Susan Sarandon on robot rights in “Robot & Frank” and her “Cloud Atlas” role


Posted by on

In the new film “Robot & Frank,” Susan Sarandon plays a librarian coping with the near-future implications of a world in which print material is quickly going the way of the dinosaur, soon to be replaced with digital data. The only person less at ease with the shift from physical books to virtual information is her library’s last remaining customer, Frank (Frank Langella) — an aging former thief whose creeping Alzheimer’s has made every trip to the library a unique experience.

It’s a heart-warming — and occasionally heart-wrenching — film written by Christopher Ford that has a fair share of surprises for its audience, as it drifts away from the expected tropes under director Jake Schreier, who makes his feature debut with the movie. According to Sarandon, those surprises were a big part of the project’s appeal.

“When I read the script, I didn’t know where it was going,” Sarandon told IFC during the press junket for the film. “I loved the take they had on the future. I met with the director, who was incredibly excited, and I saw his reel, which was very fun and different. I was filming another big movie at the same time, but they worked out the dates and I thought why not give them a shot? Let’s jump in.”

And jump in she did, adding even more star power to a film that’s now generating quite a bit of buzz on the festival circuit. While Langella’s character and his evolving relationship with his robot caretaker (voiced by Peter Sarsgaard) are the focal points of the story, characters played by Sarandon, Liv Tyler, and James Marsden also factor prominently in the film.

“You look at the cast, and you look to see who’s in the cast and maybe there’s someone you haven’t worked with before, someone you know, which was the case in this,” explained Sarandon. “I’d worked with Jimmy before and I knew Liv and I knew Frank a little bit, but I’d never worked with him. He’s great.”

“You can tell by the casting the tone of what’s going to happen, and then you just jump,” she laughed. “You throw caution to the wind and hope that some part of what they discuss in their vision ends up happening.”

Sarandon said it was also the “near future” setting of the film that piqued her interest, which presents a softer version of sci-fi in what is essentially a futurist, sci-fi movie set not too far down the road.

“It was described to me as being in the future, but really the future hasn’t turned into the Jetsons the way we thought would happen,” she explained. “But at the same time, look at how we’re giving every piece of information about ourselves to everybody. Nobody thought that would happen unless a police state happened, and instead we just joyfully hand it over.”

“I think sometimes that what you project is going to be the future, some of those shinier things don’t happen, but a lot of it did,” she continued. “I think [‘Robot & Frank‘] is a very realistic idea of what the future would be like. It says it’s not that far in the future, but the way books are disappearing, I could see it.”

And even though the story unfolds around Frank, he’s only half of the title’s duo. One of the other “near-future” notions touched on in the film is the nature of robots’ role in the world, and exactly where their rights begin and end for both society at large and in Frank’s mind.

Never one to shy away from voicing her views on such matters, Sarandon offered some food for thought when IFC asked her where she might align in the “robot rights” debate.

“This robot doesn’t seem to want to be considered human and doesn’t expect certain rights, but we’re programming more and more intelligence into them and they will probably have a union at some point when they get in everybody’s homes,” she said. “I’m definitely very lucky to have a job that pays me the way it does and to be able to pay for my kids’ education and health care, but I don’t need to have billions of dollars to feel okay. And I think it’s a stronger society when we do spread things around.”

“Even in ‘Harry Potter,’ I was definitely down for that house elf,” she laughed. “He was fabulous and I felt very strongly about elves’ rights and stuff like that. It just makes for a happier place if everyone’s feeling good about themselves. No matter if they’re metallic or elves, let everybody feel like they’re being respected.”

Still, not all is well and good in Frank’s life — or the robot’s version of “life,” for that matter. As their relationship blossoms, Frank finds himself itching to get back to old habits, and as his awareness and grip on reality grow, so does his desire to jump into the next heist.

“I think you definitely cheer for him to be involved in his old habit, because when people have something they’re excited about, they tend to stay alive,” said Sarandon of the unique dilemma the film presents. “That’s why pets are so important for people when they get older. For me, the sinister part of it was this idea that he’s losing his mind. That really scares me — the idea of losing touch with everything and ending up having to have somebody make sure you don’t just walk into the woods and disappear. . . . But I didn’t mind him stealing from the bad [people]. That idea is a very Robin Hood approach. . . . It didn’t bother me.”

Of course, “Robot & Frank” isn’t the only film with the futurist bent that Sarandon is involved with these days, and while we had the chance to talk with her, we couldn’t help asking for more information about her role in “Cloud Atlas,” the new film based on David Mitchell’s award-winning 2004 novel. The first trailer for the film debuted recently, and Sarandon can be seen in a brief scene, though she’s simply credited as “actress” in the movie.

“I play five different characters, one of which is a guy,” she explained. “I don’t want to tell you anything more, but they’re small parts everybody plays. It was a boisterous atmosphere, with people putting on noses and chins and mustaches and playing different genders, different colors, different everything.”

“I think that’s what they were trying to say, is that we’re all connected,” she continued. “And all the rest of it is just details, and underneath, whatever kindness or meanness you exhibit somehow determines the future — that it will continue the cycle. If you listen to my voiceover you’ll hear all about it. But my parts are really small. I was just so thrilled ot be asked to be in any part of it.”

Watch More

Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

Posted by on

“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar


IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

Watch More

Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

Posted by on

He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”

Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

Watch More

Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

Posted by on
GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”

But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

Watch More
Powered by ZergNet