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Exclusive: Dan Harmon speaks candidly about “Community” departure

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Fans of “Community” found it very disheartening when it was announced earlier this year that NBC was going to continue the show without its showrunner Dan Harmon. The critical darling wasn’t performing with the numbers the network wanted, and Harmon kept pushing the show farther and farther from the mainstream by having episodes dedicated to obscure films like “My Dinner with Andre” and taking place in multiple timelines. Harmon has been candid about his departure since NBC let him go, but it’s clear that he’s unhappy that his baby is going to be moving on without him.

IFC had the chance to catch up with Harmon at the red carpet premiere for Daniel Gillies’ documentary “Kingdom Come,” and we asked him about life after “Community.” He signed a TV deal with CBS and was in talks with FOX about a new show back in July, but it’s unclear just what those projects may be.

“I haven’t really thought about [the new shows] all that hard,” Harmon admitted. “My philosophy coming off of the NBC thing is that I’m not going to work quite as hard right out of the gate because working hard in network television, you’re not supposed to. You’re supposed to delegate and you’re supposed to take notes and you’re supposed to be diplomatic. I need to prove with my next couple of jobs that I’m capable of working without burning bridges and biting hands and things.”

He continued, “That’s why I went with CBS and Fox because they’re the two biggest networks and I want to do something good and something that’s successful and somehow not be the bad guy every day that I go to work. If that doesn’t work, I’ll immediately dump the third thing and become unlikable again, but I want to see if it’s possible to have all three and keep my job and make people happy and do something of quality.”

From the sound of those statements, it seemed as though Harmon was talking about maybe toning down his voice in his new television projects. When we asked if that’s what he meant, he explained that it’s a tricky line to walk.

“That’s a really good important question. Obviously if I say, ‘Yes, I’m going to try to tone it down,’ that would be [a trap]. Not that it’s like a ‘gotcha’ thing, I’m just saying, ‘What is the real answer to that question?’ What am I saying when I say I want to not get fired or hoist my sails to the wind that’s there?” he said. “It’s like, I hope that that doesn’t involve toning anything down.”

As an example, he explained that “Community” was his “earnest attempt to make a mainstream show,” so fans shouldn’t worry about him “selling out tonally.” And even though he’s hopefully going to end up on a network whose best comedies are sitcoms, he doesn’t think his project will fit with that mold.

“I’m not really able to write ‘Big Bang Theory.’ If I tried, it would be worse than ‘Big Bang Theory.’ The guys that are good at that write that, do it well, and then the stuff that I write is going to end up inevitably being like ‘Community,” Harmon said. “The sad fact is that that’s as close to the bulls-eye as I get. Just don’t tell CBS that I said that; it may repeat itself all over again. I’ll find some way to make it my own, otherwise it will be bad.”

“Community” has had plenty of iconic and experimental episodes, from the episode-long paintball fights to the stop-motion Christmas special to our personal favorite: “Remedial Chaos Theory” with its multiple timelines. We asked Harmon which of the episodes were his favorite, and he said there were too many to choose from.

“Since the end of the first season onward, it was all about, ‘We’re going to get fired every day now, we’re going to get cancelled, but it didn’t happen today, so what else has anyone else wanted to do on TV for their entire life as a writer?’ and whatever the answer was we’d try to find a way to do it up to and including a multiple timeline, which is something I’d wanted to do for a long time,” he said. “Ever since I’d seen ‘Run Lola Run.’ I mean, I’m a derivative writer. You can see online, I posted a text message conversation I had with one of the writers, Megan Ganz, about just watching ‘Run Lola Run’ a second time and going, ‘There’s got to be a way to do this sliding doors, video game stop-and-start multiple timelines something.’ You can see us hashing it out.”

We asked him about the season three episode “Digital Estate Planning,” which guest starred Giancarlo Esposito and, like the stop-motion episode, ditched live action to instead be told through the style of a retro video game. It turns out that one doesn’t rank to high on his list of favorites.

“That was ridiculous,” he said. “I haven’t watched that one again because it was just like too far. I know that that was the final straw [with NBC].”

What about season two’s “Critical Film Studies,” which is largely inspired by “My Dinner with Andre” and “Pulp Fiction” and features Abed’s hilarious “Cougar Town” crossover?

“God, that’s another one I thought was it,” Harmon said, and then continued on to explain why he thinks so many of “Community’s” experiments slipped through the cracks. “We were very lucky to be at a network that was sort of in flames the whole time because it was like Beirut wasn’t a nice place to live in the ’80s but there was a lot of ammunition lying around and people got to do some stuff they had always been dreaming of doing. I think that’s what NBC was at that time.”

Even with those harsh words, Harmon made it clear that he wishes all the best for the network that sent him away.

“I hope for NBC’s sake that the impulse that made [NBC chairman Robert] Greenblatt get rid of me is coupled with an impulse that brings stability and Camelot back, because it is one of the greatest networks, the one that I grew up watching: ‘Night Rider,’ ‘A-Team,’ ‘Cosby,’ ‘Cheers,'” he told IFC. “It would be great to see them keep fighting that fight for taste and quality but, I don’t know. That’s out of my jurisdiction, I have no idea if that’s going to happen. I saw a poster with a monkey on it and some guys with BabyBjorns, so it’s not looking good.”

What do you think about Harmon’s comments about NBC and “Community”? Tell us in the comments section below or on Facebook and Twitter.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

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IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
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Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
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Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

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Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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