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DID YOU READ

The top 10 Captain Picard moments from “Star Trek”

Patrick Stewart in Star Trek: Generations

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5. Sleep

Most Star Trek fans will tell you the greatest TNG moment was during the franchise’s first ever cliffhanger, the end of “Best of Both Worlds Part I.” In it, Picard has been assimilated by the Borg and stares down Riker in cold gaze of mutually assured destruction.

But that isn’t really Picard – it’s “Locutus” – so it doesn’t belong on this list. (Plus, he’s threatening our space-faring friends. Not fun!) In the follow-up episode (after a long, long summer) Picard/Locutus is back aboard the Enterprise, looking rather pale, and trying desperately to break his mind free of the Collective’s hold. Struggling, though with a blank face, he struggles to squeak out one word to Data: “Sleep.” Data is able to interpret these instructions (it involves positronic matrices and information relays) and shuts down the Borg threat, just as Riker is preparing to ram the ship in a suicide run. Timing!


4. “Temba, His Arms Open”

Of all the far-out sci-fi on display in TNG, one of the most original episodes was season 5’s “Darmok.” In it, the Federation tries once again in vain to make contact with a civilization whose form of communication baffles their universal translators. It takes a marooned Picard (and a campfire) for him to break through the barriers and recognize that the Tamarians speak to one another in evocative metaphor. “Shaka When The Walls Fell,” “Kadir Beneath Mo Moteh” and “Darmok and Jalad at Tanagra” may mean nothing to you, but they mean everything to them – and to the hardcore dweebs who like to speak in Star Trek code.


3. Letting The Nausicaan Stab Him Through The Heart

Season 6’s “Tapestry” is the closest Star Trek ever came to Frank Capra’s “It’s A Wonderful Life.” But instead of Zuzu’s Petals it’s a giant spear through the heart.

Picard’s achilles heel is located a little higher – he has an artificial heart and it has caused him some degree of stress over the years. When the omnipotent Q sends him back to his younger years, offering him an opportunity to avoid the dom-jot hall brawl that led to his injury, he takes it. He then lives a life of mediocrity.

Oh, yes, he serves in Starfleet, even gets positioned to the Enterprise, but as a forgettable, risk-averse junior officer. Heck, Riker can barely remember his name. In the end, Picard must choose his “normal” path, one that takes life for all its worth, one informed by an early near-death experience, and, as such, he smiles as he lays there bleeding from the Nausicaan’s blade.


2. The Truth!

It is important to take a nuanced view toward Wesley Crusher. It is too easily to just call him a know-it-all snot and wish he were eaten by a band of ravenous Tellarites. There are some good moments in the franchise that are because of him – even with that dopey rainbow sweater. However, when he left to join the academy and then got involved in an ethics scandal (“The First Duty,” season 5) all the pent-up aggression toward the luckiest kid in the galaxy came bursting forth.

Picard’s smackdown isn’t just an opportunity to call Wesley names. He’s too good for that. It is actually a fine platform in which he can espouse his vision of what the Federation and what Starfleet is all about. In a way, it is his version of Kirk’s “Risk is our business” speech. And rather than me quote it for you, let’s let the good Captain sum it up in eighteen perfect seconds.


1. There Are Four Lights!

But that wasn’t Picard’s best speech. His best speech, more of a howl than a speech, is a moment of universal triumph for all that are suppressed by a totalitarian state.

Taking its cue from George Orwell’s “1984,” the two-parter “Chain of Command” (season 6) sends Captain Picard into the dark abyss of physical and psychological torture at the hands of the horrible Cardassian, Gul Madred. In an effort to soften him up and get Federation defense codes, he points to a fixture with four lights and asks how many there are. Until Picard will see it Madred’s way and say there are five lights, he will continue to inflict horrible pain.

Picard’s spirit is greater than either man can know, however, and no amount of torment can make him relent. Though he can barely speak, Picard slurs out the defiant phrase “There are four lights!!” Even when he is rescues, he spits it back in Madred’s face one last time. As an extra bit of badassery, he shoves one of the guards, despite barely being able to walk. Yeah, who said Picard wasn’t as tough as Kirk?


Jordan Hoffman is a regular contributor to Film.com, ScreenCrush and writes the weekly “One Trek Mind” column at StarTrek.com.

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.