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IFC.com’s 2012 Fall Movie Preview Guide

IFC Fall Movie Preview Guide

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We’ve finally exited the bombastic season of summer blockbusters, but by no means is Hollywood through with us. September through December is when studios release some of their most original and interesting films, often with an eye towards Oscar gold. Given that dozens of films are on the release calendar during this period, we’ve put together a handy guide showcasing some of the best and brightest of the fall fare. So with that in mind, take a gander at our substantive Fall Movie Preview Guide.

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9/7 – “BRANDED” (Roadside Attractions – Jamie Bradshaw and Aleksandr Dulerayn – Sci-Fi)

A scene from BrandedWhat use does anyone have for subtlety when Max Von Sydow is out there forcing us to eat hamburgers, buy smartphones and have sex in cars? A variation on John Carpenter’s “They Live” with something resembling a “Matrix”-sized budget, “Branded” stars Ed Stoppard as just another working stiff in a sprawling (and vaguely green-tinted, as these things usually go) metropolis who suddenly starts seeing the world as a series of Xbox 360 cutscenes gone stark raving mad, a glimpse behind the curtain of the Big Brother corporation that’s controlling our instincts, desires and even personalities via some sort of implant. Consumerist satire is nothing new to science fiction (did we mention “They Live”?), but “Branded” at least has what looks like a unique gonzo visual style courtesy of the writing and directing team of Jamie Bradshaw and Aleksandr Dulerayn. Jeffrey Tambor and Leelee Sobieski are also in this, which just makes it all the weirder.


9/7 – “THE INBETWEENERS MOVIE” (Wrekin Hill Entertainment – Ben Palmer – Comedy)

A scene from The Inbetweeners MovieSuburban teenagers Will (Simon Bird), Jay (James Buckley), Neil (Blake Harrison) and Simon (Joe Thomas) pack up their adolescent angst and raging libidos and trade the rainy doldrums of England for the sunny climes of Malia, embarking on a much-needed vacation that doesn’t quite end up being what they expected. Seedy hotels, public humiliations, run-ins with drug dealers and more than a few sexual misadventures are the name of the game in this feature film adapted from the popular British television series (which this film brings to a definitive end), an inspired-looking bit of cinematic mayhem that could very well dethrone “Project X” as 2012’s number-one party movie that parents hope their kids will never see. What better way to take the edge off of going back to school than by spending some time on a Greek island with a quartet whose coming-of-age always takes the most extreme route possible?


9/7 – “THE WORDS” (CBS Films – Brian Klugman and Lee Sternthal – Drama)

A scene from The WordsWant to plunge yourself into the deepest existential crisis you could ever imagine? Commit plagiarism! “The Words” follows an aspiring writer (Bradley Cooper) who finally achieves the success he’s been craving when he publishes the next great American novel – an epic romantic tome that he didn’t write himself. The consequences are dire when the truth comes a’callin’, made all the more ominous by being embodied by a strange old man on a park bench (Jeremy Irons) whose cryptic storytelling reveals the reality behind the fiction … and vice-versa. After “Limitless” and now this, Bradley Cooper can play a grinning doofus whose new ultra-life comes with a very high price in his sleep, though the film itself seems a bit confused when the sudden appearance of the song “Demons” by Imagine Dragons over the last part of the trailer makes it seem like an MTV movie that should be starring Zac Efron and Miley Cyrus. Still, “The Words” earned some good buzz from Sundance earlier this year, and it’s not like anyone should turn down the chance to see a supporting cast that includes Zoe Saldana, Olivia Wilde, Dennis Quaid and J.K. Simmons, who plays a businessman who has to tell his perpetually broke, pushing-40 artiste son that maybe writing should just be a “hobby.”


9/14 – “THE MASTER” (The Weinstein Company – Paul Thomas Anderson – Drama)

Philip Seymour Hoffman in The MasterPaul Thomas Anderson’s first film in five years (following 2007’s excellent “There Will Be Blood”) comes with a bit of pre-packaged controversy as his post-war fable about a wandering soul (Joaquin Phoenix) who’s “saved” by a spiritual guru (Philip Seymour Hoffman) bears more than a passing resemblance to the life story of L. Ron Hubbard and the rise of Scientology. Indeed, Anderson has tried to cut off any potential (and probably inevitable) grumblings at the pass by already showing the film to what could be either his greatest ally or worst enemy in this endeavor: his “Magnolia” pal and number-one Scientology celebrity champion, Tom Cruise. Cruise reportedly has “some problems” with the film but certainly doesn’t seem to be all up in arms about it; hopefully, we’ll be able to judge “The Master” on its own terms and not as the “propaganda film” some might claim it to be. The fact that Anderson has never made a bad movie certainly sets the bar pretty high; personally, we have a feeling this one might even end up being his all-time best.


9/14 – “RESIDENT EVIL: RETRIBUTION” (Sony Pictures – Paul W.S. Anderson – Action/Horror/Sci-Fi)

Milla Jovovich in Resident Evil: RetributionMilla Jovovich is back doing what she does best in the fifth (!) installment of the action horror series that no one really likes but apparently can’t help but watch. It looks like business as usual (and once again in 3D, as with the 2010’s “Afterlife”) as Alice (Jovovich) grabs her double guns and teams up with a resistance movement that’s determined to take down the ever-corrupt, ever-untouchable Umbrella Corporation, the uber-conglormerate responsible for turning most of the world’s population into ravenous zombies and other mutant monsters. “Retribution” makes for something of a reunion as several series alums are making appearances (whether they died in previous installments or not), including Michelle Rodriguez (absent since the 2002 original), Sienna Guillory (as fan favorite Jill Valentine), Oded Fehr and Shawn Roberts (as supervillain Albert Wesker). What, no Mike Epps? What kind of show is Paul W.S. Anderson running here? Anyway, “Retribution” reportedly marks the “beginning of the end” for a franchise that somehow keeps getting resurrected almost in spite of itself.


9/21 – “DREDD 3D” (Lionsgate – Pete Travis – Action/Sci-Fi)

Karl Urban in Dredd 3D“I AM DA LAW!” Sylvester Stallone made a go at Judge Dredd, the judge, jury and executioner of the popular British comic book series “2000 AD,” back in 1995 with a failed film adaptation that didn’t stand a chance against opening opposite “Apollo 18″ (or opening opposite anything, really). The character’s definitely got a cult following, so it was only a matter of time before someone gave him an upgrade and a hearty R rating for some rather extreme “RoboCop”-level violence. Karl Urban, who can play anything from a Middle-earth warrior in “The Lord of the Rings” to a scowling Russian assassin in “The Bourne Supremacy” to, well, Bones in “Star Trek,” plays Dredd this time around, a mighty and at times merciless enforcer of justice in the irradiated future world of Mega City One, a sparawling metropolis overwrought with crime and corruption. The film screened earlier this summer at the San Diego Comic-Con, where it received some praise for not pulling any punches in bringing to life a city where bullets fly like there’s no tomorrow.


9/21 – “END OF WATCH” (Open Road – David Ayer – Drama/Mystery)

A scene from End of Watch“So why do they call you Big Evil?” “’cause my evil’s big.” Writer-director David Ayer once again hits the mean streets of Los Angeles with this crime drama in which two LAPD officers (Jake Gyllenhaal and Michael Peña) make what seems like the bust of their careers when they confiscate a bunch of money and guns during a routine traffic stop. Unfortunately, this act of protecting and serving makes them the targets of a powerful drug cartel that likes to do things like shoot up homes with machine guns in the middle of the night – for starters. Ayer, who wrote “Training Day,” “S.W.A.T.” and “Dark Blue” and wrote/directed “Harsh Times,” is obviously right at home with this kind of gritty cop tale, and with “End of Watch” he goes for a “found footage” kind of look to up the sense of realism and intensity. If only we didn’t have such a hard time accepting Gyllenhaal as a grown-up – we still only see the kid from “Donnie Darko” every time we look at him.


9/21 – “HOUSE AT THE END OF THE STREET” (Rogue – Mark Tonderai – Horror/Thriller)

Jennifer Lawrence in House at the End of the StreetIt was probably only a matter of time before someone put Jennifer Lawrence, the rising star of “Winter’s Bone” and “The Hunger Games,” in a white tank top and made her stake her claim as a modern-day Scream Queen. Lawrence plays Elissa, a teenager who moves with her newly divorced mother (Elisabeth Shue) to an upscale (and almost surely isolated) country community, where she becomes involved with the cute guy next door (Max Thieriot) who harbors a deadly secret involving murder and mayhem. Lawrence’s perfectly art-directed grimy, sweaty cleavage should sell some tickets, though whether she’s a true movie star outside the realm of Panem remains to be seen; meanwhile, we’re having trouble with the fact that the hottie from “Adventures in Babysitting” is now old enough to have a teenager of her own. The film’s already been nominated for Best Sound Editing by the Directors Guild of Canada, so we know all those creaking floors, high-pitched wails and various bumps in the night will at least sound good.


9/21 – “TROUBLE WITH THE CURVE” (Warner Bros. – Robert Lorenz – Drama)

Clint Eastwood in Trouble with the CurveIt’s been a while since baseball was used as a metaphor for the various unpredictable victories and defeats of … well, life, so leave it to Clint Eastwood, Hollywood’s seemingly tireless MVP, to take us back out to the ball game. Eastwood plays Gus, a longtime talent scout who’s got one good trip left in him; his estranged daughter (Amy Adams) accompanies him on his last swing for the fences, during which he encounters a longtime rival (Justin Timberlake) who’s got eyes for his little girl. “Trouble With the Curve” marks Eastwood’s first acting gig since 2008’s “Gran Torino” and his first starring role in a movie he didn’t direct himself since 1993’s “In the Line of Fire”; calling the shots (and pitches) is Eastwood’s longtime pal and producer, Robert Lorenz, making his feature directorial debut. Expect this one to be a grizzled yet gentle fable that might do for fathers and daughters what “Field of Dreams” did for fathers and sons.


9/14 – “THE PERKS OF BEING A WALLFLOWER” (Summit – Stephen Chbowsky – Drama)

Emma Watson and Ezra Miller in The Perks of Being a WallflowerStephen Chbosky directs his own adaptation of his own novel, a “period piece” of sorts (it takes place in the early ’90s, which, in many ways, might as well be 100 years ago) about a high school freshman (Logan Lerman) who’s taken under the wing of two seniors (Emma Watson and Ezra Miller) as he deals with first love, the suicide of his best friend and other seemingly insurmountable challenges of transitioning into adulthood. The exceptional book definitely has its fans, but the real draw here is seeing Emma Watson in her first major post-“Harry Potter” role; she’s apparently determined to still be seen as a student, unlike her colleague, Daniel Radcliffe, who jumped right into playing a widowed father in “The Woman in Black.” Early buzz says that Chbosky has been blessed by John Hughes, which is certainly a “Perk”; God knows we’re extremely overdue for a truly insightful, witty and unironic film about teenagers.


9/28 – “SOLOMON KANE” (Radius-TWC – Michael J. Bennett – Adventure/Fantasy)

A scene from Solomon Kane“I am not yet ready for hell!” An old-fashioned morality tale told as an epic fantastical action-adventure, “Solomon Kane” stars James Purefoy as a brutal mercenary of Queen Elizabeth I who changes his violent ways when he finds out that he’s headed straight for you-know-where. He successfully lives a life of peace until he’s called back into action after an evil sorcerer (Jason Flemyng) kidnaps a Puritan girl (Rachel Hurd-Wood) and has her family slaughtered in front of her. Time to set stuff on fire and turn dramatically to the camera to say “Follow me!” in the mostly grimly determined way possible! This one’s been held at U.S. customs for three years now, as other countries have been enjoying “Solomon Kane” since late 2009; the film now serves as a warm-up of sorts before director Michael J. Bennett unveils his big Hollywood debut, “Silent Hill: Revelation 3D,” a month later. “Solomon Kane” also marks one of the last films of the late, great Pete Postlethwaite, who, along with Max von Sydow, provides old-timer gravitas to all the sword-swinging chaos.


9/28 – “LOOPER” (TriStar Pictures – Rian Johnson – Action/Sci-Fi)

Joseph Gordon-Levitt in LooperWe’ve been waiting almost 17 years for something to be referred to as “the next ’12 Monkeys,'” and it looks like we’re finally getting it in the form of Rian Johnson’s new sci-fi action film – which, appropriately enough, also features the doomed hero of “Monkeys,” Bruce Willis. Joseph Gordon-Levitt, the writer-director’s unofficial muse (they previously rocked the house – or the high school, rather – with the noir mystery, “Brick”), plays the title role, a future-world assassin who incorporates time travel into his work; things go completely meta-bonkers when his latest target ends up being his older self (Willis), who manages to avoid being the victim of what would’ve been the most mind-bending case of murder-suicide in history. The trailer released a few months ago was amazing enough, but the extended look given at this summer’s San Diego Comic-Con promises a film that’s going to be as exciting and entertaining as it is thought-provoking and smarty-pants cool (just like “12 Monkeys” before it).

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Face Melting Cameos

The 10 Most Metal Pop Culture Cameos

Glenn Danzig drops by Portlandia tonight at 10P on IFC.

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Glenn Danzig rocks harder than granite. In his 60 years, he’s mastered punk with The Misfits, slayed metal with the eponymous Danzig, and generally melted faces with the force of his voice. And thanks to Fred and Carrie, he’s now stopping by tonight’s brand new Portlandia so we can finally get to see what “Evil Elvis” is like when he hits the beach. To celebrate his appearance, we put together our favorite metal moments from pop culture, from the sublime to the absurd.

10. Cannibal Corpse meets Ace Ventura

Back in the ’90s,  Cannibal Corpse was just a small time band from Upstate New York, plying their death metal wares wherever they could find a crowd, when a call from Jim Carry transformed their lives. Turns out the actor was a fan, and wanted them for a cameo in his new movie, Ace Ventura: Pet Detective. The band had a European tour coming up, and were wary of being made fun of, so they turned it down. Thankfully, the rubber-faced In Living Color vet wouldn’t take no for an answer, proving that you don’t need to have a lot of fans, just the right ones.


9. AC/DC in Private Parts

Howard Stern’s autobiographical film, based on his book of the same name, followed his rise in the world of radio and pop culture. For a man surrounded by naked ladies and adoring fans, it’s hard to track the exact moment he made it. But rocking out with AC/DC in the middle of Central Park, as throngs of fans clamor to get a piece of you, seems like it comes pretty close. You can actually see Stern go from hit host to radio god in this clip, as “You Shook Me All Night Long” blasts in the background.


8. Judas Priest meets The Simpsons

When you want to blast a bunch of peace-loving hippies out on their asses, you’re going to need some death metal. At least, that’s what the folks at The Simpsons thought when they set up this cameo from the metal gods. Unfortunately, thanks to a hearty online backlash, the writers of the classic series were soon informed that Judas Priest, while many things, are not in fact “death metal.” This led to the most Simpson-esque apology ever. Rock on, Bartman. Rock on.


7. Anthrax on Married…With Children

What do you get when Married…with Children spoofs My Dinner With Andre, substituting the erudite playwrights for a band so metal they piss rust? Well, for starters, a lot of headbanging, property destruction and blown eardrums. And much like everything else in life, Al seems to have missed the fun.


6. Motorhead rocks out on The Young Ones

The Young Ones didn’t just premiere on BBC2 in 1982 — it kicked the doors down to a new way of doing comedy. A full-on assault on the staid state of sitcoms, the show brought a punk rock vibe to the tired format, and in the process helped jumpstart a comedy revolution. For instance, where an old sitcom would just cut from one scene to the next, The Young Ones choose to have Lemmy and his crew deliver a raw version of “Ace of Spades.” The general attitude seemed to be, you don’t like this? Well, then F— you!


5. Red and Kitty Meet Kiss on That ’70s Show

Carsey-Werner Productions

Carsey-Werner Productions

Long before they were banished to playing arena football games, Kiss was the hottest ticket in rock. The gang from That ’70s Show got to live out every ’70s teen’s dream when they were set loose backstage at a Kiss concert, taking full advantage of groupies, ganja and hard rock.


4. Ronnie James Dio in Tenacious D in The Pick of Destiny (NSFW, people!)

What does a young boy do when he was born to rock, and the world won’t let him? What tight compadre does he pray to for guidance and some sweet licks? If you’re a young Jables, half of “the world’s most awesome band,” you bow your head to Ronnie James Dio, aka the guy who freaking taught the world how to do the “Metal Horns.” Never before has a rock god been so literal than in this clip that turns it up to eleven.


3. Ozzy Osbourne in Trick or Treat

It’s hard to tell if Ozzy was trying his hardest here, or just didn’t give a flying f–k. What is clear is that, either way, it doesn’t really matter. Ozzy’s approach to acting seems to lean more heavily on Jack Daniels than sense memory, and yet seeing the slurry English rocker play a sex-obsessed televangelist is so ridiculous, he gets a free pass. Taking part in the cult horror Trick or Treat, Ozzy proves that he makes things better just by showing up. Because that’s exactly what he did here. Showed up. And it rocks.


2. Glenn Danzig on Portlandia

Danzig seems to be coming out of a self imposed exile these days. He just signed with a record company, and his appearance on Portlandia is reminding everyone how kick ass he truly is. Who else but “The Other Man in Black” could help Portland’s resident goths figure out what to wear to the beach? Carrie Brownstein called Danzig “amazing,” and he called Fred “a genius,” so this was a rare love fest for the progenitor of horror punk.


1. Alice Cooper in Wayne’s World

It’s surprising, sure, but for a scene that contains no music whatsoever, it’s probably the most famous metal moment in the history of film. When Alice Cooper informed Wayne and Garth that Milwaukee is actually pronounced “Milly-way-kay” back in 1992, he created one of the most famous scenes in comedy history. What’s more metal than that? Much like Wayne and Garth, we truly are not worthy.

Top 10 bullet scenes in movies

Keanu Reeves in The Matrix

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With this week’s premiere of IFC’s crime-ridden, ultra-violent two-night event “Bullet in the Face” (kicking off Thursday 10/9c), let’s lock, load and take aim at some of the most memorable bullet scenes in cinema.


“The Matrix” (1999) – “Bullet time”

One simply cannot even fathom doing a bullet-themed feature without including the film that introduced the term “bullet-time” into the pop culture consciousness. While some of the visual effects in the Wachowskis’ game-changing science-fiction thriller may now look a little dated (hey, it’s been over 13 years, after all), the maestro flourish featuring Neo (Keanu Reeves) dodging the tiny particles being fired at him by the Agents (mostly by really, really leaning back) remains an exhilarating sight. What a great hero moment – and a great bullet moment, at that.


“Superman Returns” (2006) – “Bullet vs. Superman’s Eye”

And who do you think wins? Special effects technology has leaped tall buildings in a single bound since the time of the 1978 “Superman,” which means that by 2006 director Bryan Singer could really get big (or, in this case, small) in showing off the many powers of the Man of Steel. We love this scene mostly because this idiot truly seems to think that a silly machine gun is going to stop the guy in the red cape whom everyone knows can’t be hurt by bullets, even when there’s a lot of them all at once. That single bullet being crushed by coming into contact with one of Superman’s baby blues is one of the film’s most audience-pleasing moments.


“Fight Club” (1999) – “Exorcising Tyler Durden”

Sure, the Narrator’s (Edward Norton) last resort in ridding himself of his id-driven terrorist alter-ego (Brad Pitt) might not make much sense (we guess a bullet in the cheek is a quick cure for psychosis?), but it sure is viscerally satisfying … especially when Tyler himself gets one more quip in (“What’s that smell?”) before hitting the floor and floating back into the subconsious. One has to wonder if screenwriter Jim Uhls didn’t quite know how to wrap up the central conflict in “Fight Club” after considerably changing the ending of Chuck Palahniuk’s novel already, but hey, there’s something about it that works just fine. Unfortunately we don’t have the clip itself, but why not go behind-the-scenes of the movie magic that brought this slo-mo ker-blam to life?


“Pulp Fiction” (1994) – “Marvin Should’ve Had an Opinion”

“Oh man, I shot Marvin in the face…” John Travolta’s blithe line reading of hapless hitman Vincent Vega’s reaction to his unfortunate “accident” in Quentin Tarantino’s “Pulp Fiction” turns a shockingly violent set piece into one of the film’s funniest moments (Jules’ profane-ridden outrage at the sudden situation helps, too). We’ll never quite know how Vincent managed to squeeze on the trigger whilst insisting that his associate, Marvin, has to have an opinion on whether or not the fact that he and Jules (Samuel L. Jackson) survived a recent ambush was an “act of God” or not, but it’s probably most definitely not because driver Jules “hit a bump or something.” Anyway, time to get to Jimmy’s at Toluca Lake and call the Wolf to clean up the mess!


“Fargo” (1996) – “Ohhhhh geez…”

“I gave simple fu**ing instructions!” Oh, Carl, don’t you know this caper was doomed from the start when it couldn’t be agreed whether Shep said the meeting was 7:30 or 8:30? Things go from bad to almost supernaturally worse in “Fargo,” and Wade’s (Harve Presnell) alpha-male ego doesn’t help matters when he thinks he can strong-arm the men who kidnapped his daughter. “No Jean, no money!” gets Wade shot through his parka (we love that poof of cotton – oh, Coen Brothers!), though he manages to avenge himself somewhat by shooting Carl in the face (Steve Buscemi). “You should see the other guy,” Carl will later joke to his partner, Gaer Grimsrud (Peter Stormare), who will later top it all by showing you don’t need a gun when an axe and wood chipper will do just fine.

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The five most kick-ass R. Lee Ermey movie roles

R Lee Ermy in Full Metal Jacket

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If there’s a character actor on the planet that’s better at yelling loudly at people onscreen than R. Lee Ermey, I’d be very surprised. The retired United States Marine Corps Drill Instructor-turned actor has been around for a long time and has racked up some of the most easily recognizable performances in cinematic history. In honor of Ermey’s most famous role (as Gunnery Sergeant Hartman) in Stanley Kubrick’s “Full Metal Jacket” hitting Blu-ray this week in a fabulous 25th Anniversary Digibook Collection, we decided to run down the actor’s top five greatest, and most memorable, performances. Company…. Halt!


“Willard” (2003)

Glen Morgan’s 2003 re-imagining of the 1971 rat-loving film “Willard” is easily one of the most underrated horror films of the last decade. A true slow burn of a film, “Willard” boasts amazing performances by the ultra-creepy Crispin Glover, R. Lee Ermey, Laura Elena Harring, and hundreds of rats both real and CGI. And while Glover’s offbeat performance as the eccentric outsider tasked with taking care of his sickly, cantankerous mother is often praised as the film’s greatest asset (and for good reason), R. Lee Ermey’s turn as Willard’s jerk of a boss is nearly as impressive. If there’s anything that Ermey does well, it’s berate people, humiliate them, and play up the mean old crank in his characters, and Frank Martin is no exception. By the time he eventually bites it, at the hands of many an angry rat, the audience is thrilled to see him go. It’s a testament to Ermey’s performance that he not only effectively gets under the skin of his fellow characters, but he also drives the audience equally as mad. Bonus points goes to “Willard” for an ingenious and absolutely perfect use of Michael Jackson’s classic song “Ben.”


“The Texas Chainsaw Massacre” (2003)

Nobody really wanted to give Marcus Nispel and Michael Bay’s remake of Tobe Hooper’s horror classic “The Texas Chainsaw Massacre” a shot, and I don’t really blame them. The 1974 original is a seminal film in the genre and one that is nearly possible to replicate. What audiences didn’t count on, however, was that Nispel’s vision would actually be pretty interesting. His version of “The Texas Chainsaw Massacre” might not be the original, but it doesn’t have to be. It’s a fun re-imagining of the film and one that stands on its own pretty well. And much of that success is due to R. Lee Ermey’s turn as the no-nonsense Sheriff Hoyt. He’s loud, angry, and obnoxious but he’s also one of the highlights of the film. Ermey makes the character evil to the core and, again, it’s a relief when he’s finally dispatched (this time via the hulking mass of a car being driven over his body repeatedly).


“Toy Story” Series (1995, 1999, 2010)

And so we come to the softer side of R. Lee Ermey. Since the film “Toy Story” film in 1995 until the most recent entry in the series hit theaters in 2010, Ermey has played the leader of the plastic Army men, Sarge, to perfection. It’s not nearly the biggest part in a huge ensemble of excellent voice actors (the Army men don’t exactly have a ton of screen time in the series), but it’s a memorable one that helped introduce the grizzled voice of the character actor to a whole new generation of kids raised on Pixar awesomeness. Imagine an extremely toned-down version of Gunnery Sergeant Hartman and you’ll have a good idea of what Ermey is doing here. Fun stuff.


“Se7en” (1995)

Probably one of the most overlooked roles in Ermey’s illustrious career is that of the police captain in David Fincher’s 1995 hit “Se7en.” Ermey takes the limited role and makes it his own in a way that only R. Lee Ermey could do. The captain is quick-witted, impatient, and smarmy in a way that’s completely unique and captivating. He’s a no-nonsense guy that doesn’t want to deal with all the B.S. and just wants to close his cases – something that neither Mills (Brad Pitt) nor Somerset (Morgan Freeman) are making easy for him. Ermey’s role in “Se7en” is another one of those character actor parts that might make audiences say, “Hey, I know that guy! He’s that guy from that movie!” but it’s also an important one that’s help make the Fincher thriller a classic.


“Full Metal Jacket” (1987)

R. Lee Ermey’s role as Gunnery Sergeant Hartman in Stanley Kubrick’s 1987 film “Full Metal Jacket” is easily the actor’s (and, I would argue, cinema’s) most memorable characters. The foul-mouthed, sharp-tongued Marine is the piece of the puzzle that keeps the first half of Kubrick’s film together and has become so ubiquitous in pop culture that it’s been parodied, copied, and even turned into an Internet meme numerous times. What is perhaps most amazing in all of this, however, is the fact that Ermey wasn’t even supposed to play the drill instructor role when Kubrick was first putting together his classic. He was simply a technical advisor on the film until the legendary director heard the actor going on a drill instructor tirade and knew he was perfect for Hartman. So impressed, Kubrick even relinquished some of his storied control of the product by letting Ermey write and ad-lib much of his own dialogue. We’d say it worked. Ermey’s scenes in “Full Metal Jacket” are some of the most recognizable in cinematic history.


What’s your favorite R. Lee Ermey movie role? Tell us in the comments below or on Facebook and Twitter.

 

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