DID YOU READ

The top 10 Captain Picard moments from “Star Trek”

Patrick Stewart in Star Trek: Generations

Posted by on

5. Sleep

Most Star Trek fans will tell you the greatest TNG moment was during the franchise’s first ever cliffhanger, the end of “Best of Both Worlds Part I.” In it, Picard has been assimilated by the Borg and stares down Riker in cold gaze of mutually assured destruction.

But that isn’t really Picard – it’s “Locutus” – so it doesn’t belong on this list. (Plus, he’s threatening our space-faring friends. Not fun!) In the follow-up episode (after a long, long summer) Picard/Locutus is back aboard the Enterprise, looking rather pale, and trying desperately to break his mind free of the Collective’s hold. Struggling, though with a blank face, he struggles to squeak out one word to Data: “Sleep.” Data is able to interpret these instructions (it involves positronic matrices and information relays) and shuts down the Borg threat, just as Riker is preparing to ram the ship in a suicide run. Timing!


4. “Temba, His Arms Open”

Of all the far-out sci-fi on display in TNG, one of the most original episodes was season 5’s “Darmok.” In it, the Federation tries once again in vain to make contact with a civilization whose form of communication baffles their universal translators. It takes a marooned Picard (and a campfire) for him to break through the barriers and recognize that the Tamarians speak to one another in evocative metaphor. “Shaka When The Walls Fell,” “Kadir Beneath Mo Moteh” and “Darmok and Jalad at Tanagra” may mean nothing to you, but they mean everything to them – and to the hardcore dweebs who like to speak in Star Trek code.


3. Letting The Nausicaan Stab Him Through The Heart

Season 6’s “Tapestry” is the closest Star Trek ever came to Frank Capra’s “It’s A Wonderful Life.” But instead of Zuzu’s Petals it’s a giant spear through the heart.

Picard’s achilles heel is located a little higher – he has an artificial heart and it has caused him some degree of stress over the years. When the omnipotent Q sends him back to his younger years, offering him an opportunity to avoid the dom-jot hall brawl that led to his injury, he takes it. He then lives a life of mediocrity.

Oh, yes, he serves in Starfleet, even gets positioned to the Enterprise, but as a forgettable, risk-averse junior officer. Heck, Riker can barely remember his name. In the end, Picard must choose his “normal” path, one that takes life for all its worth, one informed by an early near-death experience, and, as such, he smiles as he lays there bleeding from the Nausicaan’s blade.


2. The Truth!

It is important to take a nuanced view toward Wesley Crusher. It is too easily to just call him a know-it-all snot and wish he were eaten by a band of ravenous Tellarites. There are some good moments in the franchise that are because of him – even with that dopey rainbow sweater. However, when he left to join the academy and then got involved in an ethics scandal (“The First Duty,” season 5) all the pent-up aggression toward the luckiest kid in the galaxy came bursting forth.

Picard’s smackdown isn’t just an opportunity to call Wesley names. He’s too good for that. It is actually a fine platform in which he can espouse his vision of what the Federation and what Starfleet is all about. In a way, it is his version of Kirk’s “Risk is our business” speech. And rather than me quote it for you, let’s let the good Captain sum it up in eighteen perfect seconds.


1. There Are Four Lights!

But that wasn’t Picard’s best speech. His best speech, more of a howl than a speech, is a moment of universal triumph for all that are suppressed by a totalitarian state.

Taking its cue from George Orwell’s “1984,” the two-parter “Chain of Command” (season 6) sends Captain Picard into the dark abyss of physical and psychological torture at the hands of the horrible Cardassian, Gul Madred. In an effort to soften him up and get Federation defense codes, he points to a fixture with four lights and asks how many there are. Until Picard will see it Madred’s way and say there are five lights, he will continue to inflict horrible pain.

Picard’s spirit is greater than either man can know, however, and no amount of torment can make him relent. Though he can barely speak, Picard slurs out the defiant phrase “There are four lights!!” Even when he is rescues, he spits it back in Madred’s face one last time. As an extra bit of badassery, he shoves one of the guards, despite barely being able to walk. Yeah, who said Picard wasn’t as tough as Kirk?


Jordan Hoffman is a regular contributor to Film.com, ScreenCrush and writes the weekly “One Trek Mind” column at StarTrek.com.

Underworld

Under Your Spell

10 Otherworldly Romances That’ll Melt Your Heart

Spend Valentine's Day weekend with IFC's Underworld movie marathon.

Posted by on
Photo Credit: Screen Gems/courtesy Everett Collection

Romance takes many forms, and that is especially true when you have a thirst for blood or laser beams coming out of your eyes.  It doesn’t matter if you’re a werewolf, a superhero, a clone, a time-traveler, or a vampire, love is the one thing that infects us all.  Read on to find out why Romeo and Juliet have nothing on these supernatural star-crossed lovers, and be sure to catch IFC’s Underworld movie marathon this Valentine’s Day weekend.

1. Cyclops/Jean Grey/Wolverine, X-Men series

The X-Men franchise is rife with romance, but the steamiest “ménage à mutant” may just be the one between Jean Grey (Famke Janssen), Cyclops (James Marsden), and Wolverine (Hugh Jackman). Their triangle is a complicated one as Jean finds herself torn between the two very different men while also trying to control her darker side, the Phoenix. This leads to Jean killing Cyclops and eventually getting stabbed through her heart by Wolverine in X-Men: The Last Stand. Yikes!  Maybe they should change the name to Ex-Men instead?


2. Willow/Tara, Buffy the Vampire Slayer

Joss Whedon gave audiences some great romances on Buffy the Vampire Slayer — including the central triangle of Buffy, Angel, and Spike — but it was the love between witches Willow (Alyson Hannigan) and Tara (Amber Benson) that broke new ground for its sensitive and nuanced portrayal of a LGBT relationship.

Willow is smart and confident and isn’t even sure of her sexuality when she first meets Tara at college in a Wiccan campus group. As the two begin experimenting with spells, they realize they’re also falling for one another and become the show’s most enduring, happy couple. At least until Tara’s death in season six, a moment that still brings on the feels.


3. Selene/Michael, Underworld series

The Twilight gang pales in comparison (both literally and metaphorically) to the Lycans and Vampires of the stylish Underworld franchise. If you’re looking for an epic vampire/werewolf romance set amidst an epic vampire/werewolf war, Underworld handily delivers in the form of leather catsuited Selene (Kate Beckinsale) and shaggy blonde hunk Michael (a post-Felicity Scott Speedman). As they work together to stop the Vampire/Lycan war, they give into their passions while also kicking butt in skintight leather. Love at first bite indeed.


4. Spider-man/Mary Jane Watson, Spider-man

After rushing to the aid of beautiful girl-next-door Mary Jane Watson (Kirsten Dunst), the Amazing Spider-man is rewarded with an upside-down kiss that is still one of the most romantic moments in comic book movie history. For Peter Parker (Tobey Maguire), the shy, lovable dork beneath the mask, his rain-soaked makeout session is the culmination of years of unrequited love and one very powerful spider bite. As the films progress, Peter tries pushing MJ away in an attempt to protect her from his enemies, but their web of love is just too powerful. And you know, with great power, comes great responsibility.


5. Molly/Sam, Ghost

When it comes to supernatural romance, you really can’t beat Molly and Sam from the 1990 hit film Ghost. Demi Moore goes crazy for Swayze like the rest of us, and the pair make pottery sexier than it’s ever been.

When Sam is murdered, he’s forced to communicate through con artist turned real psychic, Oda Mae Brown (Whoopi Goldberg in her Academy Award-winning role) to warn Molly she is still in danger from his co-worker, Carl (a pre-Scandal Tony Goldwyn). Molly doesn’t believe Oda is telling the truth, so Sam proves it by sliding a penny up the wall and then possessing Oda so he and Molly can share one last romantic dance together (but not the dirty kind). We’d pay a penny for a dance with Patrick Swayze ANY day.


6. Cosima/Delphine, Orphan Black

It stands to reason there would be at least one complicated romance on a show about clones, and none more complicated than the one between clone Cosima (Tatiana Maslany) and Dr. Delphine Cormier (Evelyne Brochu) on BBC America’s hit drama Orphan Black.

Cosima is a PhD student focusing on evolutionary developmental biology at the University of Minnesota when she meets Delphine, a research associate from the nefarious Dyad Institute, posing as a fellow immunology student. The two fall in love, but their happiness is brief once Dyad and the other members of Clone Club get involved. Here’s hoping Cosima finds love in season four of Orphan Black. Girlfriend could use a break.


7. Aragorn/Arwen, Lord of the Rings

On a picturesque bridge in Rivendell amidst some stellar mood-lighting and dreamy Elvish language with English subtitles for us non-Middle Earthlings, Arwen (Liv Tyler) and Aragorn (Viggo Mortensen) bind their souls to one another, pledging to love each other no matter what befalls them.

Their courtship is a matter of contention with Arwen’s father, Elrond (Hugo Weaving), who doesn’t wish to see his daughter suffer over Aragorn’s future death. The two marry after the conclusion of the War of the Ring, with Aragorn assuming his throne as King of Gondor, and Arwen forgoing her immortality to become his Queen. Is it too much to assume they asked Frodo to be their wedding ring-bearer?


8. Lafayette/Jesus, True Blood

True Blood quickly became the go-to show for supernatural sex scenes featuring future Magic Mike strippers (Joe Manganiello) and pale Nordic men with washboard abs (Hi Alexander Skarsgård!), but honestly, there was a little something for everyone, including fan favorite Bon Temps medium, Lafayette Reynolds (Nelsan Ellis).

In season three, Lafayette met his mother’s nurse, Jesus, and the two began a relationship. As they spend more time together and start doing V (short for Vampire Blood), they learn Jesus is descended from a long line of witches and that Lafayette himself has magical abilities. However, supernatural love is anything but simple, and after the pair join a coven, Lafayette becomes possessed by the dead spirit of its former leader. This relationship certainly puts a whole new spin on possessive love.


9. Nymphadora Tonks/Remus Lupin, Harry Potter series

There are lots of sad characters in the Harry Potter series, but Remus Lupin ranks among the saddest. He was bitten by a werewolf as a child, his best friend was murdered and his other best friend was wrongly imprisoned in Azkaban for it, then THAT best friend was killed by a Death Eater at the Ministry of Magic as Remus looked on. So when Lupin unexpectedly found himself in love with badass Auror and Metamorphmagus Nymphadora Tonks (she prefers to be called by her surname ONLY, thank you very much), pretty much everyone, including Lupin himself, was both elated and cautiously hopeful about their romance and eventual marriage.

Sadly, the pair met a tragic ending when both were killed by Death Eaters during the Battle of Hogwarts, leaving their son, Teddy, orphaned much like his godfather Harry Potter. Accio hankies!


10. The Doctor/Rose Tyler, Doctor Who

Speaking of wolves, Rose “Bad Wolf” Tyler (Billie Piper) captured the Doctor’s hearts from the moment he told her to “Run!” in the very first episode of the re-booted Doctor Who series. Their affection for one another grew steadily deeper during their travels in the TARDIS, whether they were stuck in 1950s London, facing down pure evil in the Satan Pit, or battling Cybermen.

But their relationship took a tragic turn during the season two finale episode, “Doomsday,” when the Tenth Doctor (David Tennant) and Rose found themselves separated in parallel universes with no way of being reunited (lest two universes collapse as a result of a paradox). A sobbing Rose told a holographic transmission of the Doctor she loved him, but before he could reply, the transmission cut out, leaving our beloved Time Lord (and most of the audience) with a tear-stained face and two broken hearts all alone in the TARDIS.

Call-In Commentary: Watch the “Flight” trailer with screenwriter John Gatins

Denzel Washington in Flight

Posted by on

“Flight” is more than just the much-heralded return of director Robert Zemeckis to live-action films, it’s also a soaring drama with one of the most emotionally charged performances from Denzel Washington in years. The story follows a veteran airline pilot (Washington) who miraculously crash-lands a passenger jet, only it happens while he’s high on cocaine and drunk, something the FAA tends to frown upon. Co-starring Don Cheadle as Washington’s lawyer, Melissa Leo as a hard-charging government investigator and John Goodman as the easy-going drug supplier, “Flight” is a near-certain Oscar contender and an exhilarating theatrical experience.

“Flight” sprang from the mind of screenwriter John Gatins, who remained very much invested with the project during its filming. So it was a particular thrill to recruit him for our Call-In Commentary series, where directors, writers and actors record narration to their movie trailers. In the video below, Gatins touches on the filming, working with the cast and offers general insight into this fascinating project. “Flight” is currently in theaters.

video player loading . . .


MORE CALL-IN COMMENTARIES:

Watch the “Starlet” trailer with writer-director Sean Baker
Watch the “Fat Kid Rules the World” trailer with director Matthew Lillard
Watch the “House at the End of the Street” trailer with director Mark Tonderai
Watch the “Looper” trailer with writer-director Rian Johnson
Watch the “For a Good Time, Call…” trailer with writer-director Jamie Travis
Watch the “Robot & Frank” trailer with director Jake Schreier

View more Call-In Commentaries…

Will you be checking out “Flight”? Let us know in the comments below, or on Facebook or Twitter.

Call-In Commentary: Watch the “Starlet” trailer with writer-director Sean Baker

Dree Hemingway in Starlet

Posted by on

In Sean Baker’s new indie “Starlet,” a young Californian (played by Dree Hemingway — Ernest’s granddaughter — in her feature film debut) crosses paths with an elderly widow (Besedka Johnson) at a yard sale, where she finds a stash of cash from the older woman’s past. The resulting relationship, as these two cross-generational characters begin spending time together, is the focal point of the movie which has been hailed at such festivals as SXSW.

To get the inside take on the picture, we asked Sean to participate in our Call-In Commentary series, where filmmakers provide narration to their trailers. In the video below, the director takes you through the movie, introducing his leads and swearing there are no spoilers. Check it out, and catch “Starlet” in theaters November 9th.

video player loading . . .


MORE CALL-IN COMMENTARIES:

Watch the “Fat Kid Rules the World” trailer with director Matthew Lillard
Watch the “House at the End of the Street” trailer with director Mark Tonderai
Watch the “Looper” trailer with writer-director Rian Johnson
Watch the “For a Good Time, Call…” trailer with writer-director Jamie Travis
Watch “The Babymakers” trailer with director Jay Chandrasekhar of Broken Lizard
Watch the “Robot & Frank” trailer with director Jake Schreier

View more Call-In Commentaries…

Will you be checking out “Starlet”? Let us know in the comments below, or on Facebook or Twitter.

Powered by ZergNet