DID YOU READ

Tim Grierson on the Inspiring AIDS Documentary “How to Survive a Plague”

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Recently, the media marked the one-year anniversary of Occupy Wall Street, the nascent political movement started to protest corporate influence on government. Of course, this country has had a long history of activism, whether it’s the women’s suffrage movement that began in the 19th century, the civil rights struggle of the 1950s and ’60s, or the rise of the Tea Party in 2009, and it’s a sign of a strong democracy that its citizens continually feel empowered to let their voices be heard.

Probably the most meaningful activist cause of the last 30 years — one that’s still ongoing — is the fight for equal rights for lesbian, gay, bisexual and transgender people. That cause has suffered setbacks along the way, but as a moving new documentary, “How to Survive a Plague,” demonstrates, there has also been significant progress, most notably in the fight to curb the spread of AIDS in the gay community in the 1980s and ‘90s. The film opened in select cities over the weekend and will be arriving on VOD platforms starting on Friday. It’s a stirring reminder that activism can sometimes be a messy, difficult process but a necessary one in order to bring about change.

“How to Survive a Plague” is directed by David France, a journalist who has been writing about AIDS for 30 years, and the documentary tells the story of ACT UP, a New York group that was committed to raising awareness of the disease and advocating for extensive government research into finding a cure. One of the organization’s biggest hurdles at the time was a public perception that AIDS was a gay illness, and consequently there was reluctance among some to help people whose lifestyle they found immoral. This meant that ACT UP had to fight bigotry as much as they were fighting a disease.

Of the film’s many laudable qualities, “How to Survive a Plague” takes us back to the roughly 10-year period that began with ACT UP’s formation in 1987, providing us with a wealth of archival footage from the organization’s meetings and public protests. As a result, “How to Survive a Plague” feels less like a historical document — although it’s certainly a valuable one — than it does an urgent battle plan that’s unfolding as we watch. Even if you already know how instrumental ACT UP’s actions were in convincing government, scientists, and drug makers to speed up their work, “How to Survive a Plague” is undeniably tense and electric. By relying largely on the old footage shot by ACT UP members, the documentary serves as a year-by-year chronicle of the incremental progress made by the group in all its messy unpredictability.

That messiness is important because it shows that democracy doesn’t often flow smoothly, requiring activists to try all different tactics to achieve their goals. In “How to Survive a Plague,” we see ACT UP’s key figures — including charismatic spokesman Peter Staley and fiery PR pro Bob Rafsky — incorporate everything from sit-ins (which they called “kiss-ins”) to theatrical, highly orchestrated protests (such as dumping the ashes of loved ones on the White House lawn) to meeting with influential congressmen, moving on to new publicity strategies when old ones start to lose their potency. At the same time, the film shows how activist groups evolve over time, moving out of their idealistic early period and learning how to reconcile changing (sometimes competing) agendas within their membership. While “How to Survive a Plague” celebrates the perseverance of ACT UP, the documentary doesn’t shy away from acknowledging the group’s internal divisions after years of frustration. (Indeed, such a moment of frisson at an ACT UP meeting from the early ’90s leads to one of the film’s most cathartically beautiful scenes.)

When we think about renowned activists like Martin Luther King, Jr. who devoted their lives to changing the world, the word we often use to describe them is “courageous.” And while courage is certainly an important ingredient in challenging society’s preconceptions and biases, the men and women shown in “How to Survive a Plague” relied on anger and desperation as much as bravery. Typical Hollywood feature films would depict these people as tireless heroes, but as we see in the archival footage, they were actually quite human — articulate and smart and impassioned, but also enraged and scared about a disease that was killing their community while too much of the rest of the world looked the other way. That anger permeates “How to Survive a Plague,” which unapologetically presents ACT UP’s more combative protests and showy publicity stunts, including a confrontation with Bill Clinton while he was on the stump during the 1992 Democratic primaries. There will be those, myself included, who might become annoyed during parts of this film because it seems that ACT UP’s actions are childish or unproductive, but France makes a convincing argument that the net value of the group’s activities was resoundingly productive, kicking and screaming to bring exposure to AIDS. If nothing else, the film reminds the rest of us from the comfort of our safe remove that few things get done in a democracy by the mild and the polite.

Because it focuses on archival footage that’s supplemented by a smattering of present-day interviews, “How to Survive a Plague” is more a portrait of a cause than an in-depth examination of those involved, although we do learn enough about these individuals to deeply admire them. For an even more up-close-and-personal snapshot of how AIDS decimated communities, you should seek out last year’s “We Were Here,” a superb documentary that chronicles how San Francisco’s gay population combated the disease in the 1980s. In a sense, they’re companion pieces, offering a personal and political perspective on a scourge that claimed far too many lives. But as “How to Survive a Plague” demonstrates, though the terror of AIDS has subsided, it’s a disease that still persists. Meanwhile, the LGBT movement has made major inroads in convincing the rest of society to treat its community with the same respect and rights that all other groups receive. But that fight is not yet completed. When I was a kid learning about the civil rights movement, I wondered what it would be like to be alive during such a pivotal moment in American history. Only in my adult life have I realized that another such movement has been with us for quite some time. With its rage and tears, “How to Survive a Plague” has delivered an eloquent document of history as it happened — history that has yet to write its final chapter.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

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IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

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Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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