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Dane DeHaan on “Lawless,” “Kill Your Darlings” and those “Spider-Man 2” Harry Osborn rumors

Dane DeHaan in Chronicle

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Dane DeHaan developed a taste for moonshine working on “Lawless” (out this week on DVD) — “straight, plum, strawberry, pineapple, blueberry, apple, and peach” were among the flavors he tried, all for work you understand! (“I would not have been doing a good job if I didn’t sample the local product,” he laughed when talking to IFC.) But that wasn’t the only thing Dehaan acquired from the set of his first big film.

“I’m a firm believer that you can learn something from everybody, and there were eight of the heaviest hitters on that film, so I soaked it all up, from every single person,” DeHaan said. “I look at people and I think, ‘What does he or she do better than me? How do they do that? How can I adapt that?'”

Guy Pearce, for instance, taught DeHaan “the importance of not only internal life, but external life” by showing up on the set with shaved-off eyebrows and a shaved quarter-inch part in his hair. “I mean, he was the dude,” DeHaan said. “He showed me how you can take the effort to form the person on the outside, which was a revelation to me, because I tended to work first on the internal, and the external would come later.” (For his own role, DeHaan took this lesson to heart in developing special angled shoes and his walk, since his character Cricket had rickets.)

Shia LaBeouf, on the other hand, taught DeHaan the value of developing relationships off set, after the two of them took a four-day road trip together so they could play best friends. That lesson is one DeHaan has already applied to two of his subsequent films, “Kill Your Darlings” and “The Place Beyond the Pines.”

In the Beat poets-murder story “Kill Your Darlings,” DeHaan plays Lucien Carr, who helped introduce Jack Kerouac (played by “Boardwalk Empire”‘s Jack Huston), Allen Ginsberg (played by Daniel Radcliffe), and William S. Burroughs (played by Ben Foster). And because he learned how valuable it was to have an off-set friendship to simulate an on-screen one, “I spent a lot of time with Dan,” DeHaan said. However, he didn’t spend quite as much time with co-star Michael C. Hall, who plays David Kammerer, a man Carr killed after spurning his romantic advances.

“Not only were Allen Ginsberg and Lucien Carr involved, but I think David Kammerer and Lucien Carr were also involved,” DeHaan said. “So I have a responsibility to develop that relationship, at least internally, so my character can really fall in love with them.”

Unlike the other main characters, DeHaan had less written material to study about Carr. “He tried really hard not to leave many accounts of himself out there,” the actor said. “The first edition of ‘Howl’ was dedicated to Lucie Carr, and he had his named removed from subsequent editions.” But DeHaan was able to find some handy material in “And The Hippos Were Boiled in Their Tanks,” which is an account of the murder co-authored by Kerouac and Burroughs not published until after Carr’s death. “Plus there are diaries and letters of Kerouac talking about Carr, Ginsberg talking about Carr, and you can get a sense of who he was,” DeHaan said.

In the Ryan Gosling-Bradley Cooper crime drama “The Place Beyond the Pines,” DeHaan decided his primary relationship he needed to develop was one with an inanimate object — his bike. “Shia taught me about the importance of creating relationships,” DeHaan said, “but I knew after reading the script that the important thing in that movie for me would be the bike. The bike came up all the time. I think my character [Jason] is genetically predisposed to love bikes.”

Taking a page from Cricket’s mechanical abilities (he’s a “genius” who is constantly rebuilding cars to make them go faster and outrun cops in “Lawless”), DeHaan decided his way in to Jason would be to build his character’s BMX bike, “so it would look like part of me.” This was not a hobby of his before this role, so he found some help at the L.A. bike shop Bicycle Kitchen. “They have a bunch of old beat up bikes, and it’s essentially a volunteer community service,” he said. “So I not only got to learn how to build a bike and take care of a bike, but I spent a lot of time around kids who are a lot like Jason, which was really informative for me.”

Now that DeHaan has several big films under his belt since “Lawless” (including a star turn in “Chronicle” — which might garner a sequel yet — and a cameo in “Lincoln”), the 26-year-old actor is hoping for a shot at an even bigger one: “Spider-Man 2.” He’s up for the role of Peter Parker’s best friend Harry Osborn, but he doesn’t want to jinx it by talking about screen tests or auditions. “I love what Marc Webb did with the first one, with the emphasis of the human aspects of it without calling attention to it. And I think Andrew Garfield is an amazing person and a talented artist. So if that opportunity were to come along, and obviously it has not yet, I would love to be in that.”

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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