DID YOU READ

Tim Grierson on the Smart, Sexy Romantic Drama “28 Hotel Rooms”

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Every year, the Sundance Film Festival serves as a launching pad and seal of approval for worthy indie fare, and this January’s festival was no different, introducing the world to films like “Beasts of the Southern Wild,” “The Sessions,” “Sleepwalk With Me” and “Safety Not Guaranteed.” But sometimes, great movies fall through the cracks, and one of this year’s festival’s very best offerings is about ready to arrive in theaters. (It’s already available On Demand and through iTunes.) It’s a beautiful romantic drama called “28 Hotel Rooms.” When I saw it in January, I was pretty sure I loved it. Watching the film again recently, I’m convinced.

The plot of the movie, which is the feature debut of writer-director Matt Ross, is right there in the title. A rising-star novelist (Chris Messina) and a married accountant (Marin Ireland) hook up one night, having passionate sex in a hotel room. It would seem like a one-time thing — he lives in New York and she lives in Seattle — but they run into each other at another hotel later and decide to continue the affair. Thus begins a series of 28 hotel encounters that trace the arc of their unlikely relationship.

With a running time of just 82 minutes — and that includes five minutes of end credits — “28 Hotel Rooms” has several narrative quirks that add to its compelling design. For starters, we only see these characters in their encounters with each other in the different hotel rooms. We never see her husband, nor know his name, and we also have little idea about his girlfriend that he has in New York. We don’t even know the main characters’ names. The film’s habit of withholding information extends to where the characters are when they’re having their affairs, how long it’s been since their previous encounter, and also how long precisely their affair runs. “28 Hotel Rooms” exists entirely in what the characters might consider their parallel reality: a world of high-end hotels where they can escape their real lives and enjoy these brief, sexually-charged flings. Everything outside the hotel rooms is a mystery, a separate zone that’s off limits to each other and to us in the audience.

The film’s construction may remind some of “Same Time, Next Year,” a 1970s play turned into a movie that featured two married individuals who have a standing annual date to carry on their affair in a small California resort. But unlike that work, “28 Hotel Rooms” isn’t interested in making its characters be representatives of America’s shifting social values. Rather, Ross just wants to focus on these two individuals and their bond, examining how their clandestine relationship affects each of them over time.

Of the two actors, Messina is the better known: He was the supportive husband to Amy Adams in “Julie & Julia,” and he’s appeared on TV shows as different as “Damages” and “The Mindy Project.” Here, he plays a man who isn’t your typical one-night-stand sort of guy. From the beginning, you get the sense that he feels something for this married woman, even though she’s a bit withholding about what goes on in her life. (And because we never see them away from the hotels, we have to take the few clues we get into their worlds at face value.) Messina’s counterpart, Ireland, isn’t quite as high-profile, although she was a part of the “Mildred Pierce” miniseries and appeared on “Homeland.” (This summer, she played the daughter of Tommy Lee Jones and Meryl Streep in “Hope Springs,” a nice piece of casting because Ireland bears a slight resemblance to Streep, particularly her sad, smiling eyes.) Ireland’s “28 Hotel Rooms” character is less emotionally available than he is. That’s in part because she’s married, but over time we begin to understand that it goes beyond that: She’s simply a distant person, although she’s incredibly warm and loving at the same time. In lesser hands, “28 Hotel Rooms” would be a schematic study of opposites — he’s an artist, she’s a businesswoman; he’s impulsive, she’s practical — but Ross and his cast love these characters too much to look at them as types.

Last year, we got not one but two Hollywood romantic comedies about unconventional no-strings-attached relationships: sex without the tedium of being boyfriend and girlfriend. “No Strings Attached” and “Friends With Benefits” both tried to flaunt their modern twist on typical boy-meets-girl love stories — it was meant to seem “sexy” and “naughty” — but they ended up as traditional in their attitudes as a Kate Hudson rom-com. The characters in “28 Hotel Rooms” travel down a somewhat similar path — their early encounters are filled with nudity and sexual banter, while their later meet-ups often consist of emotional, substantial conversations with their clothes on — but there’s a nuance to the story’s arc that makes its trajectory far from predictable. And it’s also an incredibly sexy film, not just because of the nudity but because of the intelligent, grownup construction of these two characters. He and she are smart, articulate, sophisticated people, and they have a warm rapport that feels genuine to the way couples actually behave, even if this particular relationship is far from normal. “28 Hotel Rooms” never judges its characters because of their affair, and in this way it’s actually nervier than those other recent movies, in which there really weren’t any emotional stakes.

When I saw “28 Hotel Rooms” back in January, I was quite taken by its structure, its performances and the subtle way in which it explores how all relationships begin with such passion but then must evolve if they’re going to last. Revisiting the film, I felt the same way, but I was surprised by another reaction: I had missed these people — not the actors, per see, but these two characters. Without realizing it, they had stayed in my mind for months, and I relished the opportunity to relive their hotel adventures. They make each other laugh, and they make each other cry, and they might not survive if they tried to end the charade and admit to their significant others that they’re in love. But I found myself rooting for them all over again, even though, as a married man myself, I probably shouldn’t be supporting such behavior. But I think that’s ultimately one of this film’s great strengths: It takes an adulterous relationship seriously enough that its contours become indistinguishable from any other romantic relationship. Musician Lou Reed once sang, “It always comes to this/It’s all downhill after the first kiss,” and it’s important to remember that he was in the midst of a long-term relationship when he wrote this lyric in an otherwise happy love song. All couples, no matter how contented they are, are always trying to keep a spark alive. In a sense, all relationships are their own self-contained mystery, unknowable to the outside world. With “28 Hotel Rooms,” we get a chance to peek inside one of them, and damn if it doesn’t speak to so many of our own.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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