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Selma Blair talks “In Their Skin,” horror and indie filmmaking

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A family alone in a house. A stranger comes knocking. Terror ensues. This describes the plot of many a horror movie, yet somehow the concept still feels terrifying in Jeremy Regimbal’s debut feature “In Their Skin.”

The film stars Selma Blair and Joshua Close, who also wrote the film, as a couple recovering from a tragedy that pushed them to take their son Brendon to their country home for some quality family time. But not long after they settle in do their neighbors — Bobby, Jane and their son Jared — come to visit. What starts off as an uncomfortable, forced dinner turns into the previously mentioned terror as the three people turn out not to be who they say they are.

IFC had the pleasure of speaking with Blair in a phone interview in anticipation of “In Their Skin’s” release. During our conversation, we touched on what makes this type of thriller so consistently scary and what her experience has been like in the independent film industry.

IFC: I had the pleasure of watching “In Their Skin” last night not really knowing anything about it going in, and it was a lot scarier than I expected. You’ve worked in horror films and thrillers before, but I was curious what in particular drew you to this project?

SELMA BLAIR: Josh is a friend of mine and he wrote it and he had Jeremy come on, who has a great eye, and I thought he made the film look beautiful. But it was just a little project and I support these projects and, before I had the baby, I had the luxury of getting to be a part of them. I think the first film for first-time writers and directors is quite crucial, and to get it out there and start careers and hope for the best and see what their vision is is really exciting for me.

And I like the family drama aspect. I mean, this isn’t like a big horror, gory movie. It’s more of a quiet, scary family drama, almost. It took its time, which you don’t see in films a lot. Really just letting you watch these people instead of just action, action, which I like. I think there’s not a lot of those movies anymore. It’s kind of poetic and took its time. I haven’t seen the final cut of it, but just the idea that you’re not safe in your own home and that you’re already dealing with sadness, it was a very scary idea.

IFC: In your opinion, what do you think makes this kind of movie where, like you said, you aren’t safe in your own home so consistently scary?

SB: There are so few of us that actually live so far off in the country alone now, that on its own is a big luxury, and you think, “Ah, I’m going to get away from it all and just be with my family.” But when there’s not a chance of that, and you don’t have alarm systems and you’re trying to be polite to your neighbors and just have people in your house quietly without thinking anything’s going to happen, yeah, it’s just scary. We’ve all had those nights with uncomfortable people and you wish they’d leave, and that’s just a pain in the butt, but when you wish they’d leave and they come back and try to take over your lives, that’s horrifying.

IFC: Have you ever been in a situation similar to that, or are you just speaking broadly?

SB: Yeah, no, no, god forbid, but it’s my biggest fear. Being at home with the baby and alone at night, I hear a noise and I just pray that I would have what it takes to protect my child and myself. It’s in my mind. It’s every grown-up’s fear.

IFC: When I was watching, I couldn’t help but notice that James D’Arcy was channeling a serious Norman Bates vibe, and then I realized that he’s playing Anthony Perkins, the actor who portrayed Bates, in the Anthony Hopkins “Hitchcock” movie.

SB: I know. Isn’t that perfect?

IFC: It really was.

SB: Yeah, to see him in the Madonna film [“W.E.”] and then to see him in in this and then Norman Bates, I can’t wait. But it’s so crazy to think that he’s British. I mean, he’s so versatile. But yes, I am excited to see him as Norman Bates.

IFC: Well I was curious if you knew if that vibe was intentional, because there sort of is a parallel in the characters.

SB: I don’t know what was going through his mind. I know he hadn’t booked the “Psycho” job yet, but maybe all creepy people are Norman Bates-ish. [laughs]

IFC: I guess so! You spoke earlier about how you support independent filmmaking and I actually just saw you in “Kingdom Come,” the Daniel Gillies documentary, talking about the same thing. Can you talk about some of the struggles and successes you’ve had in independent filmmaking over the years?

SB: I go back and forth. I make films like “Cruel Intentions” and “Legally Blonde” and “Hellboy,” which is a huge film, but then I make a ton of independent ones. They’re hard. You have the luxury of not having huge studios and huge dollars telling you what to do so you get to do what you want to do, but usually it is with first-time directors and people figuring it out and it’s a real labor of love. There are long days on set and everyone’s kind of learning.

The film business’s harder than ever right now. Getting people to go see movies, I just, I want filmmakers to be able to tell their stories. I worked with Todd Solandz, and he’s kind of like the indie king, and he jokes that each movie makes less than the last, and I’m like, god, if someone as amazing as Todd has those movies come out in fewer and fewer theater, oh my god, this is such a dying breed. Is it just going to be “Transformers” are the only movies that are going to be available for us — which are great and fun and I would love to be a part of that too — but it’s so scary to think that independent films are dying.

IFC: I know a lot of filmmakers are turning to VOD as a way to distribute, so do you think that could be the way of the future?

SB: I mean I think any way that people can see movies I’m all for, but I had one of the first movies that ever came out on iTunes, and that was Ed Burns’ “Purple Violets.” It never got a theatrical release, it just debuted on iTunes, the first movie to come out on iTunes, and it did okay, but you’re not going to make that huge money unless you’re out there and getting people to see movies in the theaters and really having that movie experience, so I don’t know about the Video On Demand and I don’t know how actors will ever make a living when it just goes straight to On Demand because I think the only people who get paid for that are producers, and I don’t even know how much that is. So great, I’m glad they’re available, but I don’t know how people are going to make a living.

“In Their Skin” comes out in select theaters on November 9.

What did you think of Blair’s thoughts on the independent filmmaking business? Do you agree with her about VOD? Tell us in the comments section below or on Facebook and Twitter.

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Holiday Extra Special

Make The Holidays ’80s Again

Enjoy the holiday cheer Wednesday December 21 at 10P on IFC.

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Photo Credit: Everett Collection

Whatever happened to the kind of crazy-yet-cozy holiday specials that blanketed the early winter airwaves of the 1980s? Unceremoniously killed by infectious ’90s jadedness? Slow fade out at the hands of early-onset millennial ennui? Whatever the reason, nixing the tradition was a huge mistake.

A huge mistake that we’re about to fix.

Announcing IFC’s Joe’s Pub Presents: A Holiday Special, starring Tony Hale. It’s a celeb-studded extravaganza in the glorious tradition of yesteryear featuring Bridget Everett, Jo Firestone, Nick Thune, Jen Kirkman, house band The Dap-Kings, and many more. And it’s at Joe’s Pub, everyone’s favorite home away from home in the Big Apple.

The yuletide cheer explodes Wednesday December 21 at 10P. But if you were born after 1989 and have no idea what void this spectacular special is going to fill, sample from this vintage selection of holiday hits:

Andy Williams and The NBC Kids Search For Santa

The quintessential holiday special. Get snuggly and turn off your brain. You won’t need it.

A Muppet Family Christmas

The Fraggles. The Muppets. The Sesame Street gang. Fate. The Jim Henson multiverse merges in this warm and fuzzy Holiday gathering.

Julie Andrews: The Sound Of Christmas

To this day a foolproof antidote to holiday cynicism. It’s cheesy, but a good cheese. In this case an Alpine Gruyère.

Star Wars Holiday Special

Okay, busted. This one was released in 1978. Still totally ’80s though. And yes that’s Bea Arthur.

Pee Wee’s Playhouse Christmas Special

Pass the eggnog, and make sure it’s loaded. This special is everything you’d expect it to be and much, much more.

Joe’s Pub Presents: A Holiday Special premieres Wednesday December 21 at 10P on IFC.

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It Ain't Over Yet

A Guide to Coping with the End of Comedy Bang! Bang!

Watch the final episodes tonight at 11 and 11:30P on IFC.

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After five seasons and 110 halved-hour episodes, Scott Aukerman’s hipster comedy opus, Comedy Bang! Bang!, has come to an end. Fridays at 11 and 11:30P will never be the same. We know it can be hard for fans to adjust after the series finale of their favorite TV show. That’s why we’ve prepared this step-by-step guide to managing your grief.

Step One: Cry it out

It’s just natural. We’re sad too.
Scott crying GIF

Step Two: Read the CB!B! IMDB Trivia Page

The show is over and it feels like you’ve lost a friend. But how well did you really know this friend? Head over to Comedy Bang! Bang!’s IMDB page to find out some things you may not have known…like that it’s “based on a Civil War battle of the same name” or that “Reggie Watts was actually born with the name Theodore Leopold The Third.”

Step Three: Listen to the podcast

One fascinating piece of CB!B! trivia that you might not learn from IMDB is that there’s a podcast that shares the same name as the TV show. It’s even hosted by Scott Aukerman! It’s not exactly like watching the TV show on a Friday night, but that’s only because each episode is released Monday morning. If you close your eyes, the podcast is just like watching the show with your eyes closed!

Step Four: Watch brand new CB!B! clips?!

The best way to cope with the end of Comedy Bang! Bang! is to completely ignore that it’s over — because it’s not. In an unprecedented move, IFC is opening up the bonus CB!B! content vault. There are four brand new, never-before-seen sketches featuring Scott Aukerman, Kid Cudi, and “Weird Al” Yankovic ready for you to view on the IFC App. There’s also one right here, below this paragraph! Watch all four b-b-bonus clips and feel better.

Binge the entire final season, plus exclusive sketches, right now on the IFC app.

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Everybody Sweats Now

The Four-Day Sweatsgiving Weekend On IFC

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This long holiday weekend is your time to gobble gobble gobble and give heartfelt thanks—thanks for the comfort and forgiveness of sweatpants. Because when it comes right down to it, there’s nothing more wholesome and American than stuffing yourself stupid and spending endless hours in front of the TV in your softest of softests.

So get the sweats, grab the remote and join IFC for four perfect days of entertainment.

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It all starts with a 24-hour T-day marathon of Rocky Horror Picture Show, then continues Friday with an all-day binge of Stan Against Evil.

By Saturday, the couch will have molded to your shape. Which is good, because you’ll be nestled in for back-to-back Die Hard and Lethal Weapon.

Finally, come Sunday it’s time to put the sweat back in your sweatpants with The Shining, The Exorcist, The Chronicles of Riddick, Terminator 2, and Blade: Trinity. They totally count as cardio.

As if you need more convincing, here’s Martha Wash and the IFC&C Music Factory to hammer the point home.

The Sweatsgiving Weekend starts Thursday on IFC

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