DID YOU READ

Tim Grierson on the Indie Gem “Take This Waltz”

Take This Waltz

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A few years ago, the Los Angeles Film Critics Association (of which I’m a member) bestowed its annual New Generation award to Sarah Polley. It might have seemed like an odd pick: Polley had been an actress of some acclaim since the 1990s, compelling in everything from “The Sweet Hereafter” to “Go” to the “Dawn of the Dead” remake. But the prize was given to her for her new career, that as the director of “Away From Her,” the elegant 2007 romantic drama starring Julie Christie and Gordon Pinsent that was based on Alice Munro’s short story about an aging couple coping with one partner’s encroaching Alzheimer’s. Polley had proved herself an extremely gifted presence in front of the camera — what a pleasant surprise that she was just as capable behind it.

The worry about giving out a New Generation award is whether the recipient will be able to live up to his or her early promise. Thankfully, in the case of Polley, her second film as a director, “Take This Waltz,” is just as rewarding. You may have missed it during the heat of summer movie season, but it will be arriving on DVD on Tuesday. It’s definitely worth seeking out.

“Take This Waltz” is a romantic drama like “Away From Her,” but this time around she’s focusing on characters closer to her own age. And she’s not adapting another writer’s work this time — “Take This Waltz” is an original screenplay, one that concerns a romantic triangle in which there are no clear good guys or bad guys. Polley offers no simple solutions for either her characters or the audience.

The movie stars Michelle Williams as Margot, a young woman living in Toronto who approaches her 30th birthday with some trepidation. Yes, she’s married to a loving, sweet guy named Lou (Seth Rogen), but their adorable life together doesn’t leave her fully fulfilled — a fact we pick up on when the movie opens and she’s flirting with an artist named Daniel (Luke Kirby) while out of town on a quick trip. It seems like a passing sensation, nothing more, but she quickly discovers that she and Daniel live on the same block. She shouldn’t hang out with him once she gets home, but, well, she likes the guy’s company.

Their relationship, which is actually just a friendship, serves as the heart of “Take This Waltz,” and Polley never fully suggests what Margot should do: dump her husband or tell Daniel that nothing can happen between them. The movie quite confidently resides in an ambiguous middle ground, which shifts the emphasis toward Margot rather than the two men in her life. As Polley makes clear, Margot isn’t really choosing between Lou and Daniel: She’s picking between different futures, different mindsets, different paths to follow. In other words, Margot is really trying to figure out who she’s supposed to be, and “Take This Waltz” can be achingly poignant in its portrayal of this bright but lost young woman.

This isn’t to say that “Take This Waltz” is flawless. In their attempts to show Margot’s confusion, Polley and Williams sometimes risk turning the character into a self-absorbed, overly cutesy pushover. And the film sometimes meanders. But those defects have a way of becoming strengths, giving the story a relatable messiness that’s in keeping with the characters’ unfinished, hesitant lives. And Williams’s co-stars are great. Kirby steals the movie and has received the lion’s share of the praise, giving Daniel a sensual, sensitive magnetism that’s hard to resist, but Rogen’s role is in some ways trickier. He’s stuck playing the nice-guy husband, but he and Polley make him a fully developed character, alternately loving and irritating in a way that those closest to us can be.

Perhaps it’s impossible to transcend the clichés of the romantic-triangle storyline, but you have to give Polley credit for the sincerity and insights she brings to a seemingly familiar scenario. It’s a sign of this film’s smarts that even at the end I wasn’t entirely sure if Margot had made the right decision — I feel pretty positive Polley isn’t, either. Like few movies, “Take This Waltz” understands that not many people find that one perfect soul mate — instead, it’s a question of making certain compromises to find happiness. If you’re not careful, this movie can break your heart. And after seeing it, you may have a hard time hearing the Buggles’ “Video Killed the Radio Star” without getting a little melancholy.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

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IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

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Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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