DID YOU READ

Five reboots that worked, in honor of “The Amazing Spider-Man” on Blu-ray

Andrew Garfield in The Amazing Spider-Man

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The “reboot” has become the new go-to term for Hollywood to use when they decide to remake a film that’s either not really that old or they want audiences to believe they’re taking a fresh take on the material. Sometimes it’s true. Sometimes it’s spin. Either way, movie fans have seen a whole slew of reboots in recent years as the number of wholly original films coming out of the dream factory gets smaller every year.

Perhaps this year’s most high-profile reboot is Marc Webb’s The Amazing Spider-Man, a “fresh take” on the character and the films Sam Raimi established as canon only a few years back. While it’s certainly debatable that The Amazing Spider-Man actually “worked” as a reboot, it’s undeniable that the film includes some stunning visuals, a fantastic bit of chemistry between leads Andrew Garfield and Emma Stone, and a bend on Spidey’s origin that audiences hadn’t seen before. It also boasts a pretty astonishing Blu-ray (in stores now) with an exhaustive documentary crafted by Charles de Lauzirika. It’s a must-buy for any fan of the webslinger.

Feel free to argue yourself into oblivion about how well Webb’s film actually holds up but, if anything, it gives us the chance to delve into five reboots that did work. It’s like déjà vu all over again.


“Dawn of the Dead” (2004)

George A. Romero fans (myself included) are rabidly protective of the man’s work, and for good reason: he’s the Godfather of the modern zombie film. If it weren’t for Romero’s 1968 classic “Night of the Living Dead” you probably wouldn’t be seeing the type of popularity that zombies are enjoying now. Things like “The Walking Dead” probably wouldn’t even exist if it weren’t for Romero’s work.

So fans were skeptical at best when they heard that Zack Snyder was planning to remake one of the master’s most loved films: “Dawn of the Dead.” Not only that, but he planned to employ fast-moving zombies. What? Yes, that’s right. Snyder’s zombies are quick little buggers hell-bent on eating brains and tearing flesh. It was a major change that hardcore zombie fans had a very hard time coming to grips with. Yet, despite all the misgivings and nervous Romero ‘shippers out there, Snyder’s 2004 “Dawn of the Dead” actually works. It’s certainly not the original, and it’s a wholly new take on the film’s zombies-in-a-mall concept where the social satire doesn’t quite hit as strongly as Romero’s take, but it’s a hell of an entertaining film and still stands up as one of the best zombie flicks of the last decade. Packed with a quality cast, tightly directed, and jammed with plenty of winks to Romero’s original, “Dawn of the Dead” is one reboot for which I’m happy to be a fan.


“21 Jump Street” (2012)

Nobody, and I mean nobody, except for the folks making 2012’s “21 Jump Street” thought this reboot was going to work. And I don’t blame them. The odds were certainly stacked against the film. The original TV series that it’s based on really wasn’t very good (aside from giving the world a glimpse into the mind of a very young Johnny Depp), the casting seemed off (who knew Channing Tatum could pull off comedy, right?), and concept itself seemed to be reaching. The final product, however, is completely badass and hilarious. Fans began to have hope when that first poster came out with the hilarious tagline (which I won’t repeat here) and early trailers backed up their suspicions that “21 Jump Street” just might have a chance at working. And work it does. The team of Jonah Hill and Channing Tatum is way funnier than anyone expected, the fresh take on the concept is surprisingly adept, and the clever cameos and inside jokes turn “21 Jump Street” into one of the year’s best comedies and one that I’ll watch again on Blu-ray plenty of times. Who knew?


“The Fly” (1986)

When the master of flesh-based horror, David Cronenberg, decided to remake the 1958 Vincent Price-starring film of the same name he not only made the decision to reboot the original concept, but he actually took the film’s basic premise of a scientist merging with a housefly and blew it up in only the way Cronenberg knows how. The results are not only better than the original film, but they’re also astonishingly original, completely horrific, and totally Cronenberg. “The Fly” is often regarded as the director’s best film, but even that might be selling it short. Jeff Goldblum and Geena Davis both deliver career-best performances, the effects are just as effective two decades after the film’s release, and the subtext of “The Fly” holds up extremely well. If you’re looking for the definition of a true “reboot” look no further than Cronenberg’s film. Not only is it absolutely creeptastic, but it’s also smart, well made, and wholly original. Oh, and it’s also often pretty damn gross.


“Disturbia” (2007)

Now’s the time when all the Shia LaBeouf haters will take out their pitchforks and come running after me. Go ahead, folks. Bring it because I still watch “Disturbia” to this day and I still get a hell of a kick out of it every time. Based on Alfred Hitchcock’s classic film “Rear Window,” D.J. Caruso’s 2007 film might not be a true, full-on “reboot,” but it definitely has enough elements of the original film to call it one. There’s a guy (in this case LaBeouf) holed up inside his house and he can’t stop staring out the window watching life happen outside. Then he sees what he believes to be a murder occurring. From there, “Disturbia” strays quite a bit from Hitchcock’s film, but it’s the same basic premise with similar results. The film is clearly no “Rear Window” but it is a damn fine film with some truly suspenseful moments and excellent performances from Shia LaBeouf and Sarah Roemer. “Disturbia” is one of those films that, if it pops up on TV, it’s nearly impossible to turn it off. That alone, in my opinion, is enough to call it a reboot that works.


“The Thing” (1982)

John Carpenter’s 1982 classic “The Thing” just might be the greatest reboot of all time. Based on the 1951 Howard Hawks-Christian Nyby film “The Thing from Another World” (and possibly more so John W. Campbell Jr.’s novella “Who Goes There?”), Carpenter’s film is an ice-cold slice of paranoid perfection. Similar to what Cronenberg does with “The Fly,” Carpenter takes the original premise and blows it up to create a wholly new film in the director’s signature style. Starring Kurt Russell, Wilford Brimley, Keith David, Donald Moffat, and Charles Hallahan, “The Thing” is exactly what you’d expect it to be… until it isn’t. It’s a film that will have you questioning who you trust and why, who your friends and enemies really are, and just what might lurk under the surface of every conversation, action, and moment of solidarity. It’s also, arguably, Carpenter’s greatest film and that’s saying a whole lot. If you’ve only seen the 2011 prequel version of “The Thing” get your butt over to Amazon now and pick up the excellent Blu-ray version of Carpenter’s film. You won’t regret it. Trust me.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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