Five Reasons We Need a Bane Movie Now

Tom Hardy as Bane in The Dark Knight Rises

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“The Dark Knight Rises,” now in seventh place on the all time box office charts with a global gross of over a billion dollars, would have not been as successful if not for the audacity of Batman’s antagonist. Already Bane is one of the great antiheroes in the history of film, hijacking social media conversations throughout the summer. Joel Schumacher almost singlehandedly ruined Bane with his campy, banal interpretation of the thoroughly intriguing DC supervillain. Chris Nolan’s Bane, however, the dark knight nemesis in this summer’s blockbuster, all but stole the movie away from Batman with his commitment to the cause of pure, unmitigated evil.

Bane is the ultimate anti-hero. The comparisons to Darth Vader are not wholly without merit — both wear respirators, both men are deliciously evil. And like Vader, Bane – and Bane-isms on social media – has taken on a life of his own. But there are so many questions about Bane left unanswered at the end of “The Dark Knight Rises.” We need to go back, “Memento”-style, to fully understand Bane, a villain that is quite frankly worth fully understanding. Here are five reasons why we need a Bane movie for some closure.

The Origin

What about Bane’s backstory? Bane was created in the early 90s, the son of a revolutionary who was sentenced to some Caribbean prison from birth as punishment for his father’s crimes against the dictatorship. Chris Nolan and David Goyer’s Bane, however, is slightly different than the comic book character.

Bane’s origin in the film, unfortunately, was left on the cutting room floor. Although Bane’s origin is alluded to by way of Talia al Ghul’s in Dark Knights Rises, a Bane movie would offer a more fully fleshed out portrait of this fascinating and mysterious monster. When Dark Knight Rises begins, Bane is already an established world-class mercenary inspiring fear and an intense loyalty among his men. How did he come to achieve so much respect from such battle-hardened men? That, future Untitled-Bane-Project director, would be a story worth telling.

Is Bane animated by political ideals? Clearly Bane played a part in some dodgy wars overseas. This was part of his seasoning; this was probably how he gained his army and his reputation. But in which theaters of war was Bane a player? And how did he distinguish himself? Philosophically, Bane appears – at face value at least — to share much in common with the Occupy Wall Street movement. Is this simply demagoguery on his part? Does Bane use Occupy vocabulary merely to manipulate the crowd? Or is Bane actually anti-capitalist; opposed to not just Bruce Wayne, but all that the billionaire represents as a man. And if Bane is indeed an enemy of democratic capitalism, how did he get to be so? Rotting in a Third World prison might, perhaps, have something to do with that. Backstory, please.

The League of Shadows

What is Bane’s stake in the League of Shadows? How did Bane actually acquire that fighting style? Of that fighting style, Tom Hardy told Empire magazine:

“It is brutal and military. It’s more military in many ways. MMA [Mixed Martial Arts] is very athletic. It’s an athlete’s sport. And you’ve got your Krav Maga and whatnot from Bourne, the Bourne world. Very tight movement, very contained but aimed to kill. To kill, do you know what I mean? And maim. Then you’ve got the Keysi lot that Batman does I suppose, which is a lot of elbow business. But Bane is brutal. It’s not about fighting. It’s about just carnage with Bane …Bane’s a superhero villain. So that’s what the violence is there to imply, and the style is heavy handed, heavy footed.”

He was also trained as an assassin. Bane told Batman that he was initiated into the League of Shadows. Bane, in his first confrontation with the Bat, hinted that his mission in Gotham was also partly fuelled by that their mutual association with that organization. It is a personal grudge. But Bane’s actual relationship with the League – and Ra’s al-Ghul – remains, even after the closing credits, murky.


“Calm down, Doctor! Now’s not the time for fear. That comes later.” Bane, quite frankly, is one of the greatest motivational speakers since Tony Robbins, only more terrifying by a factor of ten. “You think darkness is your ally – but I was born in it!” His Baneisms, recited with much gusto, had me – and many of my friends – quoting him, admiringly, for days afterwards. I am not alone. Twitter, in the weeks following the film, was filled with Bane motivational quotes. If only for more crisply delivered one liners of pure evil, we need a Bane movie. Make this happen now.

Bane and Gotham

How did Bane, quite literally, conquer Gotham’s underworld? In “The Dark Knight Rises,” we are introduced to Bane by way of his use of orphans – shades of child soldiers? — in the sewers of Gotham. Bane’s use of children sets a cynical, almost Dickensian tone. But how did he build his small army? How did Bane get away with essentially stealing the city’s orphans from under the eye of the Gotham City Police Department for his own workforce? Did Bane have competition? Gotham – at least in the comics – has a very competitive and ruthless underworld. It is hard to imagine that Bane did not face some conflict. How did Bane become king of the sewers, lord of the night?

Talia and Bane

Finally: Bane and Talia. They have a strange, complex relationship. Even more interesting and layered than Bruce and Selina Kyle or Bruce and Talia are Bane and Talia. The loving and familiar manner in which Talia al-Ghul, for example, fixes Bane’s broken respirator at the end of the movie can only be properly construed as some kind of tenderness. Such tenderness, when exhibited by hyper-violent and thoroughly ruthless individuals motivated by revenge, vexes. What does love between evil people look like? It looks, dear reader, like a Bane movie.

Would you like to see a Bane movie? Let us know in the comments below, or on Facebook or Twitter.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar


IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”

Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”

But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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