DID YOU READ

Tim Grierson on the Smart, Sexy Romantic Drama “28 Hotel Rooms”

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Every year, the Sundance Film Festival serves as a launching pad and seal of approval for worthy indie fare, and this January’s festival was no different, introducing the world to films like “Beasts of the Southern Wild,” “The Sessions,” “Sleepwalk With Me” and “Safety Not Guaranteed.” But sometimes, great movies fall through the cracks, and one of this year’s festival’s very best offerings is about ready to arrive in theaters. (It’s already available On Demand and through iTunes.) It’s a beautiful romantic drama called “28 Hotel Rooms.” When I saw it in January, I was pretty sure I loved it. Watching the film again recently, I’m convinced.

The plot of the movie, which is the feature debut of writer-director Matt Ross, is right there in the title. A rising-star novelist (Chris Messina) and a married accountant (Marin Ireland) hook up one night, having passionate sex in a hotel room. It would seem like a one-time thing — he lives in New York and she lives in Seattle — but they run into each other at another hotel later and decide to continue the affair. Thus begins a series of 28 hotel encounters that trace the arc of their unlikely relationship.

With a running time of just 82 minutes — and that includes five minutes of end credits — “28 Hotel Rooms” has several narrative quirks that add to its compelling design. For starters, we only see these characters in their encounters with each other in the different hotel rooms. We never see her husband, nor know his name, and we also have little idea about his girlfriend that he has in New York. We don’t even know the main characters’ names. The film’s habit of withholding information extends to where the characters are when they’re having their affairs, how long it’s been since their previous encounter, and also how long precisely their affair runs. “28 Hotel Rooms” exists entirely in what the characters might consider their parallel reality: a world of high-end hotels where they can escape their real lives and enjoy these brief, sexually-charged flings. Everything outside the hotel rooms is a mystery, a separate zone that’s off limits to each other and to us in the audience.

The film’s construction may remind some of “Same Time, Next Year,” a 1970s play turned into a movie that featured two married individuals who have a standing annual date to carry on their affair in a small California resort. But unlike that work, “28 Hotel Rooms” isn’t interested in making its characters be representatives of America’s shifting social values. Rather, Ross just wants to focus on these two individuals and their bond, examining how their clandestine relationship affects each of them over time.

Of the two actors, Messina is the better known: He was the supportive husband to Amy Adams in “Julie & Julia,” and he’s appeared on TV shows as different as “Damages” and “The Mindy Project.” Here, he plays a man who isn’t your typical one-night-stand sort of guy. From the beginning, you get the sense that he feels something for this married woman, even though she’s a bit withholding about what goes on in her life. (And because we never see them away from the hotels, we have to take the few clues we get into their worlds at face value.) Messina’s counterpart, Ireland, isn’t quite as high-profile, although she was a part of the “Mildred Pierce” miniseries and appeared on “Homeland.” (This summer, she played the daughter of Tommy Lee Jones and Meryl Streep in “Hope Springs,” a nice piece of casting because Ireland bears a slight resemblance to Streep, particularly her sad, smiling eyes.) Ireland’s “28 Hotel Rooms” character is less emotionally available than he is. That’s in part because she’s married, but over time we begin to understand that it goes beyond that: She’s simply a distant person, although she’s incredibly warm and loving at the same time. In lesser hands, “28 Hotel Rooms” would be a schematic study of opposites — he’s an artist, she’s a businesswoman; he’s impulsive, she’s practical — but Ross and his cast love these characters too much to look at them as types.

Last year, we got not one but two Hollywood romantic comedies about unconventional no-strings-attached relationships: sex without the tedium of being boyfriend and girlfriend. “No Strings Attached” and “Friends With Benefits” both tried to flaunt their modern twist on typical boy-meets-girl love stories — it was meant to seem “sexy” and “naughty” — but they ended up as traditional in their attitudes as a Kate Hudson rom-com. The characters in “28 Hotel Rooms” travel down a somewhat similar path — their early encounters are filled with nudity and sexual banter, while their later meet-ups often consist of emotional, substantial conversations with their clothes on — but there’s a nuance to the story’s arc that makes its trajectory far from predictable. And it’s also an incredibly sexy film, not just because of the nudity but because of the intelligent, grownup construction of these two characters. He and she are smart, articulate, sophisticated people, and they have a warm rapport that feels genuine to the way couples actually behave, even if this particular relationship is far from normal. “28 Hotel Rooms” never judges its characters because of their affair, and in this way it’s actually nervier than those other recent movies, in which there really weren’t any emotional stakes.

When I saw “28 Hotel Rooms” back in January, I was quite taken by its structure, its performances and the subtle way in which it explores how all relationships begin with such passion but then must evolve if they’re going to last. Revisiting the film, I felt the same way, but I was surprised by another reaction: I had missed these people — not the actors, per see, but these two characters. Without realizing it, they had stayed in my mind for months, and I relished the opportunity to relive their hotel adventures. They make each other laugh, and they make each other cry, and they might not survive if they tried to end the charade and admit to their significant others that they’re in love. But I found myself rooting for them all over again, even though, as a married man myself, I probably shouldn’t be supporting such behavior. But I think that’s ultimately one of this film’s great strengths: It takes an adulterous relationship seriously enough that its contours become indistinguishable from any other romantic relationship. Musician Lou Reed once sang, “It always comes to this/It’s all downhill after the first kiss,” and it’s important to remember that he was in the midst of a long-term relationship when he wrote this lyric in an otherwise happy love song. All couples, no matter how contented they are, are always trying to keep a spark alive. In a sense, all relationships are their own self-contained mystery, unknowable to the outside world. With “28 Hotel Rooms,” we get a chance to peek inside one of them, and damn if it doesn’t speak to so many of our own.

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Brock Hard

Brockmire’s Guide To Grabbing Life By The D***

Catch up on the full season of Brockmire now.

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“Lucy, put supper on the stove, my dear, because this ballgame is over!”

Brockmire has officially closed out its rookie season. Miss the finale episode? A handful of episodes? The whole blessed season?? You can see it all from the beginning, starting right here.

And you should get started, because every minute you spend otherwise will be a minute spent not living your best life. That’s right, there are very important life lessons that Brockmire hid in plain sight—lessons that, when applied thoughtfully, can improve every aspect of your awesome existence. Let’s dive into some sage nuggets from what we call the Book of Jim.

Life Should Be Spiked, Not Watered Down.

That’s not just a fancy metaphor. As Brockmire points out, water tastes “awful. 70% of the water is made up of that shit?” Life is short, water sucks, live like you mean it.

There Are Only Three Types of People

“Poor people, rich people and famous people. Rich people are just poor people with money, so the only worthwhile thing is being famous.” So next time your rich friends act all high and mighty, politely remind them that they’re worthless in the eyes of even the most minor celebrities.

There’s Always A Reason To Get Out Of Bed

And 99% of the time that reason is the urge to pee. It’s nature’s way of saying “seize the day.”

There’s More To Life Than Playing Games

“Baseball can’t compete with p0rnography. Nothing can.” Nothing you do or ever will do can be more important to people than p0rn. Get off your high horse.

A Little Empathy Goes A Long Way

Especially if you’ve taken someone else’s Plan B by mistake.

Our Weaknesses Can Be Our Greatest Strengths

Tyrion Lannister said something similar. Hard to tell who said it with more colorful profanity. Wise sentiments all around.

Big Things Come To Those Who Wait

When you’re looking for a sign, the universe will drop you a big one. You’re the sh*t, universe.

And Of Course…

Need more life lessons from the Book of Jim? Catch up on Brockmire on the IFC App.

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Oh Mama

Mommie May I?

Mommie Dearest Is On Repeat All Mothers Day Long On IFC

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The cult-classic movie Mommie Dearest is a game-changer. If you’ve seen it even just once (but come on, who sees it just once?), then you already know what we’re talking about.

But if you haven’t seen it, then let us break it down for you. Really quick, we promise, we’ll even list things out to spare you the reading of a paragraph:

1. It’s the 1981 biopic based on the memoir of Christina Crawford, Hollywood icon Joan Crawford’s adopted daughter.
2. Faye Dunaway plays Joan. And boy does she play her. Loud and over-reactive.
3. It was intended as a drama, but…
4. Waaaaaay over-the-top performances and bargain-basement dialogue rendered it an accidental comedy.
5. It’s a cult classic, and you’re the last person to see it.

Not sold? Don’t believe it’s going to change your life? Ok, maybe over-the-top acting isn’t your thing, or perhaps you don’t like the lingering electricity of a good primal scream, or Joan Crawford is your personal icon and you can’t bear to see her cast in such a creepy light.

But none of that matters.

What’s important is that seeing this movie gives you permission to react to minor repeat annoyances with unrestrained histrionics.

That there is a key moment. Is she crazy? Yeah. But she’s also right. Shoulder nipples are horrible, wire hangers are the worst, and yelling about it feels strangely justified. She did it, we can do it. Precedent set. You’re welcome.

So what else can we yell about? Channel your inner Joan and consider the following list offenses when choosing your next meltdown.

Improperly Hung Toilet Paper

Misplaced Apostrophes

Coldplay at Karaoke

Dad Jokes

Gluten Free Pizza

James Franco

The list of potential pedestrian grievances is actually quite daunting, but when IFC airs Mommie Dearest non-stop for a full day, you’ll have 24 bonus hours to mull it over. 24 bonus hours to nail that lunatic shriek. 24 bonus hours to remember that, really, your mom is comparatively the best.

So please, celebrate Mother’s Day with Mommie Dearest on IFC and at IFC.com. And for the love of god—NO WIRE HANGERS EVER.

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Breaking News

From Canada With Love

Baroness von Sketch Show premieres this summer on IFC.

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Breaking news that (finally) isn’t apocalyptic!

IFC announced today that it acquired acclaimed Canadian comedy series Baroness von Sketch Show, slated to make its US of A premiere this summer. And yes, it’s important to note that it’s a Canadian sketch comedy series, because Canada is currently a shining beacon of civilization in the western hemisphere, and Baroness von Sketch Show reflects that light in every way possible.

The series is fronted entirely by women, which isn’t unusual in the sketch comedy world but is quite rare in the televised sketch comedy world. Punchy, smart, and provocative, each episode of Baroness von Sketch Show touches upon outrageous-yet-relatable real world subjects in ways both unexpected and deeply satisfying: soccer moms, awkward office birthday parties, being over 40 in a gym locker room…dry shampoo…

Indiewire called it “The Best Comedy You’ve Never Seen” and The National Post said that it’s “the funniest thing on Canadian television since Kids In The Hall.” And that’s saying a lot, because Canadians are goddamn hilarious.

Get a good taste of BVSS in the following sketch, which envisions a future Global Summit run entirely by women. It’s a future we’re personally ready for.

Baroness Von Sketch Show premieres later this summer on IFC.

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