DID YOU READ

Top 25 “Oh Shit!” Moments in Horror Movies (with video)

Alien-Chest-Burst

Posted by on

Here are the jump scares, third-act revelations and just plain crazy moments in horror that made us exclaim “Oh shit!” (or perhaps something even a little bit stronger). Brace yourselves!


25. Alien chest burst in “Alien” (1979)

How great would it be to go back to a time before the world was intimately familiar with the “chest-bursting” of the “Alien” movies and see poor John Hurt ruin everyone’s dinner for the very first time? How amazing it must’ve been to be sitting in a movie theater on opening night of Ridley Scott’s now-classic sci-fi horror film and see this scene with a crowd that had absolutely no idea what was coming. Due to all of the “Alien” sequels (and the unfortunate “Alien vs. Predator” spin-offs), we now barely even flinch when a “chest-bursting” happens, but back in the summer of 1979, audiences were as speechless as the cast.


24. “I know who I am!” in “Angel Heart” (1986)

Sure, you knew that Robert De Niro was the devil the whole time, with or without Mickey Rourke’s groan-inducing “Lou Cypher. Lucifer” line. But what you probably didn’t know was that Johnny Favorite, the long-lost musician who owes his soul to Satan, and Harry Angel, the seedy private investigator hired by the Prince of Darkness himself to track Johnny down, were the same person. This final revelation forced a considerable re-evaluation of all the film’s previous events – and certainly made that crazy sex scene with Lisa Bonet even more gross and a lot less hot.


23. Ending of “The Blair Witch Project” (1999)

What is this house? Who lives in it? Why won’t Michael respond to Heather’s cries shortly after disappearing from her view? Oh my god – why is Michael facing the wall … kind of in the way described in that earlier story we heard? Oh my god, why did Heather fall down? HAS THE WORLD GONE MAD? So much for sleeping a wink during the second half the summer of ’99 … and, for some, beyond.


22. Sink kill in “The Blob” (1988)

“What is this?” It’s the Blob, you fool! The underrated 1988 remake of the ’50s B-movie creature feature had the benefit of being a product of the go-for-broke ’80s, a decade in which horror filmmakers didn’t let limited resources (no CGI yet) keep them from exploring the most over-the-top indulgences of their twisted imaginations. Because of “The Blob,” we all know that the best thing to do if a sink is clogged is to walk away … to the next town. Bonus bit: Kevin Dillon exclaiming “Don’t touch him!” upon witnessing the poor dude getting sucked down the drain. Don’t worry, fella – we won’t.


21. Basketball kill in “Deadly Friend” (1986)

Anne Ramsey’s gig in-between “The Goonies” (1985) and “Throw Momma From the Train” (1987) was Wes Craven’s hey-why-not B-movie that feels like one big decompression from the fact that his “Nightmare on Elm Street” has become a series dictated by box office success and not by his own creative control. “Deadly Friend” stars Kristy Swanson as the murdered girl next door brought back to life by via a computer brain that used to be inside a robot dog (yeah). Zombie robot girls can do lots of cool things, like throw basketballs really, really hard at people’s heads.

Continue to next page > >
Jackie That 70s Show

Jackie Oh!

15 That ’70s Show Quotes to Help You Unleash Your Inner Jackie

Catch That '70s Show Mondays and Tuesdays from 6-10P on IFC.

Posted by on
Photo Credit: Carsey-Werner Company

When life gets you down, just ask yourself: what would Jackie do? (But don’t ask her, because she doesn’t care about your stupid problems.) Before you catch That ’70s Show on IFC, take a look at some quotes that will help you be the best Jackie you can be.


15. She knows her strengths.

Carsey-Werner Productions


14. She doesn’t let a little thing like emotions get in the way.

Carsey-Werner Productions


13. She’s her own best friend.

Jackie 3


12. She has big plans for her future.

Carsey-Werner Productions


11. She keeps her ego in check.

Carsey-Werner Productions


10. She can really put things in perspective.

Carsey-Werner Productions


9. She’s a lover…

Jackie 7


8. But she knows not to just throw her love around.

Carsey-Werner Productions


7. She’s proud of her accomplishments.

Jackie 9


6. She knows her place in the world.

Carsey-Werner Productions


5. She asks herself the hard questions.

Carsey-Werner Productions


4. She takes care of herself.

Carsey-Werner Productions


3. She’s deep.

Carsey-Werner Productions


2. She’s a problem solver.

Carsey-Werner Productions


1. And she’s always modest.

Carsey-Werner Productions

“Iron Man 3″ trailer: Five key scenes

newironman3photos6

Posted by on

The first trailer for “Iron Man 3″ has arrived, and it offers not only our first look at Sir Ben Kingsley as the film’s villain, The Mandarin, but also a taste of the destruction wrought on Tony Stark (Robert Downey Jr.) in the aftermath of “The Avengers.” But the real kicker? Quite a bit of that destruction appears to be caused by various versions of his Iron Man armor.

Marvel released the two-minute trailer online today, and after you give it a look, make sure to re-watch it with an eye toward these five key scenes.


1. Armor Attraction

Around the 0:20 mark, we get a look at one of the improvements Tony has made to his armor when one of his gauntlets flies across the room to his hand as if magnetized. While the first “Iron Man” involved a relatively lengthy suiting-up process and the second film gave us Tony’s “briefcase armor,” we did get a taste of the possibilities in “The Avengers” when Tony’s armor followed him out a window and enveloped him in mid-fall. In “Iron Man 3,” that process takes the logical next step and we see Tony controlling the individual pieces of his armor via some unknown method — something that’s likely to play a big role in the movie, from what the trailer seems to indicate.


2. An Unwelcome Guest

Our first scene featuring what look to be renegade Iron Man suits pops up around the 0:39 mark, and it’s a recurring theme throughout the trailer — which leads us to believe that the greatest threat Tony faces in the new film might not be The Mandarin, but his own technology (which may or may not be controlled by The Mandarin, of course). Between this early scene and the later shots of Tony being pinned by his own armor, it looks like we can expect some Iron Man vs. Iron Man brawls in the new film, taking the brawl between Tony and Rhodey (Don Cheadle) from “Iron Man 2″ to the next level.


3. Boom Goes The Iron Man

The destruction that fills the trailer kicks off in a big way around the 0:44 mark with a shot of each suit of Iron Man armor exploding, one after the other, as The Mandarin explains his plan to teach the world a lesson — starting with its so-called heroes. The scenes of devastation only increase from there, with scenes of a rubble-strewn battleground and a climactic shot of Tony’s oceanside home being bombarded with gunfire and missiles. The resulting collapse sends Tony and Pepper flying, and we later see a set of armor — possibly worn by Tony — being dragged to the bottom of the ocean and buried beneath the rubble. To say that this trailer indicates rough times ahead for Tony is like saying Batman had a few bad days in “The Dark Knight Rises.”


4. The Iron Patriot Arrives

One of the most talked-about elements spotted on the set of “Iron Man 3″ ages ago was the “Iron Patriot” armor glimpsed in unofficial photos snapped early in the production period for the film. We get our first look at the armor in action around the 0:48 mark, and it looks to be a mix of the classic War Machine armor with some new, red, white, and blue twists. There’s still no firm information about who will be wearing the armor — though there is a lingering shot of Cheadle as Rhodey Rhodes earlier in the trailer. James Badge Dale and Guy Pearce have also been rumored as potential Iron Patriots, but nothing is certain at this point.


5. Behold, The Mandarin

Fans have been speculating since the first “Iron Man” about the future of the character’s best-known foil, The Mandarin, and when we’ll get a glimpse of him in Marvel’s cinematic universe. Well, we get our first good look at Kingsley as the iconic villain right around the 1:09 mark, after a set of early shots tease his debut in the trailer. And while Kingsley certainly strikes an intimidating visual as The Mandarin, it’s also worth a little freeze-frame action at the :59 mark to see the set of ten rings he’s wearing. Comic-book fans know that Mandarin’s ten rings are the source of much of his power, and though early reports indicate that the rings won’t have any magical abilities in the movie, their inclusion is — at the very least — a nice nod to the source material. While the live-action incarnation of Mandarin seems a little more gritty and a little less regal than his comics counterpart, it’s hard to see fault in what we’ve seen of Kingsley’s terrifying take on the character.

Oh, and for anyone wondering about Kingsley’s distinctly non-Asian look, it’s worth noting that the original version of Mandarin in the comics was actually only half-Chinese, and the son of a British mother and Chinese father. Much like the casting of Liam Neeson as the half-Arabic, half-Chinese villain Ra’s al Ghul in Christopher Nolan’s recent Batman franchise, it appears that we’ll see a more mixed-race take on the Mandarin in Marvel’s movie-verse.


And there you have it, folks. Make sure to let us know which scenes from the trailer impressed (or disappointed) you the most.

IFC.com’s 2012 Fall Movie Preview Guide

IFC Fall Movie Preview Guide

Posted by on

We’ve finally exited the bombastic season of summer blockbusters, but by no means is Hollywood through with us. September through December is when studios release some of their most original and interesting films, often with an eye towards Oscar gold. Given that dozens of films are on the release calendar during this period, we’ve put together a handy guide showcasing some of the best and brightest of the fall fare. So with that in mind, take a gander at our substantive Fall Movie Preview Guide.

Select a monthSept | Oct | Nov | Dec

9/7 – “BRANDED” (Roadside Attractions – Jamie Bradshaw and Aleksandr Dulerayn – Sci-Fi)

A scene from BrandedWhat use does anyone have for subtlety when Max Von Sydow is out there forcing us to eat hamburgers, buy smartphones and have sex in cars? A variation on John Carpenter’s “They Live” with something resembling a “Matrix”-sized budget, “Branded” stars Ed Stoppard as just another working stiff in a sprawling (and vaguely green-tinted, as these things usually go) metropolis who suddenly starts seeing the world as a series of Xbox 360 cutscenes gone stark raving mad, a glimpse behind the curtain of the Big Brother corporation that’s controlling our instincts, desires and even personalities via some sort of implant. Consumerist satire is nothing new to science fiction (did we mention “They Live”?), but “Branded” at least has what looks like a unique gonzo visual style courtesy of the writing and directing team of Jamie Bradshaw and Aleksandr Dulerayn. Jeffrey Tambor and Leelee Sobieski are also in this, which just makes it all the weirder.


9/7 – “THE INBETWEENERS MOVIE” (Wrekin Hill Entertainment – Ben Palmer – Comedy)

A scene from The Inbetweeners MovieSuburban teenagers Will (Simon Bird), Jay (James Buckley), Neil (Blake Harrison) and Simon (Joe Thomas) pack up their adolescent angst and raging libidos and trade the rainy doldrums of England for the sunny climes of Malia, embarking on a much-needed vacation that doesn’t quite end up being what they expected. Seedy hotels, public humiliations, run-ins with drug dealers and more than a few sexual misadventures are the name of the game in this feature film adapted from the popular British television series (which this film brings to a definitive end), an inspired-looking bit of cinematic mayhem that could very well dethrone “Project X” as 2012’s number-one party movie that parents hope their kids will never see. What better way to take the edge off of going back to school than by spending some time on a Greek island with a quartet whose coming-of-age always takes the most extreme route possible?


9/7 – “THE WORDS” (CBS Films – Brian Klugman and Lee Sternthal – Drama)

A scene from The WordsWant to plunge yourself into the deepest existential crisis you could ever imagine? Commit plagiarism! “The Words” follows an aspiring writer (Bradley Cooper) who finally achieves the success he’s been craving when he publishes the next great American novel – an epic romantic tome that he didn’t write himself. The consequences are dire when the truth comes a’callin’, made all the more ominous by being embodied by a strange old man on a park bench (Jeremy Irons) whose cryptic storytelling reveals the reality behind the fiction … and vice-versa. After “Limitless” and now this, Bradley Cooper can play a grinning doofus whose new ultra-life comes with a very high price in his sleep, though the film itself seems a bit confused when the sudden appearance of the song “Demons” by Imagine Dragons over the last part of the trailer makes it seem like an MTV movie that should be starring Zac Efron and Miley Cyrus. Still, “The Words” earned some good buzz from Sundance earlier this year, and it’s not like anyone should turn down the chance to see a supporting cast that includes Zoe Saldana, Olivia Wilde, Dennis Quaid and J.K. Simmons, who plays a businessman who has to tell his perpetually broke, pushing-40 artiste son that maybe writing should just be a “hobby.”


9/14 – “THE MASTER” (The Weinstein Company – Paul Thomas Anderson – Drama)

Philip Seymour Hoffman in The MasterPaul Thomas Anderson’s first film in five years (following 2007’s excellent “There Will Be Blood”) comes with a bit of pre-packaged controversy as his post-war fable about a wandering soul (Joaquin Phoenix) who’s “saved” by a spiritual guru (Philip Seymour Hoffman) bears more than a passing resemblance to the life story of L. Ron Hubbard and the rise of Scientology. Indeed, Anderson has tried to cut off any potential (and probably inevitable) grumblings at the pass by already showing the film to what could be either his greatest ally or worst enemy in this endeavor: his “Magnolia” pal and number-one Scientology celebrity champion, Tom Cruise. Cruise reportedly has “some problems” with the film but certainly doesn’t seem to be all up in arms about it; hopefully, we’ll be able to judge “The Master” on its own terms and not as the “propaganda film” some might claim it to be. The fact that Anderson has never made a bad movie certainly sets the bar pretty high; personally, we have a feeling this one might even end up being his all-time best.


9/14 – “RESIDENT EVIL: RETRIBUTION” (Sony Pictures – Paul W.S. Anderson – Action/Horror/Sci-Fi)

Milla Jovovich in Resident Evil: RetributionMilla Jovovich is back doing what she does best in the fifth (!) installment of the action horror series that no one really likes but apparently can’t help but watch. It looks like business as usual (and once again in 3D, as with the 2010’s “Afterlife”) as Alice (Jovovich) grabs her double guns and teams up with a resistance movement that’s determined to take down the ever-corrupt, ever-untouchable Umbrella Corporation, the uber-conglormerate responsible for turning most of the world’s population into ravenous zombies and other mutant monsters. “Retribution” makes for something of a reunion as several series alums are making appearances (whether they died in previous installments or not), including Michelle Rodriguez (absent since the 2002 original), Sienna Guillory (as fan favorite Jill Valentine), Oded Fehr and Shawn Roberts (as supervillain Albert Wesker). What, no Mike Epps? What kind of show is Paul W.S. Anderson running here? Anyway, “Retribution” reportedly marks the “beginning of the end” for a franchise that somehow keeps getting resurrected almost in spite of itself.


9/21 – “DREDD 3D” (Lionsgate – Pete Travis – Action/Sci-Fi)

Karl Urban in Dredd 3D“I AM DA LAW!” Sylvester Stallone made a go at Judge Dredd, the judge, jury and executioner of the popular British comic book series “2000 AD,” back in 1995 with a failed film adaptation that didn’t stand a chance against opening opposite “Apollo 18″ (or opening opposite anything, really). The character’s definitely got a cult following, so it was only a matter of time before someone gave him an upgrade and a hearty R rating for some rather extreme “RoboCop”-level violence. Karl Urban, who can play anything from a Middle-earth warrior in “The Lord of the Rings” to a scowling Russian assassin in “The Bourne Supremacy” to, well, Bones in “Star Trek,” plays Dredd this time around, a mighty and at times merciless enforcer of justice in the irradiated future world of Mega City One, a sparawling metropolis overwrought with crime and corruption. The film screened earlier this summer at the San Diego Comic-Con, where it received some praise for not pulling any punches in bringing to life a city where bullets fly like there’s no tomorrow.


9/21 – “END OF WATCH” (Open Road – David Ayer – Drama/Mystery)

A scene from End of Watch“So why do they call you Big Evil?” “’cause my evil’s big.” Writer-director David Ayer once again hits the mean streets of Los Angeles with this crime drama in which two LAPD officers (Jake Gyllenhaal and Michael Peña) make what seems like the bust of their careers when they confiscate a bunch of money and guns during a routine traffic stop. Unfortunately, this act of protecting and serving makes them the targets of a powerful drug cartel that likes to do things like shoot up homes with machine guns in the middle of the night – for starters. Ayer, who wrote “Training Day,” “S.W.A.T.” and “Dark Blue” and wrote/directed “Harsh Times,” is obviously right at home with this kind of gritty cop tale, and with “End of Watch” he goes for a “found footage” kind of look to up the sense of realism and intensity. If only we didn’t have such a hard time accepting Gyllenhaal as a grown-up – we still only see the kid from “Donnie Darko” every time we look at him.


9/21 – “HOUSE AT THE END OF THE STREET” (Rogue – Mark Tonderai – Horror/Thriller)

Jennifer Lawrence in House at the End of the StreetIt was probably only a matter of time before someone put Jennifer Lawrence, the rising star of “Winter’s Bone” and “The Hunger Games,” in a white tank top and made her stake her claim as a modern-day Scream Queen. Lawrence plays Elissa, a teenager who moves with her newly divorced mother (Elisabeth Shue) to an upscale (and almost surely isolated) country community, where she becomes involved with the cute guy next door (Max Thieriot) who harbors a deadly secret involving murder and mayhem. Lawrence’s perfectly art-directed grimy, sweaty cleavage should sell some tickets, though whether she’s a true movie star outside the realm of Panem remains to be seen; meanwhile, we’re having trouble with the fact that the hottie from “Adventures in Babysitting” is now old enough to have a teenager of her own. The film’s already been nominated for Best Sound Editing by the Directors Guild of Canada, so we know all those creaking floors, high-pitched wails and various bumps in the night will at least sound good.


9/21 – “TROUBLE WITH THE CURVE” (Warner Bros. – Robert Lorenz – Drama)

Clint Eastwood in Trouble with the CurveIt’s been a while since baseball was used as a metaphor for the various unpredictable victories and defeats of … well, life, so leave it to Clint Eastwood, Hollywood’s seemingly tireless MVP, to take us back out to the ball game. Eastwood plays Gus, a longtime talent scout who’s got one good trip left in him; his estranged daughter (Amy Adams) accompanies him on his last swing for the fences, during which he encounters a longtime rival (Justin Timberlake) who’s got eyes for his little girl. “Trouble With the Curve” marks Eastwood’s first acting gig since 2008’s “Gran Torino” and his first starring role in a movie he didn’t direct himself since 1993’s “In the Line of Fire”; calling the shots (and pitches) is Eastwood’s longtime pal and producer, Robert Lorenz, making his feature directorial debut. Expect this one to be a grizzled yet gentle fable that might do for fathers and daughters what “Field of Dreams” did for fathers and sons.


9/14 – “THE PERKS OF BEING A WALLFLOWER” (Summit – Stephen Chbowsky – Drama)

Emma Watson and Ezra Miller in The Perks of Being a WallflowerStephen Chbosky directs his own adaptation of his own novel, a “period piece” of sorts (it takes place in the early ’90s, which, in many ways, might as well be 100 years ago) about a high school freshman (Logan Lerman) who’s taken under the wing of two seniors (Emma Watson and Ezra Miller) as he deals with first love, the suicide of his best friend and other seemingly insurmountable challenges of transitioning into adulthood. The exceptional book definitely has its fans, but the real draw here is seeing Emma Watson in her first major post-“Harry Potter” role; she’s apparently determined to still be seen as a student, unlike her colleague, Daniel Radcliffe, who jumped right into playing a widowed father in “The Woman in Black.” Early buzz says that Chbosky has been blessed by John Hughes, which is certainly a “Perk”; God knows we’re extremely overdue for a truly insightful, witty and unironic film about teenagers.


9/28 – “SOLOMON KANE” (Radius-TWC – Michael J. Bennett – Adventure/Fantasy)

A scene from Solomon Kane“I am not yet ready for hell!” An old-fashioned morality tale told as an epic fantastical action-adventure, “Solomon Kane” stars James Purefoy as a brutal mercenary of Queen Elizabeth I who changes his violent ways when he finds out that he’s headed straight for you-know-where. He successfully lives a life of peace until he’s called back into action after an evil sorcerer (Jason Flemyng) kidnaps a Puritan girl (Rachel Hurd-Wood) and has her family slaughtered in front of her. Time to set stuff on fire and turn dramatically to the camera to say “Follow me!” in the mostly grimly determined way possible! This one’s been held at U.S. customs for three years now, as other countries have been enjoying “Solomon Kane” since late 2009; the film now serves as a warm-up of sorts before director Michael J. Bennett unveils his big Hollywood debut, “Silent Hill: Revelation 3D,” a month later. “Solomon Kane” also marks one of the last films of the late, great Pete Postlethwaite, who, along with Max von Sydow, provides old-timer gravitas to all the sword-swinging chaos.


9/28 – “LOOPER” (TriStar Pictures – Rian Johnson – Action/Sci-Fi)

Joseph Gordon-Levitt in LooperWe’ve been waiting almost 17 years for something to be referred to as “the next ’12 Monkeys,'” and it looks like we’re finally getting it in the form of Rian Johnson’s new sci-fi action film – which, appropriately enough, also features the doomed hero of “Monkeys,” Bruce Willis. Joseph Gordon-Levitt, the writer-director’s unofficial muse (they previously rocked the house – or the high school, rather – with the noir mystery, “Brick”), plays the title role, a future-world assassin who incorporates time travel into his work; things go completely meta-bonkers when his latest target ends up being his older self (Willis), who manages to avoid being the victim of what would’ve been the most mind-bending case of murder-suicide in history. The trailer released a few months ago was amazing enough, but the extended look given at this summer’s San Diego Comic-Con promises a film that’s going to be as exciting and entertaining as it is thought-provoking and smarty-pants cool (just like “12 Monkeys” before it).

Continue to October >>

10 great comic moments from Tony Scott films

082112-tony-scott

Posted by on

The loss of Tony Scott shocked the entire entertainment industry, as he was one of the most renowned action directors of all time, with “Top Gun,” “Spy Game,” “ Man on Fire,” “Enemy of the State” and “The Taking of Pelham 123” under his belt. What’s less emphasized is that he could also make his films all the more entertaining by capturing the comedy element as well – albeit in an aggressive, adrenaline-charged manner most of the time. While most retrospectives will show you his action achievements, here’s a quick rundown of ten great comic moments from the films of the late, great Tony Scott.


Tom Cruise: Cockiest of the Cocky

In Scott’s seminal high-octane jet-fighter flick “Top Gun,” Tom Cruise played Maverick, the hotshot pilot who could pull off what nobody else could, and in the process, that smugly entertaining “goddammit, I don’t want to like you, you cocky son of a bitch, but I do,” persona of his made him a star. Here’s Maverick showing up his teacher and eventual lover, Kelly McGillis, by bragging about his flying skills.


Top Bird

Did that impossible stunt that Mav was bragging about in the previous clip actually happen? Why, yes, Tony Scott gave us a bunch of awesome aerial intensity in order to build to a Polaroid and a middle finger. That’s great bird service.


When Eddie Murphy was Eddie Murphy…

Young folks today might not quite understand why so many Eddie Murphy movies today are viewed with some level of wistful disappointment. Those of us in the know remember when Murphy was a whirlwind of frenetic, energetic comedy, and it’s on great display in Scott’s “Beverly Hills Cop II.” Watch here as he power-bluffs some criminals into confusion and mistrust.


…He could still step back and let Gilbert Gottfried have a scene

Murphy’s Axel Foley was a pre-eminent con artist, constantly tricking people and getting mixed up in shenanigans as a result. So here he is playing the straight man to Gilbert Gottfried’s ridiculous loud-mouthed office schlub.


The bleakest of action-comedies

When you went to see “Beverly Hills Cop II,” you knew you were getting something that was predominantly a comedy, as that was Murphy’s stock in trade. However, in 1991, you weren’t sure what you were going to get with Scott’s “The Last Boy Scout.” Bruce Willis cut his teeth being a comic goofball on “Moonlighting,” but he’d skyrocketed to fame as the down-on-his-luck John McClane in “Die Hard,” so he was the action movie superstar. Damon Wayans had just hit it big with “In Living Color,” and he was straight-up comedy. No one quite expected something as dark and foul-mouthed as this film about a miserable alcoholic detective named Joe Hallenbeck and a coked up washout quarterback named Jimmy Dix trying to avenge Stripper Halle Berry’s death. And yet, it was one of the funniest films Tony Scott ever made.


Continue to next page >>

The 10 funniest Phyllis Diller moments

082112-phyllis-diller

Posted by on

We’ve recently lost the mighty Phyllis Diller at the age of 95, whom many consider to be the first nationally famous female stand-up comedian, and who undoubtedly influenced generations of comics to come. Bob Hope loved her after seeing this 37-year-old wife and mother work San Francisco’s Purple Onion comedy club in the 1950s, complaining about her looks, her husband “Fang,” and her own domestic ineptitude in the heyday of the idealized homemaker. She became a mainstay on Hope’s television specials – not to mention Johnny Carson’s “Tonight Show” as well. She was raucous, she was incisive, she was self-deprecating and always endearing. Here are 10 moments from her long and outstanding career.


“You Bet Your Life”

Phyllis Diller made her first ever television appearance on the legendary show hosted by the even-more-legendary Groucho Marx, whose compliments as to her comic abilities encouraged her to focus on making her stand-up comedy career successful.


Wardrobe Choices

As you saw from the previous clip, Diller’s look needed some adjustment. Since her material so often focused on mocking herself, her trademark look became a wilder and crazier outfit every time around the horn. In this case, we see she chose something specific to help emphasize her bird-leg routine.


“The Liberace Show”

Diller might’ve been the only person in the world who could give Liberace a run for his money as far as outlandish fashion statements go. Here’s a clip in where she actually gets into a piano duet with the pianist icon.


“Boy Did I Get a Wrong Number”

Bob Hope always liked Diller from the get-go, and he brought her into this 1966 film as his maid who gave him no end of guff, mocking his career and drinking all his hooch.


“The Pruitts of Southampton”

Diller had her own short-lived television shows as well – first in this sitcom about a wealthy family in a huge mansion who was secretly deep in debt. This one ran from 1966-67, and was eventually just retitled “The Phyllis Diller Show.” Here’s the original opening theme song complete with her trademark laugh, which just screams ‘classic.’


Continue to next page >>
Powered by ZergNet