DID YOU READ

Tim Grierson on the Inspiring AIDS Documentary “How to Survive a Plague”

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Recently, the media marked the one-year anniversary of Occupy Wall Street, the nascent political movement started to protest corporate influence on government. Of course, this country has had a long history of activism, whether it’s the women’s suffrage movement that began in the 19th century, the civil rights struggle of the 1950s and ’60s, or the rise of the Tea Party in 2009, and it’s a sign of a strong democracy that its citizens continually feel empowered to let their voices be heard.

Probably the most meaningful activist cause of the last 30 years — one that’s still ongoing — is the fight for equal rights for lesbian, gay, bisexual and transgender people. That cause has suffered setbacks along the way, but as a moving new documentary, “How to Survive a Plague,” demonstrates, there has also been significant progress, most notably in the fight to curb the spread of AIDS in the gay community in the 1980s and ‘90s. The film opened in select cities over the weekend and will be arriving on VOD platforms starting on Friday. It’s a stirring reminder that activism can sometimes be a messy, difficult process but a necessary one in order to bring about change.

“How to Survive a Plague” is directed by David France, a journalist who has been writing about AIDS for 30 years, and the documentary tells the story of ACT UP, a New York group that was committed to raising awareness of the disease and advocating for extensive government research into finding a cure. One of the organization’s biggest hurdles at the time was a public perception that AIDS was a gay illness, and consequently there was reluctance among some to help people whose lifestyle they found immoral. This meant that ACT UP had to fight bigotry as much as they were fighting a disease.

Of the film’s many laudable qualities, “How to Survive a Plague” takes us back to the roughly 10-year period that began with ACT UP’s formation in 1987, providing us with a wealth of archival footage from the organization’s meetings and public protests. As a result, “How to Survive a Plague” feels less like a historical document — although it’s certainly a valuable one — than it does an urgent battle plan that’s unfolding as we watch. Even if you already know how instrumental ACT UP’s actions were in convincing government, scientists, and drug makers to speed up their work, “How to Survive a Plague” is undeniably tense and electric. By relying largely on the old footage shot by ACT UP members, the documentary serves as a year-by-year chronicle of the incremental progress made by the group in all its messy unpredictability.

That messiness is important because it shows that democracy doesn’t often flow smoothly, requiring activists to try all different tactics to achieve their goals. In “How to Survive a Plague,” we see ACT UP’s key figures — including charismatic spokesman Peter Staley and fiery PR pro Bob Rafsky — incorporate everything from sit-ins (which they called “kiss-ins”) to theatrical, highly orchestrated protests (such as dumping the ashes of loved ones on the White House lawn) to meeting with influential congressmen, moving on to new publicity strategies when old ones start to lose their potency. At the same time, the film shows how activist groups evolve over time, moving out of their idealistic early period and learning how to reconcile changing (sometimes competing) agendas within their membership. While “How to Survive a Plague” celebrates the perseverance of ACT UP, the documentary doesn’t shy away from acknowledging the group’s internal divisions after years of frustration. (Indeed, such a moment of frisson at an ACT UP meeting from the early ’90s leads to one of the film’s most cathartically beautiful scenes.)

When we think about renowned activists like Martin Luther King, Jr. who devoted their lives to changing the world, the word we often use to describe them is “courageous.” And while courage is certainly an important ingredient in challenging society’s preconceptions and biases, the men and women shown in “How to Survive a Plague” relied on anger and desperation as much as bravery. Typical Hollywood feature films would depict these people as tireless heroes, but as we see in the archival footage, they were actually quite human — articulate and smart and impassioned, but also enraged and scared about a disease that was killing their community while too much of the rest of the world looked the other way. That anger permeates “How to Survive a Plague,” which unapologetically presents ACT UP’s more combative protests and showy publicity stunts, including a confrontation with Bill Clinton while he was on the stump during the 1992 Democratic primaries. There will be those, myself included, who might become annoyed during parts of this film because it seems that ACT UP’s actions are childish or unproductive, but France makes a convincing argument that the net value of the group’s activities was resoundingly productive, kicking and screaming to bring exposure to AIDS. If nothing else, the film reminds the rest of us from the comfort of our safe remove that few things get done in a democracy by the mild and the polite.

Because it focuses on archival footage that’s supplemented by a smattering of present-day interviews, “How to Survive a Plague” is more a portrait of a cause than an in-depth examination of those involved, although we do learn enough about these individuals to deeply admire them. For an even more up-close-and-personal snapshot of how AIDS decimated communities, you should seek out last year’s “We Were Here,” a superb documentary that chronicles how San Francisco’s gay population combated the disease in the 1980s. In a sense, they’re companion pieces, offering a personal and political perspective on a scourge that claimed far too many lives. But as “How to Survive a Plague” demonstrates, though the terror of AIDS has subsided, it’s a disease that still persists. Meanwhile, the LGBT movement has made major inroads in convincing the rest of society to treat its community with the same respect and rights that all other groups receive. But that fight is not yet completed. When I was a kid learning about the civil rights movement, I wondered what it would be like to be alive during such a pivotal moment in American history. Only in my adult life have I realized that another such movement has been with us for quite some time. With its rage and tears, “How to Survive a Plague” has delivered an eloquent document of history as it happened — history that has yet to write its final chapter.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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