Two pretty exciting new guests will be joining us on “Arrested Development” in its upcoming fourth season. Will Arnett spilled the beans during his recent visit to “Conan.”
“We’re really excited. We’re making this “Arrested Development” sort of miniseries, if you will, and I think that I can say — I don’t want to give away too much, I don’t want this to be too much of a spoiler alert — but I think that I can put it this way, that there are a few people on this stage tonight who are a part of it,” Arnett teased.
Who could he be talking about? The only other people on the stage were Conan O’Brien and Andy Richter, both of whom make sense to appear on the series. He went on to confirm that the two actors will be involved.
“I think we know who we are,” he said. “It’s us.”
Fingers crossed that O’Brien will be playing Emmett Richter, whose face we’ve never seen (though a composite photo did show that he would actually look like his four brothers).
Both men are joining a growing group of familiar faces. Mae Whitman (who?), Liza Minelli, Judy Greer, Ron Howard, Scott Baio and Henry Winkler will all be back, and newcomers Isla Fisher, Terry Crews, John Slattery and the cast of “Workaholics” will join them.
“Arrested Development” season four will air on Netflix at some point next spring. It will have anywhere from 10 to 13 episodes, and could be released all at once instead of weekly.
What other recurring characters would you like to see return in “Arrested Development”? Tell us in the comments section below or on Facebook and Twitter.
Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.
IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?
Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.
IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?
Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”
IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?
Betsy: I wasn’t sure I knew what it was, I just knew I loved it!
Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture.
IFC: Which ’90s shows did you mine for the series, and why?
Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.
Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places.
IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?
Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. Lee (Jonathan Braylock) is the jock.
IFC: Why do you think the world is ready for this series?
Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.
Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.
Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…
IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?
Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.
IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?
Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!
IFC: What’s your comedy origin story?
Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.
IFC: What was the genesis of Neurotica?
Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.
IFC: How would you describe Ivy?
Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.
IFC: How would Ivy’s clientele describe her?
Jenny: Open-minded, caring, excellent aim.
IFC: Why don’t more small towns have local dungeons?
Jenny: How do you know they don’t?
IFC: What are the pros and cons of joining a chain mega dungeon?
Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”
IFC: Mouths are gross! Why is that?
Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.
See the whole season of Neurotica right now on IFC’s Comedy Crib.
Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.
We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.
Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).
In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?
From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.
Feeling better about that walk down memory lane? Good. Enjoy the revival.