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Joe Dante to team with Robert Englund on horror film “Air Disturbance”

Joe Dante

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Joe Dante is making a big return to the horror genre.

The “Gremlins” director is going to be directing a movie for New Films Cinema called “Air Disturbance,” the studio has announced. Dante will be teaming up with another big name in the horror world: Robert Englund.

Englund and “The Stepfather” actor Dylan Walsh will both star in the film, and there will be a female lead as well. Englund will play a “fanatical minister,” while Walsh is portraying a widowed father of two. The yet-to-be-cast actress will play Walsh’s psychic girlfriend.

The official synopsis for “Air Disturbance” says it “takes place at 35,000 feet on a transcontinental flight from Los Angeles to Toronto.” Horrific events start happening when “strange atmospheric conditions begin to affect the aircraft,” and Walsh’s Sam Davidson needs to protect his children and girlfriend from the other passengers; namely, the minister who “believes that the supernatural phenomena could be a sign from God.”

This film is going to start filming in Los Angeles on November 27. When Dante was promoting his recently-released film, “The Hole,” he told IFC that he keeps making horror films because that’s what people want him to do.

“Once you’ve done something that’s done well, they want you to do more of them,” he said. “That doesn’t mean I wouldn’t have loved to do Westerns or love stories or whatever, but that’s really not viewed as my bailiwick.”

Will you see “Air Disturbance” when it finally comes out? Tell us in the comments section below or on Facebook and Twitter.

Underworld

Under Your Spell

10 Otherworldly Romances That’ll Melt Your Heart

Spend Valentine's Day weekend with IFC's Underworld movie marathon.

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Photo Credit: Screen Gems/courtesy Everett Collection

Romance takes many forms, and that is especially true when you have a thirst for blood or laser beams coming out of your eyes.  It doesn’t matter if you’re a werewolf, a superhero, a clone, a time-traveler, or a vampire, love is the one thing that infects us all.  Read on to find out why Romeo and Juliet have nothing on these supernatural star-crossed lovers, and be sure to catch IFC’s Underworld movie marathon this Valentine’s Day weekend.

1. Cyclops/Jean Grey/Wolverine, X-Men series

The X-Men franchise is rife with romance, but the steamiest “ménage à mutant” may just be the one between Jean Grey (Famke Janssen), Cyclops (James Marsden), and Wolverine (Hugh Jackman). Their triangle is a complicated one as Jean finds herself torn between the two very different men while also trying to control her darker side, the Phoenix. This leads to Jean killing Cyclops and eventually getting stabbed through her heart by Wolverine in X-Men: The Last Stand. Yikes!  Maybe they should change the name to Ex-Men instead?


2. Willow/Tara, Buffy the Vampire Slayer

Joss Whedon gave audiences some great romances on Buffy the Vampire Slayer — including the central triangle of Buffy, Angel, and Spike — but it was the love between witches Willow (Alyson Hannigan) and Tara (Amber Benson) that broke new ground for its sensitive and nuanced portrayal of a LGBT relationship.

Willow is smart and confident and isn’t even sure of her sexuality when she first meets Tara at college in a Wiccan campus group. As the two begin experimenting with spells, they realize they’re also falling for one another and become the show’s most enduring, happy couple. At least until Tara’s death in season six, a moment that still brings on the feels.


3. Selene/Michael, Underworld series

The Twilight gang pales in comparison (both literally and metaphorically) to the Lycans and Vampires of the stylish Underworld franchise. If you’re looking for an epic vampire/werewolf romance set amidst an epic vampire/werewolf war, Underworld handily delivers in the form of leather catsuited Selene (Kate Beckinsale) and shaggy blonde hunk Michael (a post-Felicity Scott Speedman). As they work together to stop the Vampire/Lycan war, they give into their passions while also kicking butt in skintight leather. Love at first bite indeed.


4. Spider-man/Mary Jane Watson, Spider-man

After rushing to the aid of beautiful girl-next-door Mary Jane Watson (Kirsten Dunst), the Amazing Spider-man is rewarded with an upside-down kiss that is still one of the most romantic moments in comic book movie history. For Peter Parker (Tobey Maguire), the shy, lovable dork beneath the mask, his rain-soaked makeout session is the culmination of years of unrequited love and one very powerful spider bite. As the films progress, Peter tries pushing MJ away in an attempt to protect her from his enemies, but their web of love is just too powerful. And you know, with great power, comes great responsibility.


5. Molly/Sam, Ghost

When it comes to supernatural romance, you really can’t beat Molly and Sam from the 1990 hit film Ghost. Demi Moore goes crazy for Swayze like the rest of us, and the pair make pottery sexier than it’s ever been.

When Sam is murdered, he’s forced to communicate through con artist turned real psychic, Oda Mae Brown (Whoopi Goldberg in her Academy Award-winning role) to warn Molly she is still in danger from his co-worker, Carl (a pre-Scandal Tony Goldwyn). Molly doesn’t believe Oda is telling the truth, so Sam proves it by sliding a penny up the wall and then possessing Oda so he and Molly can share one last romantic dance together (but not the dirty kind). We’d pay a penny for a dance with Patrick Swayze ANY day.


6. Cosima/Delphine, Orphan Black

It stands to reason there would be at least one complicated romance on a show about clones, and none more complicated than the one between clone Cosima (Tatiana Maslany) and Dr. Delphine Cormier (Evelyne Brochu) on BBC America’s hit drama Orphan Black.

Cosima is a PhD student focusing on evolutionary developmental biology at the University of Minnesota when she meets Delphine, a research associate from the nefarious Dyad Institute, posing as a fellow immunology student. The two fall in love, but their happiness is brief once Dyad and the other members of Clone Club get involved. Here’s hoping Cosima finds love in season four of Orphan Black. Girlfriend could use a break.


7. Aragorn/Arwen, Lord of the Rings

On a picturesque bridge in Rivendell amidst some stellar mood-lighting and dreamy Elvish language with English subtitles for us non-Middle Earthlings, Arwen (Liv Tyler) and Aragorn (Viggo Mortensen) bind their souls to one another, pledging to love each other no matter what befalls them.

Their courtship is a matter of contention with Arwen’s father, Elrond (Hugo Weaving), who doesn’t wish to see his daughter suffer over Aragorn’s future death. The two marry after the conclusion of the War of the Ring, with Aragorn assuming his throne as King of Gondor, and Arwen forgoing her immortality to become his Queen. Is it too much to assume they asked Frodo to be their wedding ring-bearer?


8. Lafayette/Jesus, True Blood

True Blood quickly became the go-to show for supernatural sex scenes featuring future Magic Mike strippers (Joe Manganiello) and pale Nordic men with washboard abs (Hi Alexander Skarsgård!), but honestly, there was a little something for everyone, including fan favorite Bon Temps medium, Lafayette Reynolds (Nelsan Ellis).

In season three, Lafayette met his mother’s nurse, Jesus, and the two began a relationship. As they spend more time together and start doing V (short for Vampire Blood), they learn Jesus is descended from a long line of witches and that Lafayette himself has magical abilities. However, supernatural love is anything but simple, and after the pair join a coven, Lafayette becomes possessed by the dead spirit of its former leader. This relationship certainly puts a whole new spin on possessive love.


9. Nymphadora Tonks/Remus Lupin, Harry Potter series

There are lots of sad characters in the Harry Potter series, but Remus Lupin ranks among the saddest. He was bitten by a werewolf as a child, his best friend was murdered and his other best friend was wrongly imprisoned in Azkaban for it, then THAT best friend was killed by a Death Eater at the Ministry of Magic as Remus looked on. So when Lupin unexpectedly found himself in love with badass Auror and Metamorphmagus Nymphadora Tonks (she prefers to be called by her surname ONLY, thank you very much), pretty much everyone, including Lupin himself, was both elated and cautiously hopeful about their romance and eventual marriage.

Sadly, the pair met a tragic ending when both were killed by Death Eaters during the Battle of Hogwarts, leaving their son, Teddy, orphaned much like his godfather Harry Potter. Accio hankies!


10. The Doctor/Rose Tyler, Doctor Who

Speaking of wolves, Rose “Bad Wolf” Tyler (Billie Piper) captured the Doctor’s hearts from the moment he told her to “Run!” in the very first episode of the re-booted Doctor Who series. Their affection for one another grew steadily deeper during their travels in the TARDIS, whether they were stuck in 1950s London, facing down pure evil in the Satan Pit, or battling Cybermen.

But their relationship took a tragic turn during the season two finale episode, “Doomsday,” when the Tenth Doctor (David Tennant) and Rose found themselves separated in parallel universes with no way of being reunited (lest two universes collapse as a result of a paradox). A sobbing Rose told a holographic transmission of the Doctor she loved him, but before he could reply, the transmission cut out, leaving our beloved Time Lord (and most of the audience) with a tear-stained face and two broken hearts all alone in the TARDIS.

Joe Dante: I would direct another “Gremlins” movie

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It’s been nearly three decades since “Gremlins” first hit theaters which, in today’s Hollywood, means it’s a property that’s ripe to be revisited. The fan-favorite horror comedy has become a cult classic since its release in 1984 and is a staple if you want to terrify your family around the holidays.

IFC recently had a chance to catch up with director Joe Dante while he was promoting “The Hole’s” upcoming theatrical release, and we couldn’t resist asking him if anyone’s approached him about bringing the gremlins back to life. We were surprised to discover that no one has, but — as he cautioned us — that doesn’t mean a new “Gremlins” isn’t in our future.

“No one has ever approached me, though I’m sure that as we speak there are people who are scratching their little heads trying to figure out how to make another ‘Gremlins’ movie,” Dante said with humor.

It would be tricky to bring the same cast back for a “Gremlins 3″ since it’s been 12 years since “Gremlins 2: The New Batch” hit theaters, but filmmakers have made bigger stretches in the past few years. Clearly Dante has thought about the idea a bit, since he had a handful of alternative scenarios to talk about when we asked him about it.

“Obviously it’s not going to be ‘Gremlins 3′ because you can’t continue the story from the previous movie with the same characters. My guess is they would probably go back and start over and try to reimagine a different kind of ‘Gremlins’ movie,” he said. “The problem that they have is that the ‘Gremlins’ movies were informed entirely by the technology that we had available. As the technology got better, in the second film were able to do more things with the gremlins than we could in the first film, but now the technology’s all obsolete and it’s all CGI, and so that would require looking at the property a completely different way, I think.”

Even though it would require a new approach, Dante would be interested in directing a new “Gremlins” movie. As he said in our interview, “Gremlins” has been very good to him. But he’s not sure that a new “Gremlins” movie would come close to capturing what made the series so special to begin with.

“I’m also not sure that, if the original ‘Gremlins’ had come out a month earlier or a month later, it would have had the same impact. There’s certain serendipitous moments where the right movie comes out at the right time and that was mine,” he said. “I think the same movie could have come out a year earlier or a year later and maybe not have had as much impact. It just happened to hit the sweet spot.”

“The Hole” is due out in theaters on September 28 and will come out on DVD, Blu-ray, iTunes and VOD on October 2.

Would you want to see “Gremlins” revisited if Dante was at the helm? Tell us in the comments section below or on Facebook and Twitter.

Director Joe Dante talks “The Hole,” horror and how 3D has a bad rap

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Back before “Avatar” changed the 3D game, “Gremlins” director Joe Dante created a little movie called “The Hole” with the intention of toying with how 3D can be used. Unfortunately, theaters have since been swamped with converted 3D films ever since “Avatar” proved the medium can be a box office boon, and “The Hole” is only now getting its time in the spotlight.

“The Hole” tells a story of a family who moves to a small rural town after living in the city. The two sons — played by Chris Massoglia and Nathan Gamble — discover a mysterious hole in the basement of their new home and, though it is locked and bolted, they manage to open it and become subjected to the darkness inside. It is at that moment that the 3D becomes a factor and takes the movie up to the next level. Since there weren’t any big actors starring in the movie, Dante considered the 3D to be the draw all unto itself.

A lot has changed in the years since Dante made “The Hole,” but the movie still has played around with the 3D genre in ways only directors like James Cameron and Martin Scorsese have tried. IFC had the chance to catch up with Dante in a recent phone interview and talk to him about what drew him to 3D and how times have changed since he first decided that this would be his next project.

IFC: First off, I just wanted to say that I was at the Comic-Con presentation for “The Hole” back in 2009 and I was really excited when I read that the movie was finally coming out.

Joe Dante: [laughs] Wow, it’s been a long time.

IFC: It has been a long time! I’m just kind of curious what your journey with the movie has been since then? I know you went to a couple film festivals.

JD: We’ve done the usual festival route that you do with pictures and stuff, and we won an award in Venice for 3D, it was great. But it was pretty frustrating to see the theaters that we thought were going to be running our film clogged up with fake 3D movies that have been converted, which we didn’t know about when we were planning our picture.

We were pretty careful about figuring out how many theaters were 3D capable and whether or not there was anything going to be available to play in them. And then, all of the sudden when we were finished, these big blockbuster “Clash of the Titans” kind of movies were playing and they were suddenly in 3D even though they hadn’t bothered to make them in 3D. So we kind of got crowded out of the initial run of 3D, and then more and more films kept coming out and theaters were harder and harder to get and we didn’t have a distributor because we didn’t have any big stars and it was difficult to get a distributor for quite a while. So now finally this thing is seeing the light of day.

IFC: Unfortunately I had to watch this on DVD so I couldn’t see the 3D effects as you meant it, so I was wondering if you could describe your process of shooting this in 3D. Obviously you did it before stuff like “Avatar” came out, so I’m curious what your mentality was in approaching the 3D element of the movie.

JD: The reason I recommended doing this in 3D was because I said this is sort of a small film and it’s about fears and a lot of it takes place in a basement, so there’s a possibility people will find it claustophobic. So I think if we use 3D correctly, we can draw people in, make them feel like this is part of their story and that they’re in the basement with these kids and that they go down the hole and, rather than throwing things at them, try to draw them in. That was really the intent, basically. The 3D was sort of like an extra character for me in the movie. Not that it doesn’t work okay in 2D — I mean, the movie has got a story and that’s fine — but it really was designed to be experienced with the extra dimension.

IFC: How would you say 3D has changed since you made this movie?

JD: Well the equipment I used is probably obsolete. All this stuff changes so much that I’m sure the cameras are smaller now, I’m sure they’re lighter. I was already happy with how small and light they were because I had done a previous 3D film for Busch Gardens called “The Haunted Lighthouse” that had been like a ride film, and that needed two 70 mm projectors hooked together to make a 3D image and it was very, very, very cumbersome. Comparatively these cameras were so much better. They were rock steady and had really good focus and were very easy to work with, and now I have a feeling that it would be even easier — and probably cheaper and simpler — to make a 3D film because the cameras are just getting smaller and smaller.

IFC: Would you be interested in shooting another 3D movie in today’s moviemaking environment?

JD: Oh sure. I think 3D gets a bad rap. I think there’s a lot of people who think it’s just a gimmick. And there are some people who can’t legitimately see 3D, that’s another issue, but I think used correctly and used dramatically, 3D is a storytelling tool, and that you can enhance a story — maybe not every story, but certainly certain stories — with this particular technique.

IFC: Between this and “Gremlins,” you make small, seemingly-innocent things seem so terrifying. How do you approach coming up with objects to use in your horror/thriller films?

JD: It’s never really been intentional. Once I did “Gremlins” and I have these little ankle-biting creatures, then I found myself doing the sequel, then I found myself doing a feature called “Small Soldiers” where they were these toys and there were malevolent but also little, then I ended up doing “Looney Tunes” where Daffy Duck and Bugs Bunny were small, I kept thinking, “This is film two, film three, film four.” And so there’s film five or whatever which has another maniacal toy that can bite your ankles off, so maybe I just have a thing against ankles.

IFC: Seriously. Is there something in your past — like a clown or stuffed toy — that made you scared of this stuff?

JD: No, no, believe it or not, but I always found clowns rather… unpleasant, I was never actually afraid of them. [laughs]

IFC: Well you make a terrifying one in this film. You also have told several of your horror/thriller films through the eyes of children, so what do you find so appealing about telling a story that way?

JD: Some of the best horror films — there’s a movie called “Invaders From Mars” that’s told entirely from a kid’s point of view and it was done by a great art director and he made the whole movie look like a dream, which was very influential to me, and of course I saw a picture called “Night of the Hunter” when I was a kid, which is a crazed preacher versus running away kids, which was also a very scary movie, so I think to view that kind of malevolence through the eyes of innocents is a particularly compelling way to tell a story. It hasn’t recurred in my movies on purpose, because you look back and you go, “Oh, I see a pattern, [laughs] a pattern in my career that was never intended.” But it does end up informing the things that I’m drawn to.

IFC: What keeps drawing you back to the horror and thriller genres?

JD: What keeps drawing me back is that’s what people keep asking me to do! [laughs] Once you’ve done something that’s done well, they want you to do more of them. That doesn’t mean I wouldn’t have loved to do Westerns or love stories or whatever, but that’s really not viewed as my bailiwick.

“The Hole” hits theaters on September 28 (opening in LA, Atlanta) and will be available on DVD, Blu-ray iTunes and VOD on October 2.

Are you interested in seeing “The Hole” when it finally hits theaters? Tell us in the comments section below or on Facebook and Twitter.

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