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DID YOU READ

Dane DeHaan on “Lawless,” “Kill Your Darlings” and those “Spider-Man 2” Harry Osborn rumors

Dane DeHaan in Chronicle

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Dane DeHaan developed a taste for moonshine working on “Lawless” (out this week on DVD) — “straight, plum, strawberry, pineapple, blueberry, apple, and peach” were among the flavors he tried, all for work you understand! (“I would not have been doing a good job if I didn’t sample the local product,” he laughed when talking to IFC.) But that wasn’t the only thing Dehaan acquired from the set of his first big film.

“I’m a firm believer that you can learn something from everybody, and there were eight of the heaviest hitters on that film, so I soaked it all up, from every single person,” DeHaan said. “I look at people and I think, ‘What does he or she do better than me? How do they do that? How can I adapt that?'”

Guy Pearce, for instance, taught DeHaan “the importance of not only internal life, but external life” by showing up on the set with shaved-off eyebrows and a shaved quarter-inch part in his hair. “I mean, he was the dude,” DeHaan said. “He showed me how you can take the effort to form the person on the outside, which was a revelation to me, because I tended to work first on the internal, and the external would come later.” (For his own role, DeHaan took this lesson to heart in developing special angled shoes and his walk, since his character Cricket had rickets.)

Shia LaBeouf, on the other hand, taught DeHaan the value of developing relationships off set, after the two of them took a four-day road trip together so they could play best friends. That lesson is one DeHaan has already applied to two of his subsequent films, “Kill Your Darlings” and “The Place Beyond the Pines.”

In the Beat poets-murder story “Kill Your Darlings,” DeHaan plays Lucien Carr, who helped introduce Jack Kerouac (played by “Boardwalk Empire”‘s Jack Huston), Allen Ginsberg (played by Daniel Radcliffe), and William S. Burroughs (played by Ben Foster). And because he learned how valuable it was to have an off-set friendship to simulate an on-screen one, “I spent a lot of time with Dan,” DeHaan said. However, he didn’t spend quite as much time with co-star Michael C. Hall, who plays David Kammerer, a man Carr killed after spurning his romantic advances.

“Not only were Allen Ginsberg and Lucien Carr involved, but I think David Kammerer and Lucien Carr were also involved,” DeHaan said. “So I have a responsibility to develop that relationship, at least internally, so my character can really fall in love with them.”

Unlike the other main characters, DeHaan had less written material to study about Carr. “He tried really hard not to leave many accounts of himself out there,” the actor said. “The first edition of ‘Howl’ was dedicated to Lucie Carr, and he had his named removed from subsequent editions.” But DeHaan was able to find some handy material in “And The Hippos Were Boiled in Their Tanks,” which is an account of the murder co-authored by Kerouac and Burroughs not published until after Carr’s death. “Plus there are diaries and letters of Kerouac talking about Carr, Ginsberg talking about Carr, and you can get a sense of who he was,” DeHaan said.

In the Ryan Gosling-Bradley Cooper crime drama “The Place Beyond the Pines,” DeHaan decided his primary relationship he needed to develop was one with an inanimate object — his bike. “Shia taught me about the importance of creating relationships,” DeHaan said, “but I knew after reading the script that the important thing in that movie for me would be the bike. The bike came up all the time. I think my character [Jason] is genetically predisposed to love bikes.”

Taking a page from Cricket’s mechanical abilities (he’s a “genius” who is constantly rebuilding cars to make them go faster and outrun cops in “Lawless”), DeHaan decided his way in to Jason would be to build his character’s BMX bike, “so it would look like part of me.” This was not a hobby of his before this role, so he found some help at the L.A. bike shop Bicycle Kitchen. “They have a bunch of old beat up bikes, and it’s essentially a volunteer community service,” he said. “So I not only got to learn how to build a bike and take care of a bike, but I spent a lot of time around kids who are a lot like Jason, which was really informative for me.”

Now that DeHaan has several big films under his belt since “Lawless” (including a star turn in “Chronicle” — which might garner a sequel yet — and a cameo in “Lincoln”), the 26-year-old actor is hoping for a shot at an even bigger one: “Spider-Man 2.” He’s up for the role of Peter Parker’s best friend Harry Osborn, but he doesn’t want to jinx it by talking about screen tests or auditions. “I love what Marc Webb did with the first one, with the emphasis of the human aspects of it without calling attention to it. And I think Andrew Garfield is an amazing person and a talented artist. So if that opportunity were to come along, and obviously it has not yet, I would love to be in that.”

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.

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