DID YOU READ

Tim Grierson on the Inspiring AIDS Documentary “How to Survive a Plague”

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Recently, the media marked the one-year anniversary of Occupy Wall Street, the nascent political movement started to protest corporate influence on government. Of course, this country has had a long history of activism, whether it’s the women’s suffrage movement that began in the 19th century, the civil rights struggle of the 1950s and ’60s, or the rise of the Tea Party in 2009, and it’s a sign of a strong democracy that its citizens continually feel empowered to let their voices be heard.

Probably the most meaningful activist cause of the last 30 years — one that’s still ongoing — is the fight for equal rights for lesbian, gay, bisexual and transgender people. That cause has suffered setbacks along the way, but as a moving new documentary, “How to Survive a Plague,” demonstrates, there has also been significant progress, most notably in the fight to curb the spread of AIDS in the gay community in the 1980s and ‘90s. The film opened in select cities over the weekend and will be arriving on VOD platforms starting on Friday. It’s a stirring reminder that activism can sometimes be a messy, difficult process but a necessary one in order to bring about change.

“How to Survive a Plague” is directed by David France, a journalist who has been writing about AIDS for 30 years, and the documentary tells the story of ACT UP, a New York group that was committed to raising awareness of the disease and advocating for extensive government research into finding a cure. One of the organization’s biggest hurdles at the time was a public perception that AIDS was a gay illness, and consequently there was reluctance among some to help people whose lifestyle they found immoral. This meant that ACT UP had to fight bigotry as much as they were fighting a disease.

Of the film’s many laudable qualities, “How to Survive a Plague” takes us back to the roughly 10-year period that began with ACT UP’s formation in 1987, providing us with a wealth of archival footage from the organization’s meetings and public protests. As a result, “How to Survive a Plague” feels less like a historical document — although it’s certainly a valuable one — than it does an urgent battle plan that’s unfolding as we watch. Even if you already know how instrumental ACT UP’s actions were in convincing government, scientists, and drug makers to speed up their work, “How to Survive a Plague” is undeniably tense and electric. By relying largely on the old footage shot by ACT UP members, the documentary serves as a year-by-year chronicle of the incremental progress made by the group in all its messy unpredictability.

That messiness is important because it shows that democracy doesn’t often flow smoothly, requiring activists to try all different tactics to achieve their goals. In “How to Survive a Plague,” we see ACT UP’s key figures — including charismatic spokesman Peter Staley and fiery PR pro Bob Rafsky — incorporate everything from sit-ins (which they called “kiss-ins”) to theatrical, highly orchestrated protests (such as dumping the ashes of loved ones on the White House lawn) to meeting with influential congressmen, moving on to new publicity strategies when old ones start to lose their potency. At the same time, the film shows how activist groups evolve over time, moving out of their idealistic early period and learning how to reconcile changing (sometimes competing) agendas within their membership. While “How to Survive a Plague” celebrates the perseverance of ACT UP, the documentary doesn’t shy away from acknowledging the group’s internal divisions after years of frustration. (Indeed, such a moment of frisson at an ACT UP meeting from the early ’90s leads to one of the film’s most cathartically beautiful scenes.)

When we think about renowned activists like Martin Luther King, Jr. who devoted their lives to changing the world, the word we often use to describe them is “courageous.” And while courage is certainly an important ingredient in challenging society’s preconceptions and biases, the men and women shown in “How to Survive a Plague” relied on anger and desperation as much as bravery. Typical Hollywood feature films would depict these people as tireless heroes, but as we see in the archival footage, they were actually quite human — articulate and smart and impassioned, but also enraged and scared about a disease that was killing their community while too much of the rest of the world looked the other way. That anger permeates “How to Survive a Plague,” which unapologetically presents ACT UP’s more combative protests and showy publicity stunts, including a confrontation with Bill Clinton while he was on the stump during the 1992 Democratic primaries. There will be those, myself included, who might become annoyed during parts of this film because it seems that ACT UP’s actions are childish or unproductive, but France makes a convincing argument that the net value of the group’s activities was resoundingly productive, kicking and screaming to bring exposure to AIDS. If nothing else, the film reminds the rest of us from the comfort of our safe remove that few things get done in a democracy by the mild and the polite.

Because it focuses on archival footage that’s supplemented by a smattering of present-day interviews, “How to Survive a Plague” is more a portrait of a cause than an in-depth examination of those involved, although we do learn enough about these individuals to deeply admire them. For an even more up-close-and-personal snapshot of how AIDS decimated communities, you should seek out last year’s “We Were Here,” a superb documentary that chronicles how San Francisco’s gay population combated the disease in the 1980s. In a sense, they’re companion pieces, offering a personal and political perspective on a scourge that claimed far too many lives. But as “How to Survive a Plague” demonstrates, though the terror of AIDS has subsided, it’s a disease that still persists. Meanwhile, the LGBT movement has made major inroads in convincing the rest of society to treat its community with the same respect and rights that all other groups receive. But that fight is not yet completed. When I was a kid learning about the civil rights movement, I wondered what it would be like to be alive during such a pivotal moment in American history. Only in my adult life have I realized that another such movement has been with us for quite some time. With its rage and tears, “How to Survive a Plague” has delivered an eloquent document of history as it happened — history that has yet to write its final chapter.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.