness to keep going. Whenever I watch the ending, I’m always overcome with a sense of gratitude — not just for the experience of watching a great movie but also for the realization that there are reasons to be thankful all around us, if only we’ll stop and appreciate them. And, really, isn’t that really what this holiday’s supposed to be about?

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

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IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
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Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

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Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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