DID YOU READ

Norman Reedus chats about the upcoming season of “The Walking Dead,” apologizing to Naomi Watts, and his upcoming film slate

Norman Reedus in The Walking Dead

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Norman Reedus may have broken onto the scene with roles in films like “Mimic” and “8MM,” but it’s his role as Murphy MacManus in Troy Duffy’s 1999 cult classic “The Boondock Saints” that really made the actor a star. Fast forward a decade to 2010 and Reedus would soon become a household name by playing a foul-mouthed (but often lovable) redneck that kills zombies with pinpoint accuracy with the help of his trusty crossbow. Reedus’ star power exploded with his role in AMC’s “The Walking Dead” and it’s about to get even brighter with the premiere of the show’s third season on October 14th.

Reedus sat down with IFC.COM recently to chat about his upcoming film slate, how he found himself apologizing to Naomi Watts on a daily basis, and just how “crazy” the upcoming season of “The Walking Dead” is going to be.

IFC: Do you feel like Daryl’s more of a likeable guy now than he was when “The Walking Dead” first started?

Norman Reedus: It’s funny because we’re almost wrapped up with season three – we’ve got maybe four or five more episodes – and I’ve had to go back and forth between this ferocious guy and the “please help me, I’m a wounded animal” guy that I don’t know what to ask for. They ask me what kind of things I want to do as the character, and I can’t decide if I want to poke a bunch of people’s eyes out and cut their throats or just curl up in a ball and cry because they’re both kind of fun.

IFC: I think Daryl and Carol became closer to each other this past season than almost anyone else on the show. Tell me a little bit about your relationship with Melissa McBride.

REEDUS: I adore Melissa. She’s one of my favorite actors on the show. She’s such a good actress and she has so much inside that she can just open her eyes and stare at you and listen and so much stuff comes out of her. I’ve been very fortunate in the fact that I’ve had a lot of scenes with Melissa – private scenes. It’s just the luck of the draw, I think. Both of our characters are very similar – they’re damaged people gravitating towards damaged people – but I love Melissa. She’s one of my dearest friends and she’s just awesome to watch. She’s really magnificent.

IFC: Any hints you can give us about what we can expect for Daryl in season three?

REEDUS: Rick has sort of become the brother than Merle wasn’t. So now that Merle’s back, there’s a lot of confrontation. There’s a lot of bullets. There’s a lot of kills. There’s a ferociousness to this season that wasn’t in seasons one and two. The first season was kind of an introduction. The second season we sort of treated the zombies like we were terrified of them. The third season it’s like a plague. It’s like an infestation of giant man-eating rats. Everyone’s just pissed off. So everyone’s demeanor is different in the third season, and everyone’s just fed up. It’s a new animal this year.

IFC: This little movie you made with Sean Patrick Flanery and Troy Duffy has become a huge cult classic. Do you still get people coming up to you and telling you that “The Boondock Saints” is their favorite movie? Do they want to see your hands to see if the tattoos are there?

REEDUS: Every day. Every day, all day long. (Laughs) I did the USO tour with Sean. We got to meet the troops in Dubai and Bahrain and Djibouti and Ethiopia and to have that many people who are just complete badasses and love that film and know every single quote in that film, it was pretty humbling. I have firemen and policemen, all the time, tell me that’s their favorite movie.

I remember talking to Willem Dafoe a long time ago and he’s like “All I ever wanted to be was a really good cult actor,” and I was like “What the hell’s he talking about? What’s that mean?” And then I discovered the legions of fans that come with cult films. It’s pretty awesome. I thank my stars every day that Troy gave me that shot.

IFC: Obviously you still love the movie at this point. You’re not tired of talking about that one yet?

REEDUS: Nah, man. I love that film. It’s one thing to do a big film and have every billboard on the planet to promote it, and every commercial. But we did this little film and had none of that. No had no P&A [publicity and advertising] at all. It was just passed around through word of mouth and it became this big deal. And, you know, that never happens. That’s cooler than being the big film that’s overly promoted and doesn’t do anything. It’s a much bigger prestige for me. It’s sort of like the people’s movie and I’m super proud of it.

IFC: You have a few movies coming up that people are excited about. In “Sunlight Jr.” you get to work with Naomi Watts and Laurie Collyer. How has that experience been for you?

REEDUS: Yeah, and Matt Dillon too. You know, Laurie’s great. I met Laurie in Little Italy back in New York, right around the corner from my apartment and I just fell in love with her. I was like “I’ll do anything you want to do.” She’s such a strong woman with a vision. So I sat down with her and she had this punk rock t-shirt on and I was like “Who is this chick?” I totally fell in love with her.

This film? I’m all sorts of fucked up in this film. I think my first line ever on “Sunlight Jr.” was to Naomi and it was “I can smell your pussy through the glass.” (Laughs) Every day I was like “I apologize. I’m sorry. I’m sorry about tomorrow.” (Laughs) It’s gonna be interesting.

IFC: That’s your Hannibal Lecter line.

REEDUS: I know, right? (Laughs) I’m all sorts of white trash in that flick. Not like Daryl, though. I’m like “city white trash.” I’m more meth-head white trash. I’ve got the tank top and the big gold chain. I’ve got flip-flops with the white socks on. The whole thing.

IFC: So you move from “Sunlight Jr.” over to “Pawn Shop Chronicles,” which is more of an action-comedy. Does that mean we get to see you do a little bit of comedy too?

REEDUS: Well, it’s interesting in that movie because you gotta look for me. I decided that I wanted people to see me in that film and be like “Was that so-and-so?” They kept asking me “Can we see your face a little bit more?” and I’m just like “No. Not at all.” It’s one of those cameos that will be super fun to watch.

Even on that film with all these big stars in it, though… I sat around in Florida doing that film and all I wanted to do was go back to Georgia and be Daryl Dixon again. So, my heart’s really in Daryl Dixon.

You can see Norman Reedus as Daryl Dixon in “The Walking Dead” when Season 3 premieres on AMC on October 14.

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Grow TFU

Adulting Like You Mean It

Commuters makes its debut on IFC's Comedy Crib.

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Jared Warner, Nick Ciavarella, and Tim Dean were once a part of Murderfist, a group of comedy writers, actors, producers, parents, and reluctant adults. Together with InstaMiniSeries’s Nikki Borges, they’re making their IFC Comedy Crib debut with the refreshingly-honest and joyfully-hilarious Commuters. The webseries follows thirtysomethings Harris and Olivia as they brave the waters of true adulthood, and it’s right on point.

Jared, Nick, Nikki and Tim were kind enough to answer a few questions about Commuters for us. Here’s a snippet of that conversation…

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IFC: How would you describe Commuters to a fancy network executive you met in an elevator?

Nick: Two 30-somethings leave the Brooklyn life behind, and move to the New Jersey suburbs in a forced attempt to “grow up.” But they soon find out they’ve got a long way to go to get to where they want to be.

IFC: How would you describe Commuters to a drunk friend of a friend you met in a bar?

Jared: It’s a show about how f*cking stupid people who think they are smart can be.

IFC: What’s your origin story? When did you all meet and how long have you been working together?

Jared: Nick, Tim, and I were all in the sketch group Murderfist since, what, like 2004? God. Anyway, Tim and Nick left the group to pursue other frivolous things, like children and careers, but we all enjoyed writing together and kept at it. We were always more interested in storytelling than sketch comedy lends itself to, which led to our webseries Jared Posts A Personal. That was a show about being in your 20s and embracing the chaos of being young in the city. Commuters is the counterpoint, i guess. Our director Adam worked at Borders (~THE PAST!!~) with Tim, came out to a Murderfist show once, and we’ve kept him imprisoned ever since.

IFC: What was the genesis of Commuters?

Tim: Jared had an idea for a series about the more realistic, less romantic aspects of being in a serious relationship.  I moved out of the city to the suburbs and Nick got engaged out in LA.   We sort of combined all of those facets and Commuters was the end result.

IFC: How would Harris describe Olivia?

Jared: Olivia is the smartest, coolest, hottest person in the world, and Harris can’t believe he gets to be with her, even though she does overreact to everything and has no chill. Like seriously, ease up. It doesn’t always have to be ‘a thing.’

IFC: How would Olivia describe Harris?

Nikki:  Harris is smart, confident with a dry sense of humor but he’s also kind of a major chicken shit…. Kind of like if Han Solo and Barney Rubble had a baby.

IFC: Why do you think the world is ready for this series?

Nikki:  I think this is the most accurate portrayal of what a modern relationship looks like. Expectations for what your life is ‘supposed to look like’ are confusing and often a let down but when you’re married to your best friend, it’s going to be ok because you will always find a way to make each other laugh.

IFC: Is the exciting life of NYC twentysomethings a sweet dream from which we all must awake, or is it a nightmare that we don’t realize is happening until it’s over?

Tim: Now that i’ve spent time living in the suburbs, helping to raise a two year old, y’all city folk have no fucking clue how great you’ve got it.

Nikki: I think of it similar to how I think about college. There’s a time and age for it to be glorious but no one wants to hang out with that 7th year senior. Luckily, NYC is so multifaceted that you can still have an exciting life here but it doesn’t have to be just what the twentysomethings are doing (thank god).

Jared: New York City is a garbage fire.

See the whole season of Commuters right now on IFC’s Comedy Crib.

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C'mon Fellas

A Man Mansplains To Men

Why Baroness von Sketch Show is a must-see.

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Mansplaining is when a man takes it upon himself to explain something to a woman that she already knows. It happens a lot, but it’s not going to happen here. Ladies, go ahead and skip to the end of this post to watch a free episode of IFC’s latest addition, Baroness von Sketch Show.

However, if you’re a man, you might actually benefit from a good mansplanation. So take a knee, lean in, and absorb the following wisdom.

No Dicks

Baroness von Sketch Show is made entirely by women, therefore this show isn’t focused on men. Can you believe it? I know what you’re thinking: how will we know when to laugh if the jokes aren’t viewed through the dusty lens of the patriarchy? Where are the thinly veiled penis jokes? Am I a bad person? In order: you will, nowhere, and yes.

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Huge Balls

Did you know that there’s more to life than poop jokes, sex jokes, body part jokes? I mean, those things are all really good things, natch, and totally edgy. But Baroness von Sketch Show does something even edgier. It holds up a brutal funhouse mirror to our everyday life. This is a bulls**t world we made, fellas.

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Oh Canada

After you watch the Canadian powerhouses of Baroness von Sketch Show and think to yourself “Dear god, this is so real” and “I’ve gotta talk about this,” do yourself a favor and think a-boot your options: Refrain from sharing your sage wisdom with any woman anywhere (believe us, she gets it). Instead, tell a fellow bro and get the mansplaining out of your system while also spreading the word about a great show.

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Dudes, that’s the deal.
Women, start reading again here:


Check out the preview episode of Baroness von Sketch Show and watch the series premiere August 2 on IFC.

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Happy Tears

Binge Don’t Cringe

Catch up on episodes of Documentary Now! and Portlandia.

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Photo Credit: GIFs via GIPHY

A brain can only take so much.

Every five minutes, all day, every day, ludicrously stressful headlines push our mental limits as we struggle to adapt to a reality that seems increasingly less real. What’s a mind to do when simple denial just isn’t good enough anymore?

Radical suggestion: repeal and replace. And by that we mean take all the bad news that keeps you up at night, press pause, and substitute it with some genuine (not nervous, for a change) laughter. Here are some of the issues on our mind.

Gender Inequality

Feminist bookstore owners by day, still feminist bookstore owners by night, Toni and Candace show the male gaze who’s boss. Learn about their origin story (SPOILER: there’s an epic dance battle) and see what happens when their own brand of empowerment gets out of hand.

Healthcare

From Candace’s heart attack to the rise of the rawvolution, this Portlandia episode proves that healthcare is vital.

Peaceful Protests

Too many online petitions, too little time? Get WOKE with Fred and Carrie when they learn how to protest.

What Could Have Been

Can’t say the name “Clinton” without bursting into tears? Documentary Now!’s masterfully political “The Bunker” sheds a cozy new light on the house that Bill and Hill built. Just pretend you don’t know how the story really ends.

Fake News

A healthy way to break the high-drama news cycle is to switch over to “Dronez”, which has all the thrills of ubiquitous adventure journalism without any of the customary depression.

The more you watch, the better you feel. So get started on past episodes of Documentary Now! and Portlandia right now at IFC.com and the IFC app.

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