DID YOU READ

Tim Grierson on the Frustrations of Being a Kevin James Fan

101512-kevin-james

Posted by on

This past weekend, the comedy “Here Comes the Boom” was a critical and commercial disappointment, receiving generally dismissive reviews and ending up a lowly No. 5 at the box office. The poor notices weren’t a surprise, but the poor grosses were. “Here Comes the Boom” is the latest vehicle for Kevin James, who in the last few years has established himself as an emerging star. Lovable and sweet where other comics are hip or crass, James has carved out a niche for himself as a likable everyman. I’ve enjoyed him in just about everything he’s done on film and in television. Unfortunately, I’ve almost never enjoyed the projects themselves.

James grew up in Long Island and first made his name as a standup, making observational humor that often poked fun at his own foibles. His persona was that of a well-meaning doofus, an image that was enhanced by his plus-size figure and soft features. This regular-guy demeanor soon translated into a recurring role on his friend Ray Romano’s sitcom “Everybody Loves Raymond.” And from there, James got his own show, “The King of Queens,” which transplanted his “Raymond” character Doug Heffernan into its own universe.

Though the show ran for nine seasons, “The King of Queens” was never much of a critical favorite. (It received exactly one Emmy nomination, for James for Outstanding Lead Actor.) And while it was certainly a formulaic sitcom — even casting Jerry Stiller, who had been part of the “Seinfeld” juggernaut, as James’s Frank Constanza-like father-in-law — it was boosted by its star’s utter naturalness as a working-class delivery driver. At a time when so-called “blue-collar comedy” in the form of Jeff Foxworthy and Larry the Cable Guy was playing into cultural stereotypes and parading its redneck bona fides, Doug didn’t seem to have a political agenda: He was just a nice guy who loved football and got annoyed by the same things we all do.

And while “The King of Queens” definitely followed the formula of pairing an average-looking comic with an impossibly beautiful wife, James’s show shook things up a little by having Doug’s wife (Leah Remini) not be the calm, rational one who had to put up with her husband’s crazy schemes. Instead, she was often the ambitious, irritable one that he had to calm down, creating a good-cop dynamic that James would continue to exploit when he transitioned into film.

By 2005, he had already appeared in Adam Sandler’s “50 First Dates,” but it was in “Hitch” where he first showed his potential as a film actor. Perhaps importantly, he wasn’t the lead, instead playing the charming, understated second fiddle to Will Smith’s charismatic, cocky love doctor. By comparison, James was a mild-mannered executive trying to woo the gorgeous Amber Valletta. In real life, a guy as timid as James would never land such a beauty, but his innate sweetness made this proposition, at least in the fluffy world of romantic comedies, at least seem plausible. “Hitch” wasn’t much of a movie, but James was a charmer.

Afterward, James moved on to “I Now Pronounce You Chuck and Larry,” where he co-starred with Sandler. As on “The King of Queens,” he was the nice guy in contrast to Sandler’s homophobic, babe-hound character, playing a kind-hearted widower who just wants to take care of his two kids. Whether you thought “Chuck and Larry” was a groundbreaking commentary on gay relationships or just a crude Sandler comedy, James’s character’s undeniable decency gave the movie its emotional center.

With James now firmly entrenched in the Sandler camp, I was hoping he would be able to do better as a leading man than other Sandler pals like Rob Schneider and David Spade had fared. Unfortunately, his first starring role, 2009’s “Paul Blart: Mall Cop,” was an utter abomination — the sort of juvenile, lowest-common-denominator misfire that movie studios dump in January that they just want off their slate. I assumed it would bomb and would hamper James’s career. Shows you how good my box-office prognostication skills are: “Paul Blart” was a huge hit, winning two straight weekends and ending up with more than $146 million. James co-wrote “Paul Blart,” but the “Die Hard”-in-a-mall premise didn’t do enough to emphasize his sweetness or his sneaky slightly-skewed-ordinary-guy essence. As someone who had been a fan of his for a while, I suppose I was happy for James’s success, but, seriously, the endless fat-guy jokes of “Paul Blart” didn’t make me optimistic about his future.

My attitude didn’t change with subsequent films. In “Grown Ups,” “The Dilemma,” and “Zookeeper,” it’s been more of the same, with James’s likable presence overshadowed by broader, louder costars or, in the case of “Zookeeper,” by talking animals voiced by the likes of Sandler, Cher and Sylvester Stallone. The reviews for “Zookeeper,” his second solo starring vehicle, were just as brutal as they were for “Paul Blart,” but the movie made about half as much money, perhaps a signal that audiences were tiring of James. I could understand: The modest charm of his earlier roles had calcified into a nice-guy shtick that wasn’t nearly as enjoyable when it was forced to shoulder the burden of miserable dreck all by itself.

That’s why I’m most disappointed with the lukewarm returns for “Here Comes the Boom.” While it’s not a film I’d recommend, it’s the first time James has been the leading man in a movie that clearly plays to his strengths. As with “Paul Blart” and “Zookeeper,” he co-wrote “Here Comes the Boom,” and he’s hit upon a timely premise. Scott Voss (James) was once a dedicated high school teacher who has grown complacent and lazy over time. But when an older teacher (Henry Winkler) whom he admires discovers that his music program is going to be cut due to budget restraints, Scott decides to become an MMA wrestler to win enough money to save the program.

James has always poked fun at his own beefiness, which has made his surprisingly graceful moves all the more delightful. (The highlight of “Hitch” is probably watching James dance.) “Here Comes the Boom” utilizes this juxtaposition to good effect as Scott convincingly goes toe-to-toe with professional MMA fighters: He’s big enough but also swift enough to play the part. And while the movie is a paint-by-numbers sports film, James knows how to be lovable without seeming needy or cloying about it. Like too many of the movies he’s associated with, though, “Here Comes the Boom” is only tolerable because of his presence, and you wonder if he’s not ambitious enough to do better or if he’s happy starring in mediocre Hollywood product. I still think the guy’s got potential — but sometimes I’m not sure if he sees that potential in himself.

Watch More
FrankAndLamar_100-Trailer_MPX-1920×1080

Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

Posted by on

“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

Watch More
Brockmire-103-banner-4

Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

Posted by on

He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

Watch More
Brockmire_101_tout_2

Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

Posted by on
GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

Watch More
Powered by ZergNet